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UK ARTIST Danny Mooney

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When drawing people you would think it might help to actually remember their faces… What if you can’t remember them? British artist Danny Mooney suffers from facial blindness but finds that he can overcome this obstacle by focussing on other aspects of a person’s character, an approach that lends itself to caricatures.

“I can draw recognisable people with just a few lines without any real trouble,” he reveals. “I’ve been doing political cartoons. They’re an expression of my annoyance.  Cartoons are caricatures really. Say I’m doing a cartoon of British Prime Minister Boris Johnson… I can do the shape and the way he stands without too much effort. I look at a couple of other people’s cartoons of him and see that they all have little piggy eyes and droopy eyelids. For me the thing that makes Boris look like Boris is the hair, the round face, the fat body and the shabby suit. It doesn’t really need any additional features. That cartoon could be Donald trump or Boris Johnson. In order to produce political cartoons you have to stay abreast of the news but in order to stay sane you have to not stay abreast of the news! It’s a difficult tight rope to walk. I have always recognised people by their shape, the way they move, the way they walk, rather than by their faces. If I’m painting someone then those are the characteristics that are most important to me.”

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Ken Tanner

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ROOM TO MOVE

Brought up in the London suburbs and having studied art as a school subject, an enthusiastic teacher encouraged Ken Tanner to maintain his interest in art, which he has done for over 30 years. Training as an engineer and then working in construction management, Ken found there was not much room for creativity in his daytime work, so art as a hobby became a welcome respite, giving his creative mind room to move. He moved to New Zealand in 1974 but busy with his wife and children, and his work, he only really started to paint in the 1990s. Since then painting has become a large part of his life.

Ken’s inspiration, he says, is mostly to do with the creation of an image, rather than trying to convey some political message. “I really enjoy the realism but I did an abstract course some years ago and I now also enjoy developing the realistic image into a more abstract form.  I have entered some of these paintings into the Howick Art Group’s annual competition and they have taken 1st prize.  One of the judges, Evan Woodruff, said that the work was more abstractionism than pure abstract.”

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Hiria Anderson

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PAINTER OF LIGHT

Hiria Anderson prefers to be known simply as Hiria, a preference which reflects her shy and retiring nature. Brought up with her grandparents who were practitioners of Raranga (weaving) and Whakairo (carving) she grew up surrounded by creativity, loving drawing and making things with her hands.

“I’ve grown up around creatives so it was a natural transition for me to make art my career. As a young person I remember wanting to become an artist so I didn’t have to talk to people. I was fearful of having a job in front-of-house, reception, or serving in a shop. Anything to do with people I didn’t want to do. Well, I’ve come a long way in thinking from back then.”

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Brenda Liddiard

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LYRICAL FLOW

Being involved in the arts as a songwriter, singer and musician for most of her life, Brenda Liddiard became interested in painting around 2000. A big influence and inspiration in this discipline was her late brother, Chris Liddiard, who was a watercolour artist based in the UK. Brenda and her brother were born in Essex in the UK, Brenda now living in Auckland, New Zealand.

With her brother's influence, Brenda started her painting career using watercolours. She attended many workshops and summer schools with well respected tutors including Allie Eagle, Cushla Parekowhai, Jane Zusters, James Lawrence, Sue Daly, Maree Wilson, Phillipa Blair and Brett A’Court. “At age 50, finding a new creative path was very exciting for me, it opened up a whole new world. I wanted to pursue the learning for as long as possible and realised this was something I could do as I grew older.”

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UK ARTIST James Lester

Successful British designer and art director James Lester left his fast paced life in London and became a full-time artist in tranquil Devon. After initial study James established a career in advertising and publishing, when he worked on many national advertising campaigns and magazines. It was throughout this time that his paintings were exhibited in various London exhibitions, including the Royal Academy and the Royal Society of British Artists. 

Born in Dover, Kent, James spent much of his early life among the chalk Downs and picturesque Weald of Kent. For hundreds of years this county has been referred to as The Garden of England with its gentle hills, fertile farmland, orchards and cultivated country estates such as Penshurst Place, Sissinghurst Castle and Hall Place Gardens. Historically the coastal houses here were used as a location to dry hops for the brewing process. Perhaps unsurprisingly the county is home to Britain’s oldest brewer, Shepherd Neame, whose brewery was established in 1698 but “there is clear evidence that its heritage pre-dates even this period” according to the brewer. Today award winning English wines are produced here, too. Magnificent coastal views and the world-renowned White Cliffs of Dover together with Kent’s rolling green hills and beautiful scenery provide an artist with plenty of inspiration. 

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