Jane Tian
ABOVE: Curious, 250 X 300mm, Watercolour TALENTED WHISPERS “I am driven by a deep passion for expressing my creativity, recognising beauty…
Sarah Pou
COLOURFUL AFFAIR
Studying Visual Communication at Unitec in Auckland from the early age of 17, Sarah Pou went on to have her art showcased in several high street art Galleries in Auckland and then later in London. She met her husband when she was travelling in England and her artistic career was put on hold in favour of consistent income.
After the birth of her first child she painted childrens nursery artwork and one of her customers proclaimed that she was an ‘illustrator’. This resonated with her and after returning to New Zealand and having their third child, she felt an overwhelming desire to create again, which she could not ignore. She started to develop her style whilst working and looking after her young family. “Time was very limited so I carved out time in the evenings. Although it was tiring, I felt fulfilled and content when I was creating.”
UK ARTIST Amanda Bates
Trees prompted Amanda Bates’ move from palette knives and oil paint to pen and ink. “A particular group of beech trees at Avebury were responsible for this switch,” says British artist Amanda, who grew up in a house called Haere Mai, which she understands to mean ‘Welcome’ in Maori.
By Tim Saunders
“Growing on top of the henge (earthen bank), their intertwined roots have been exposed by soil erosion, caused by a combination of weathering and visitors feet. The resultant lattice is fascinatingly ornate and well beyond the scope of my knife work. Brushes didn’t seem to hold the answer either; the magic that I was reaching for didn’t seem to be present in a realistic depiction. I tried several approaches, including a diversion into a stylised use of colour that took on a life of its own for a while but it wasn’t until I reached back in time for my pen and its promise of crisply rendered detail, that I realised that colour itself might be the problem. It seems to be well known among photographers that a sharp monochrome photograph will show detail better than any colour photograph could. The reason for this has nothing to do with any inherent superiority of black and white film over colour; it holds true in digital photography. It is simply that colour distracts the eye from detail and it seems that our brains can only cope with so much visual information at a time.
Debbie Cleland
A PROMISE MADE
A PROMISE MADEBrought up around the Otago Harbour area of Dunedin, Debbie Cleland distinctly remembers being out on a walk one day as an 11-12 year old and coming across a gentleman who had set up his easel on the water’s edge at Carey’s Bay. She was very curious to see what he was painting, and crept up quietly to peer over his shoulder. Immediately fascinated at how the watercolour paint flowed from his brush on to the page, creating the most beautiful watery reflections, she promised herself, “One day I will paint with watercolours like this man.” Many years later she attended a weekend art class lead by Barrie White. This experience motivated her to finally start painting, fulfilling her promise, the results of which can be seen below. Debbie explains . . .
I feel like my career has just begun. Over the years there has been little time for me to pursue my passion for art, due to raising a large family of four, (and all that entails), so I have not been as productive as I would have liked. There has been no specific space for creating art, except for the kitchen table. However, I now have a designated room in our home where I can work in solitude. I will soon have a lot more time to pursue my creative side as I intend to retire in September this year. This is a huge motivating factor for me to really get stuck into producing more works.
Susannah Law
Since childhood, Susannah Law has been receiving awards for her artwork and it was always her dream to be an artist. With much encouragement from family and friends, she finally completed a Diploma in Fine Arts from Hungry Creek Art School in Puhoi.
Since childhood, Susannah Law has been receiving awards for her artwork and it was always her dream to be an artist. With much encouragement from family and friends, she finally completed a Diploma in Fine Arts from Hungry Creek Art School in Puhoi.My mother always supported me and organised private lessons for me during my teen years with my forever favourite art tutor (late) Kathleen Bartlett. Kathleen was so passionate about art and the history of art which she studied in London, she was always inspiring to me. I can remember her even now, vividly telling a story of her travels such as to murals in Greece and Turkey and other exhibits she visited, how Van Gogh’s originals move you in a way that prints never could and that paintings in their original form always have a better impact.
Tessa Ralston
INSPIRED ILLUSTRATION
INSPIRED ILLUSTRATIONI’ve come to find that art seems to always niggle it’s way back into my life, even, perhaps, when I’m trying to distance myself from it. I have no true recollection of ‘getting into art’, but like most children inherently are, I was drawn to painting and visual expression.
With my mother being a graphic designer, I was fortunate enough that she fostered my artistic energy and patiently encouraged my creativity – and amusingly, she simultaneously firmly discouraged my entering the graphic design world. I believe there is a subtle divergence that happens when artists are ‘made’, and that is when they keep drawing, painting and playing after they are no longer children.
Janet Marshall
DREAM CHASER
English-born Kiwi, Janet Marshall has exhibited and sold her work as far afield as England, Japan, USA, Canada, Australia, Italy and China and designed stamps for NZ Post and NZ Fish and Game.
Janet is a founding member of Nature in Art, Gloucestor, England and has work in numerous collections including Nature in Art England, NZ Milk Board USA, NZ Post, NZ Treasury, Puki Ariki Museum Taranaki, and Birds in Art, Wisconsin, USA. She has also written and had published five illustrated children’s books as well as an illustrated garden diary of her former home Te Popo Gardens in Taranaki, called ‘Images of a Garden’.
Anne Michelle Johal
THE ART OF ILLUSTRATION
My entire family are passionate readers, creatives, entrepreneurs, and story tellers. My father, a farmer, collected humorous books with illustrations full of wonderful little stories that tickled, and he taught us how to draw cartoons as a child. Beatrix Potter’s little handheld books, with her delicious little watercolour paintings, were read to us by our grandmother. Dad’s books included those written and illustrated by A.S. Paterson, the Andy Capp series, and many others. The coloured line illustrations and stories of Asterix and Obelix, the black and white cartoons of Murray Ball, The What a Mess collection by Frank Muir with Joseph Wright’s wonderful illustrations, Quentin Blake’s work, among others, became part of our favourite collections growing up.
A passionate reader, from a very young age, I lived inside these books as movies in my imagination. The narratives of people and places, emotion and experience captured and transported me out into the world of cultural difference and exciting possibilities, such a contrast to the farm life.
Darina Cincurova
THE ART OF FREEDOM
A passionate environmental artist, Darina Cincurova, hopes her art will inspire a respect and appreciation of New Zealand's diverse wildlife heritage.
Born in the Czech Republic, Darina says art has been her ‘thing’ from early childhood when she started drawing the world around her and dreamed of becoming a full time artist. Little wonder then that as a student Darina abandoned fashion design opting instead to undertake a four-year art course at a private art school in Prague as this allowed her more freedom to express herself. It is this artistic freedom that has driven and inspired Darina all her life and what she loves most about being an artist. “I cannot imagine life without it,” she says simply.
Colin Hoare
FAMILY PORTRAIT
Colin Hoare enjoys painting portraits. Family members, friends and better-known faces are all fair game for this self-taught artist.
Colin likes to work from photographs, saying he does not really like doing pictures of people posing or pulling a big smile. “I like it when they are relaxed and acting naturally. I think that it is a privilege to paint a portrait of someone and try to be honest,” he says. “I draw using a light pencil and then paint with a brush. I prefer painting in oil because the paint takes longer to dry than acrylic paint; this means that I don’t have to keep remixing my paint in order to make the same colour.