Acrylic Archives - Page 4 of 10

Rachel Barber

1 June 2021
Abstract, Acrylic, Artists, Australia, New Zealand & Oceania, Expressionism, Featured Artists, Figures, Mixed Media, Nature, Painting, Spray Paint

LOCKDOWN LIMBO REVERSED

Rachel Barber is an inspiration to us all. With her enthusiasm, self-discipline and drive she took the economic and psychological impact of a COVID19 lockdown job and home loss, and turned the situation around into an opportunity for artistic growth and self-employment. And what an opportunity she created! Rachel tells us about it . . .

After I left school, I studied Digital Photography at Raffles College of Design. I have always been an artist, but I always worked as well. I was in such limbo when lockdown happened, I had lost all my work overnight due to COVID and moved out of my flat the day of lockdown. So, I was really faced with the reality of a ‘blank canvas’ in my life. I just knew I wanted to paint every day, that it was my dream job and my passion. So, the biggest flex was just saying to myself – I’m going to do this thing! I came to the realisation “I literally have nothing to lose right now.

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Pat Nielsen

1 June 2021
Acrylic, Artists, Australia, New Zealand & Oceania, Expressionism, Featured Artists, Nature, Painting, Stylized, Symbolism

STRUCTURED REALITY

I made my first timid venture into the world of creating art about 20 years ago when a friend suggested I should enroll with Tony Clarke – a local art teacher who runs a very successful art school. It was there that I overcame my terror of the blank canvas and realised that I could at least draw

Under Tony’s watchful eye I learned a lot of valuable techniques and I gradually began to develop my own style. I subsequently decided I was not a group artist and went my own way. Although I am quite ambitious and competitive, I never saw art as a possible career. Also, I was totally immersed in another passion which was tutoring year 11 and 12 maths. I was self-taught and started by helping our oldest son’s friends to prepare for NCEA1. This quickly developed into a commitment and, eventually, it took up most of the late afternoons sharing my time with keeping control of a husband (who is also an artist using wood as a medium) and three young boys and two foster children.

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Susannah Law

22 April 2021
Acrylic, Animals, Artists, Australia, New Zealand & Oceania, Birdlife, Fantasy, Featured Artists, Hyper Realism, Illustration, Nature, Painting

Since childhood, Susannah Law has been receiving awards for her artwork and it was always her dream to be an artist. With much encouragement from family and friends, she finally completed a Diploma in Fine Arts from Hungry Creek Art School in Puhoi.

My mother always supported me and organised private lessons for me during my teen years with my forever favourite art tutor (late) Kathleen Bartlett. Kathleen was so passionate about art and the history of art which she studied in London, she was always inspiring to me. I can remember her even now, vividly telling a story of her travels such as to murals in Greece and Turkey and other exhibits she visited, how Van Gogh’s originals move you in a way that prints never could and that paintings in their original form always have a better impact.

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Alex Hoare

22 April 2021
Acrylic, Artists, Australia, New Zealand & Oceania, Featured Artists, Impressionism, Oils, Painting

As with all artists across the board, the issue of confidence in ability is always a tenuous thing, especially when young and starting out. Alex Hoare is just such a young talented artist, who is finding out exactly how much talent he really has, both with visual and performance art. Colin Hoare, Alex’s father was featured in our September October 2014 issue, and visited us here in Whangarei around the same time, bringing his twin sons, Alex and James to introduce them. It is with great pride and pleasure that we introduce our readers to Alex, his talents and his reflections.

The only formal training for art I’ve had was in classes at school. My art class in high school was the foundation for my understanding of art and made me excited to create; it gave me a really good baseline understanding of how to apply different materials and techniques to my work to create art that looked the way I wanted it to. I remember we would experiment with so many different mediums and just have fun with creating art and I think that’s still so important to my creative process now.

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Clint©

1 February 2021
Acrylic, Animals, Artists, Australia, New Zealand & Oceania, Painting, Realism, Stylized

Clinton Christian’s proudest moment in his artistic career was the first time he ever exhibited in a gallery, a solo show at The Mandarin Tree Gallery, Gordonton, in 2018. This was a huge success, “It was kind of a ‘coming out’ show called ‘Resolution’, many of my friends didn’t even know I could paint. Creating the new work under pressure for the show, and almost selling half my work on opening day gave me the confidence to call myself an artist.”

Born in Hamilton, Clinton, most commonly known as Clint©, achieved a Certificate in Visual Arts at the Waikato Polytechnic in 1992. He was an A+ student at art school, but realised the income from being a relatively unknown artist wasn’t going to get him on the property ladder and so he joined the building industry. He trained and worked as a draftsman, which is an occupation that allows for some sort of creativity, but not enough for him to realise his true ambition of becoming a full-time artist. “Too many straight lines,” he jokes.

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Wendy Leach

1 February 2021
Abstract, Acrylic, Artists, Australia, New Zealand & Oceania, Landscape, Oils, Painting, Stylized

Three years at Elam School of Fine Arts, Auckland University (Diploma of Fine Arts) and two years at Whitecliffe College of Art and Design (Master of Fine Arts, 1st class honours) has seen Wendy Leach through to a fine career in visual arts. She tells us her of her process and progress.

I went to Elam when I left school, then trained as a secondary teacher. I became an art teacher first, then an exhibiting artist later. In terms of a philosophy that drives my creative soul, that would be the language and understanding of the power of opposites, yin and yang. These complementary opposites - dark and light, black and white, night and day, warm and cool, storm and calm - are fundamental to my current paintings as I explore the natural elements around me.

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Marie Reid-Beadle

1 November 2020
Acrylic, Animals, Artists, Australia, New Zealand & Oceania, Birdlife, Drawing, Hyper Realism, Painting, Surrealism

BOVINE BLISS

Self-taught, art has always been a passion for Marie Reid-Beadle. She spent a lot of time doodling and sketching in her teen years. Some 10 years later, after her first child was born, she decided to purchase some quality paints and a quality canvas and entered a painting in an open exhibition at the Otago Art Society. The painting sold - not to her great aunt or an empathetic friend, but to a total stranger. She was on a high all week!

My creative soul is driven by the world around me. I am so grateful and blessed to now live in the beautiful Catlins. I often just drive around looking for a photo opportunity. Seeing maybe a heron, kingfishers, cows and wildlife that give me ideas for my next painting. My balancing act painting called ‘The Steward Island Party’ was based on being in Stewart Island for a 50th birthday and the birds that we encountered.

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Lynn Isherwood

1 November 2020
Acrylic, Animals, Artists, Australia, New Zealand & Oceania, Birdlife, Ceramics, Expressionism, Fantasy, Figures, Painting, Sculpture

THE CREATIVE FLOW

Lynn Isherwood uses the old as time ceramic technique of hand building to create flowers, animals, birds and creatures for people to enjoy. Her calling is to create, to make, and to then close the loop by recording, and reflecting on, the outcome. This is her passion.

“I have been keen on art all my life. I love making; it is my passion. I believe that there is a spiritual creative force which encourages, inspires and uplifts me. I am happy when people buy my works and take them home to enjoy them in their daily lives. I am happy in my studio when I am in a creative flow… or just thinking and playing with my art. My aim is to develop more skills and confidence in painting and pottery – to be able to express myself more fully.

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Kerry George

1 November 2020
Acrylic, Artists, Australia, New Zealand & Oceania, Coloured Pencils, Drawing, Painting, Pencil

DO IT ANYWAY!

Kerry George is a 33-year-old kiwi from Wellington who is a full time cook at a childcare centre. She has a seven year old son and likes drawing and painting in her spare time.

“How long have I been an artist? Well I guess It goes way back to when I was at primary school. I wasn’t very good at learning, found it all too hard so rather than asking for help I noticed if I keep my head down and keep quiet, teachers seemed to leave me alone rather than making me do the school work. So, while my head was down, I just drew pictures. I was really into horses so always drew them, then started drawing people but used to get annoyed they never turned out realistic, so rather than thinking negatively about my work, I looked at it in a different way and thought I’m good at drawing cartoon people!

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Sue Currie

1 November 2019
Abstract, Acrylic, Artists, Australia, New Zealand & Oceania, Impressionism, Landscape, Nature, Oils, Painting, Realism, Watercolour

Sue Currie was delighted to find that a comprehensive Australian correspondence course in graphic design for three years while at high school in Christchurch was a successful background for working in art. “In those days there were few opportunities for women to be taken seriously. In Sydney, Australia, the attitude was much more positive.”

Sue also took lessons with artist and illustrator Arthur Renshaw, (a retired tutor from the NSW Polytech), twice a week for six months as well as working freelance in graphic design. After six years she returned to New Zealand to paint, attending weekend workshops with a few fellow artists.

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