Kim Boyd
ABOVE: Dragon and Egg The Story of My Hands I think I might have been born with a pencil in my…
ABOVE: Dragon and Egg The Story of My Hands I think I might have been born with a pencil in my…

After the birth of her first child she painted childrens nursery artwork and one of her customers proclaimed that she was an ‘illustrator’. This resonated with her and after returning to New Zealand and having their third child, she felt an overwhelming desire to create again, which she could not ignore. She started to develop her style whilst working and looking after her young family. “Time was very limited so I carved out time in the evenings. Although it was tiring, I felt fulfilled and content when I was creating.”

When I was five years old, my first grade teacher looked at a cartoon elephant I drew and exclaimed “You are an artist!” This stuck with me throughout my life and my love for creating grew stronger with every passing year. When I was 12 years old my parents ordered me my first oil painting kit in the mail and it arrived with four small canvasses and instructions on how to paint four different artworks – trees, buildings, still-life etc. I enjoyed drawing and experimenting with paint and have always been creative and would find myself doodling all the time.

I used to love drawing as a child, and I had an Aunty who used to paint. She taught me to make a notebook out of recycled paper when I was about 12 years old. I filled that little notebook with 100s of drawings of cartoons and animals. I had an eye for detail and being able to look at a large image and draw it perfectly scaled down. I took art painting right up to bursary level 7th form. I wanted to do a fine arts degree when I left high school, but my parents said there was no money in art, so I trained as a primary school teacher.
At a ceremony to celebrate the mural’s completion last Thursday, Horowhenua Deputy Mayor Garry Good described it as a 300 square-metre landmark piece of beautiful artwork. “From Council’s perspective, it’s the most amazing mural in New Zealand. You won’t see anything like it in Auckland, Wellington, Christchurch, anywhere. We’ve set a standard with this here in Horowhenua,” Mr Good said.

I was in a high-rise building in Christchurch when the earthquake struck. That, and the ensuing aftershocks, traumatized me to the extent I still suffer from PTS. I was teaching part time at that point and it made me rethink my life and what I wanted to do with it.
EXTREME ARTKeith Grinter started work in his own glass blowing studio in Whangarei in September 2013. He recalls: “I had been discussing moving to Whangarei and working with Keith Mahy, (one of the founding fathers of art glass in New Zealand), when he unfortunately passed away.”

My introduction into ceramics came about while I was attending night classes at Archibald’s ‘The Art Place’, in Upper Hutt where I was learning portraiture painting with Mary Archibald. I booked in for a weekend class doing clay sculpture with Wellington sculptor Di Conway who was teaching us how to make ‘roly poly’ women. In the first 10 minutes of having my hands on the clay, I thought, “Oh I can do this! I like this!”

After deciding to take the next step and try to make a career out of art, she began entering competitions, experiencing some success. Finally a friend convinced her to approach a gallery with her work, and to her delight and beyond her wildest dreams, Julia was offered a solo exhibition. The sell-out show, held nearly 20 years ago, cemented Julia’s ambition and she has prospered ever since.

Monique studied art in college at Green Bay High School receiving 98% in painting and spent a year at Unitec Bachelor of Arts, from then on she taught herself. She says she has always considered herself an artist, as drawing and painting came naturally. “I have always worked hard in any job and art was my sideline but it is now becoming my main focus.”
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