Painting

Painting art is a visual artistic medium in which artists use various pigments, such as oil, acrylic, watercolor, or gouache, to apply color to a surface, typically canvas or paper, to create two-dimensional artworks. Paintings can encompass a wide range of styles and subjects, offering artists a versatile means of self-expression and storytelling.

Barbara von Seida

Barbara von Seida - aotearoa artist

EXPRESSION IN COLOUR

My aim as a painter is to create images that reflect my personal interpretation of my subject. Painting is not really a creative act until such time as the personal judgment and emotional reaction enters into it. In my opinion the ultimate aim of an artist is not to produce a record of something, rather to establish a personal view with a deeper narrative beyond the surface. What a painter feels is more important that what he or she sees. My work starts with a strong feeling and ends with an expression.

Raised near Dusseldorf, Germany, Barbara trained for five years in Art and Design, three years in textiles and two years in product design at University of Applied Sciences in Krefeld. She worked as an employee for, amongst others, the international company Vereinigte Seidenwebereien A.G. (United Silk Weaving Company) in Krefeld, and later, as a freelance fabric designer. In early 1984, Barbara migrated to Bantry Bay in County Cork, south-west Ireland where she opened the Country House Gallery featuring her watercolours, which in a short time were much sought after with both the local population and overseas visitors alike, culminating in her being invited to exhibit at the Royal Hibernian Society in both 1988 and 1989.

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Lynn Webb

Lynn Webb - aotearoa artist

EXPLORING THE COAST

“Waves, rocks, reflections on the sand, boat sheds reflecting on the water - these are my inspiration,” says Lynn Webb, oil and watercolour artist from Tauranga. “Having grown up in the small untouched coastal settlement of Tongaporutu, within the crumbling cliffs and the black reflecting sand amongst the waves and rocks, fills me with an exciting inspiration to capture the many moods of the coast, the sea and the never ending procession of breaking waves.”

Not having had any formal training, Lynn says she has been creative since she was little. “Even as a child I loved to draw. I guess as the years have gone on the urge to paint became stronger and so it began.” Inspired by the likes of Richard Robinson and John Crump, Lynn prefers a loose style of painting, often using a palette knife to capture light and colour in her work.

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Mille Dunstall

My dead uncle-mille-dunstall-aotearoa-artistBorn in 2000, Mille is another youth artist who is proving that this century is producing excellent artists. With one sibling, Mille’s family isn’t particularly artistic. “I’m kind of the odd one out”, she says.

Waihi College have Mille’s attendance and she has decided to take art this year, planning to get into a graphic design course in the future. From the looks of what she is producing thus far, we believe graphic design would definitely be the way for Mille to go. It might be worth Mille’s while to investigate illustration as well, a noble, well established art form.

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Ian Given

Ian Given - aotearoa artist

FROM THE BOAT HOUSE

In 2010, after being in business for 30 years, manufacturing aluminium windows and supplying hardware, both retail and wholesale, Ian Given - a keen photographer - decided to begin painting. He signed up for lessons with Sue Dent, a recognised Tauranga artist, and has never looked back.

Spending many years looking at and enjoying other artists work, Ian always had a niggle in the back of his mind that he could paint like that if he tried. Some of the most influential artists in Ian’s artistic career include Tim Wilson for his attention to detail and the way he portrays mist and clouds, John Crump for his ability to paint plein-air on large canvases and the depth he manages to portray in his paintings and Richard Robinson for his loose brush work, the ability to control his colours and his talent with adjusting scenes to ease and balance up his composition. Preferring landscapes, seascapes, boats and architecture as his subject matter, Ian also takes commissions. Currently he is doing a commissioned painting of the Pungapunga estuary at the northern end of Whangapoua Beach. He is also working on a group of scenes of the coastal areas around the Coromandel. Both of these areas are firmly in Ian’s favourite list. 

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Fran Gould

Fran Gould - aotearoa artist

GRAPPLING WITH GRAPHITE

My love of being an artist started with a Folk Art course at Waimea College in Richmond. Gradually art became more important in my life. After hearing the enthusiasm from several members of the art group I had joined, regarding courses with The Correspondence School in Wellington, I decided to enrol. I met my tutor in Wellington and he was happy for me to pursue figurative work, which was and still is, my passion as an art form.

My partner had a massive heart attack and several operations later, recuperative time, along with the process of ‘just being there’ as he got his strength back had a huge effect on me physiologically. After a while I started my second year at the correspondence school. My partner by this time was well enough to model for me, so I photographed him for my work and the ideas came fast and furious. My painting fitted into my studies “the human condition”. It all turned out to be very cathartic and the finished article, at the end of the year, achieved NZCA excellence. The whole project transformed me, mainly from the stress of the previous year. 

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Chris Emeleus

Chris Emeleus - aotearoa artist

PAINTING WITH PAPER

After successfully completing two years of study at Ilam School of Fine Arts - 1989-90, Chris became ill from exposure to pesticides during a summer holiday work experience. As a result he  experienced acute Chronic Fatigue Syndrome which lasted twelve years making him unable to complete his Bachelor of Fine Arts degree. “My artistic development was very much put on hold during this period however, since making a full recovery, the tangent of my artistic development has been plentiful with many unexpected discoveries.” Chris has gone on to achieve a BA from the University of Canterbury, majoring in Sociology, which he finished in 2005.

A bit of a ‘magpie’ character, Chris collects discarded materials, old magazines and children’s books. His inspiration comes from the potential aesthetic beauty of our transcient/throw-away culture as well as ecological awareness. The likes of Marcel Duchamp and Andy Warhol have much of Chris’ admiration due to their ability to use mundane objects and squeeze artistic beauty from them. “I am very indebted to Picasso and Braque as they were both pioneers in integrating collage into their works and helped raise awareness of collage as a serious art form within western art.”

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Patrick Greene

Patrick Greene - aotearoa artist

TAKING A RAINBOW FOR A WALK

A master watercolour artist, draughtsman and recipient of many awards, James Patrick (Patrick) Greene sadly passed away in October 2014.

By Barbara von Seida

In the 1950’s, he trained as a cartographic draughtsman with the Lands and Survey Dept, which was interrupted for two years whilst he travelled his big “OE”. During this time he was actually shipwrecked in British Guyana. His love for art took him to the great museums of the world which left a big impression on him and a desire to become an artist.

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Katrina McGettigan

katrina-mcgettigan-aotearoa-artist100 BIRDS IN 100 DAYS

The New Zealand Artist Magazine first met Katrina McGettigan at the Christchurch Art Show 2015, where, in awe, we watched her paintings sell like hot cakes. Katrina is an established artist in the Canterbury region. At that time she worked as a full-time pre-school and art teacher, inspiring young artists to fulfil their artistic talent. By night she spent her time painting.

Recently Katrina completed the colossal challenge of painting 100 birds in 100 days. “I had heard about the challenge and was inspired by other artists who had completed the challenge in previous years. So I thought it would be a great thing to gain a little more exposure, help with my technique and give me something to aim towards each day.”

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Nina Cook - aotearoa artist

Nina Cook

Nina Cook - aotearoa artist

ARTISTIC COMMUNICATON

Nina Cook’s artistic intent is to communicate but unfortunately, the very character traits that enables her artistic self, makes the act of self-promotion extremely uncomfortable. “I never intended to show my work, but have received such kindness and encouragement from my beautiful husband, children, friends and gallery owners. For me, art is more a vocation from which I would be delighted to earn a living.” Nina tells her story.

I completed a Bachelor of Design at Christchurch Polytechnic School of Art and Design in 2006. The drawing classes at CPIT were to a particularly high standard and an incredibly valuable learning experience. Apart from that I am self-taught.

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Caley Hall

Caley Hall - aotearoa artist

HALL OF ART

With many trials overcome, and no formal training Caley Hall is finding that being a professional artist really suits him. “Working as an artist has changed me. I’m a caring, giving type of guy - take with one hand give with the other. I’m happy with my current situation, it’s always new and exciting each day.” Caley tells us his story.

I become an artist by starting a gallery and having an interest in other artists styles and way of life. I have painted with a few known NZ artists and honed my skills that way. My biggest motivating factor is the stress relief that painting as a professional full time artist gives me. This new life, of course, comes with a list of new stresses but they are mild in comparison to the life I lead before becoming an artist.

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