Cindy Woest
HONEST ABANDON While visiting Dougie Chowns one Sunday, I met a neighbour of his, Cindy Woest. Cindy is a very talented…
Lucia Laubscher
Lucia Laubscher was born in South Africa and carved an impressive career there around her painting. She immigrated to New Zealand in 2017, and battled with the adjustment of living in a new country with a different culture and set of rules. She started building her career from scratch again and has done exceptionally well in those four years. She tells us her story
When I was five years old, my first grade teacher looked at a cartoon elephant I drew and exclaimed “You are an artist!” This stuck with me throughout my life and my love for creating grew stronger with every passing year. When I was 12 years old my parents ordered me my first oil painting kit in the mail and it arrived with four small canvasses and instructions on how to paint four different artworks – trees, buildings, still-life etc. I enjoyed drawing and experimenting with paint and have always been creative and would find myself doodling all the time.
Liz Payne
A DEMANDING MISTRESS IS ART
Time, concentration, organisation and capital investment in materials. Liz Payne is delighted to dedicate all of the above to her demanding mistress, that of being an artist. Having studied with several tutors such as those from the Uxbridge Arts centre in Howick, Auckland - amongst others - including Amber Brook, Alvin Zhong (portraits) and Merv Appleton (landscape impressionist), she is thoroughly enjoying her retirement in this pursuit.
We asked Liz where she finds her inspiration: “I love a stormy sky, the colour and mood, the intense green of the sun shining through on the grass in contrast to the dark skies. The movement of sand and water as well as the vibrant colour of birds and their bright, inquisitive eyes.”
Kirsten McIntosh
Kirsten lives and breathes her art, and the results speak volumes: “I always advise people to just keep going with your art if you love it. Live it and breathe it. See the beauty and keep going through the ugly stage; persevere.”
Kirsten lives and breathes her art, and the results speak volumes: “I always advise people to just keep going with your art if you love it. Live it and breathe it. See the beauty and keep going through the ugly stage; persevere.”I didn’t have any formal art training until I got going. Being a full time Mum, I was home and thought that I should paint some paintings for my baby’s bedroom walls and I really liked the result. I eventually plucked up the courage to do some art classes, just classes with good artists in the area. I also started watching YouTube videos and then I went to every available art class that I could. I realised that my work was consistently turning out okay. I thought my art could be a way to make some money, whilst still being a stay-at-home Mum - and I went from there. I live and breathe it. Honestly, to get to sleep I visualise the next steps that I will take with my current painting!
Coral Noel Yang
Professionally trained in film production, giving her a solid foundation in visual language, storytelling, colour theory, cinematography, and lighting amongst other skills, Coral Noel Yang’s predominant painting training comes from her mother who is a premier painter in Taiwan and also from various classes she took throughout the years including a Master of Fine Arts (Cinema-Television Production) at the University of Southern California, USA and Art History at the Whitman College, USA, amongst others. She tells us about herself:
Professionally trained in film production, giving her a solid foundation in visual language, storytelling, colour theory, cinematography, and lighting amongst other skills, Coral Noel Yang’s predominant painting training comes from her mother who is a premier painter in Taiwan and also from various classes she took throughout the years including a Master of Fine Arts (Cinema-Television Production) at the University of Southern California, USA and Art History at the Whitman College, USA, amongst others. She tells us about herself:I was very fortunate to grow up in an artsy family – my Chinese dad was a professor and my Japanese mom is a painter so I grew up immersed in a strong love for arts and literature, which continues to develop. With a passion for storytelling and visual arts I chose my professional pathway as a filmmaker. After earning an MFA in Cinema-TV production from the University of Southern California I embarked on a rich creative journey involving living and traveling in different countries, directing and producing films, TV commercials and children’s television.
Debbie Lambert
INTREPID PLEIN-AIR
INTREPID PLEIN-AIRHaving taken art as a subject through school to upper education and later followed with an art major at training college, Debbie Lambert’s oil and watercolour painting journey has been largely self-taught with workshops over the years held by a number of notable New Zealand and overseas tutors.
With both parents loving painting and keen amateur artists, she was encouraged from a very early age to ‘make art’. “In my early 20s my mother paid for me to attend a Randall Froude oil painting workshop. I was hooked. Later I attended another with watercolours, and loved that too. Because I loved both mediums and the special properties of each type of paint, I have continued to learn from many different tutors and paint (and sell) in both mediums. I also have utilized my teaching training and tutored many artists through the years.”
Amanda Gleason
Painting en plein-air is a dream for many landscape artists. Unfortunately, the hurdles of self-consciousness and a lack of appropriate equipment often constrain us to the studio. Amanda Gleason has broken these chains and is now flying solo; loving her newfound artistic freedom.
My mother was an artist and art teacher, so I was surrounded by art all my growing years. I work full time as Practice Manager at a physio clinic, but once my children had finished high school, I had the time to pursue some formal art classes and over the last five – six years I have become increasing impassioned with my painting and drawing. I have had classes in oil painting, portrait painting (based on the old masters’ techniques), drawing and landscape painting. I have also done a number of workshops through the Howick Art Group, including life drawing and still life painting.
Lynley van Alphen
SOUL SOOTHING
SOUL SOOTHINGAlthough largely self-trained, Lynley van Alphen has done various workshops with the likes of John Crump, Ben Ho, Wayne Edgerton as well as a week-long plein air workshop with John Wilson in Alice Springs, Australia.
Always a teenage dream, and always having wanted to make a living as an artist, Lynley fondly remembers sitting on the hillside above the Tarras (Central Otago) primary school, sketching with crayon the distant Hawkdun mountain range. She has continued to paint and sketch during her free time. The sad passing of her husband, seven years ago, enabled her to take the step to pursuing her artist’s dream more fully. "He told me when we first found out his terminal diagnosis of motor neuron disease, that he’d like me to follow my art dream when he was gone. Focusing on that helped me overcome the grief that comes from losing one’s life partner."
Alex Hoare
As with all artists across the board, the issue of confidence in ability is always a tenuous thing, especially when young and starting out. Alex Hoare is just such a young talented artist, who is finding out exactly how much talent he really has, both with visual and performance art. Colin Hoare, Alex’s father was featured in our September October 2014 issue, and visited us here in Whangarei around the same time, bringing his twin sons, Alex and James to introduce them. It is with great pride and pleasure that we introduce our readers to Alex, his talents and his reflections.
The only formal training for art I’ve had was in classes at school. My art class in high school was the foundation for my understanding of art and made me excited to create; it gave me a really good baseline understanding of how to apply different materials and techniques to my work to create art that looked the way I wanted it to. I remember we would experiment with so many different mediums and just have fun with creating art and I think that’s still so important to my creative process now.
Wendy Leach
Three years at Elam School of Fine Arts, Auckland University (Diploma of Fine Arts) and two years at Whitecliffe College of Art and Design (Master of Fine Arts, 1st class honours) has seen Wendy Leach through to a fine career in visual arts. She tells us her of her process and progress.
Three years at Elam School of Fine Arts, Auckland University (Diploma of Fine Arts) and two years at Whitecliffe College of Art and Design (Master of Fine Arts, 1st class honours) has seen Wendy Leach through to a fine career in visual arts. She tells us her of her process and progress.I went to Elam when I left school, then trained as a secondary teacher. I became an art teacher first, then an exhibiting artist later. In terms of a philosophy that drives my creative soul, that would be the language and understanding of the power of opposites, yin and yang. These complementary opposites - dark and light, black and white, night and day, warm and cool, storm and calm - are fundamental to my current paintings as I explore the natural elements around me.