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Vicki Axtens - Aotearoa Artist

Vicki Axtens

Vicki Axtens - Aotearoa Artist

I have always had an interest and love of art, particularly painting. I remember vividly as a child, forever with a sketch book in my hand. My parents were always replacing my felt tip pens, pencils and eventually buying watercolour paints and loads of paint by number sets. I left school at 18 years old and then worked in an office for four years. I married at 22 and went on to have our children. Not long after I realised I missed the creative side of my life and still needed to have a pencil or paint brush in my hand. It almost just feels a part of you. So with a six month old baby in my arms, I set out to buy my first set of oil paints, table easel and a lovely little canvas pad. Seven years later, in 2004, I had my website developed, which was also the year I had my first solo exhibition. Living in a rural area near Rotorua and Taupo, there is always natural beauty all around me. Therefore this is where I focus on my subject matter. It is very inspiring to live surrounded in such beauty. I particularly love the end of the day – twilight – for taking photos. The warm light is just beautiful and intensifies the colours of the flora and fauna so much. I have learnt from many artist’s over the years, many different things about painting, whether it be a new colour mixture, or a way to look at a painting differently, even how to approach a subject. One of my great loves is Bouguereau, a well known 19th century amazing French artist. I fell in love with his paintings of women and children, his execution of painting fabrics, the attention to detail is fascinating. See Vicki’s work HERE.

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Levin Adventure Park Mural

A huge colourful mural has transformed the wall at Levin Adventure Park’s northern border.

At a ceremony to celebrate the mural’s completion last Thursday, Horowhenua Deputy Mayor Garry Good described it as a 300 square-metre landmark piece of beautiful artwork. “From Council’s perspective, it’s the most amazing mural in New Zealand. You won’t see anything like it in Auckland, Wellington, Christchurch, anywhere. We’ve set a standard with this here in Horowhenua,” Mr Good said.

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Theo TAS Arraj

Theo TAS Arraj - aotearoa artist

NATURAL CONNECTION

With an eye set firmly on inclusion in the global art community, Theo “TAS” Arraj has a natural connection with art as a way to communicate how he sees the world. Having recently committed wholeheartedly to a career as an artist he finds inspiration from the world around him.

Frequently drawing from his environment, aspects of nature, music and the people which surround him inspire his passion for his artistic endeavours. TAS likes to observe other artists and their processes but is proud to say his skill comes from the practice of his craft. Likening his humble beginnings within the street art culture and graffiti to those of Mankind’s ancestors, who also wrote on walls, both tell a story in different times but draw from the same impulse to share their vision.

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Tony Clarke

Tony Clarke - aotearoa artist

CORNERSTONE SKILL

With luscious, almost glowing colour pouring out from the canvas, Tony Clarke’s work emits a sense of vibrancy making his art feel alive. The intricate texture conveys the feeling that you could reach out and touch the feather or fur.

Tony’s father was a very accomplished hobby painter and encouraged him from an early age. “He gave me a book at age 13 of Raymond Ching’s book of British Birds and took me out drawing over the weekends. I copied paintings from that book and studied originals at the International Art Centre.”

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Andrew Swarbrick

Andrew Swarbrik - aotearoa artist

THE HUMAN CONDITION

With very supportive parents constantly supplying him with art materials and encouragement, Andrew Swarbrick has overcome his physical disabilities to emerge as a very talented artist. Lucky enough to be using his talent every day as a tattoo artist, Andrew tells us his story.

I have been interested in art from a young age, and have been drawing for as long as I can remember. At age 12, I had a large operation to help alleviate some of the physical disabilities I was born with, which resulted in me being wheelchair bound for just over a year. As there wasn’t much to do in hospital in those days, my folks were constantly bringing me comic books to read. I promptly copied all of my favourite pictures from them and then pursued other artists books, which I also feverishly copied from, learning all the time. I didn’t fare well with art at school and am largely self taught. After school, I worked in various factories over the next six years or so, while trying to build a portfolio to go to university as an adult student. That portfolio landed me an apprenticeship as a tattoo artist.

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Barbara Schaer

barbara-shaer-aotearoa-artistSOULFUL EXPRESSION

Coming from a fairly long line of artists, Barbara Schaer is thoroughly enjoying her own ability to express herself through painting. Her grandfather was and her mother is an artist, her brother, a photographer and her sister gifted with writing. Having been self employed since age 25, she finally started painting, realising it was her ultimate path to happiness. “The joy I felt, the release and healing that came was amazing. Words cannot really describe this feeling. I can express myself through colours on canvas. I love colour, always did and now mixing and matching on canvas is just wonderful. I feel this is my path and I just love it. I have taken many different career paths, enjoyed them all, but painting takes enjoyment to a completely different level.”

As a child, Barbara always played around with colour, using watercolours on paper. Her mum would paint with watercolour, and she would try to paint the same way but after finding she was unable to get the same results, she gave up. Born in Zurich, Switzerland, Barbara first encountered New Zealand when she came over as an agricultural exchange student in 1979 where she spent her time on a dairy farm, milking cows. She later immigrated to New Zealand in 1981.

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John Dumergue

John Dumergue - aotearoa artist

BELIEVING IN BALANCE

An active family man, at age 71, John Dumergue has the balance right in his life. As a member of the oldest team in the Half Ironman in Wanaka, the swimmer being 72 and the cyclist, 82, his most important advice is believe in yourself. “This is what my running coach would say to me as I lined up for, say, an 800m race. I believe this applies to anything you do in life.”

When John was in his fifties, he spent five years training in the martial art of Kung Fu, with elements of Tai Chi. He became an instructor, enjoying the tutoring of beginners classes. He still runs regularly and counts the benefits as endless. He says art was never a career choice, it was just something he did during his spare time. Although, clearly John’s artistic abilities were part of his career choice after all, as he is also a carpenter by trade, having built his own house at the tender age of 21. Art comes in many forms and what will out, will out. Incidentally, he also has a diploma in writing. A multi-talented man. Now that he’s retired from his job as a Certified Kitchen and Bathroom Designer, he paints about four times a week.

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Paige Williams

PAIGE WILLIAMS

I’m Paige, 19, and have just recently made the massive decision to withdraw from University to pursue a professional career in painting and illustration. It was the hardest decision to make. I was studying to get myself into some aspect of the gaming industry, however, the longer I studied, the more I felt like this wasn’t the place for me. 

With the support of my friends and family, I am now trying to make a name for myself in the art world. I have a website at www.paigeyleigh.com and already have a small following on my Facebook page “Paigey-Leigh” where I get a lot of amazing feedback and encouragement that I’m going in the right direction.

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Ben Woollcombe

Ben Woollcombe - aotearoa artist

DISTILLED INSPIRATION

After almost four years of studying Industrial design at the Wellington School of Design in the early ‘70’s, Ben Woollcombe realised industry was not such an inviting option when the alternative was that he could create things of his own fancy and have people appreciate them, even buy them. The motivation to become an artist came from being able to make his own decisions and “enjoy living by my own wit rather than swapping my time for a pittance, while manifesting someone else’s dream.” He loves being able to use his time as he pleases - fishing, entertaining friends, sailing, painting or digging the garden.

Ben always enjoyed the Geography & Biology sets during his early education through correspondence school, as they usually involved illustration of some sort. A high mark in art was his main reason for gaining school certificate. 

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Margaret Scott

Margaret Scott aotearoa artist
Photo by Pip Guthrie

PRIDE AND PASSION

When Margaret Scott got married, she started painting as a way to supplement their income. Early farming years were tough and she found she could sell paintings of Mount Taranaki to tourists and gift shops. “If I had a hundred calves to feed or four children to look after, I still found time in the evenings to paint. I am constantly thinking of the next painting and what I will paint. I live by the sea and spend lots of time walking, looking at the environment, taking photos and making workbook drawings. Gathering resources is a very important part of being an artist and a teacher.”

It has been a complete need, a passion and drive that has brought Margaret to this point. Having just published her first book, ‘Self-portrait of a Paua’ she laments about the lack of support from the government for artists. “We used to have a thriving arts environment, supported by local arts councils. I was chairperson of the Egmont Community Arts Council for over ten years and we had exciting projects, exhibitions and workshops, all government funded. There were four arts councils in Taranaki and it’s much harder to get funding from the local councils. There is virtually no funding available for solo artist’s ventures, for example, my book, which I had to fund myself. “I am very proud of this book, as it is part autobiographical, historical and resource. The students I teach encouraged me to do this as they felt I should reproduce pages from my workbooks. This makes the book a valuable resource for both teachers and students alike.”

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