Bartosz Wysocki
ABOVE: Opening of the exhibition “Surrealism – Painting”, 2026 The Face as a Map of Emotions Broken into planes of…
ABOVE: Opening of the exhibition “Surrealism – Painting”, 2026 The Face as a Map of Emotions Broken into planes of…

It has been a complete need, a passion and drive that has brought Margaret to this point. Having just published her first book, ‘Self-portrait of a Paua’ she laments about the lack of support from the government for artists. “We used to have a thriving arts environment, supported by local arts councils. I was chairperson of the Egmont Community Arts Council for over ten years and we had exciting projects, exhibitions and workshops, all government funded. There were four arts councils in Taranaki and it’s much harder to get funding from the local councils. There is virtually no funding available for solo artist’s ventures, for example, my book, which I had to fund myself. “I am very proud of this book, as it is part autobiographical, historical and resource. The students I teach encouraged me to do this as they felt I should reproduce pages from my workbooks. This makes the book a valuable resource for both teachers and students alike.”

Inspired by New Zealand’s environment and the patterns that occur in nature, by geometry, coral, Arabic mosaics, and ancient architecture, I have been making artworks for 22 years, including music, jewellery, sculpture and festival dressing. In 1991, immediately after finishing high school I was pre-enrolled at Law school at Waikato University.
PHOTOGRAPHIC SURREALISMI opted for photography due to lack of other options as despite being a high scoring student, my almost illegible hand writing caused me to achieve less than favourable scores in classical studies.

“I admire and am inspired in my art by people such as Pablo Picasso, Petrus van der Velden, Colin McCahon, Marc Chagall and many others. To me their art was different from the ‘norm’ (whatever that was). Some have taken flack for their style of art; Colin McCahon is an example of this. I think art is a long term activity where one can become bolder over time something I certainly feel applies to me.

There are paintings all over the place when entering a very cluttered Tahuna Studios in Nelson. Some are complete, overs still in that moment of creation. New and old it is an eclectic mix. Added to this are posters, surfboards, skateboards, and all manner of tools.

Adam’s work has taken on a life of its own. It is more than simply ethereal, it is otherworldly. His fish swim in from somewhere we haven’t seen, a parallel dimension perhaps. Steel warriors stand vigilant, swords readied, steel angels look on, observing. Of course it is all fantasy such creatures simply don’t exist, not on this earth at any rate, do they?

Apart from the odd day class, Karen, who currently hails from Napier, says she has enjoyed several short courses with the likes of Krispin Korschen, Rua Longley, Marianne Muggeridge, Megan Schmidt, among others. “All fabulous artists,” she enthuses, “who have stretched my mind sideways, up and down and inside out, that is when they could catch up with my own train of thoughts.”

This ultimately resulted in a career with art as the baseline. “I have worked as a Graphic designer, Textile designer, even designing jeans at one stage as well as drawing up fashion shots for a retail outlet.

“It seemed a fitting time, to follow my dream and make a commitment to pursue my art on a deeper level,” he says. “For many years my wife and I had visited artists in their studios in many countries around the world, each time thinking what a perfect lifestyle they had. Truthfully the only difference between dreaming and having is that first step of doing.”
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