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Coral Noel Yang - Aotearoa Artist - The New Zealand Artists Magazine

Coral Noel Yang

Professionally trained in film production, giving her a solid foundation in visual language, storytelling, colour theory, cinematography, and lighting amongst other skills, Coral Noel Yang’s predominant painting training comes from her mother who is a premier painter in Taiwan and also from various classes she took throughout the years including a Master of Fine Arts (Cinema-Television Production) at the University of Southern California, USA and Art History at the Whitman College, USA, amongst others. She tells us about herself: 

I was very fortunate to grow up in an artsy family – my Chinese dad was a professor and my Japanese mom is a painter so I grew up immersed in a strong love for arts and literature, which continues to develop. With a passion for storytelling and visual arts I chose my professional pathway as a filmmaker. After earning an MFA in Cinema-TV production from the University of Southern California I embarked on a rich creative journey involving living and traveling in different countries, directing and producing films, TV commercials and children’s television.

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Tammy Gabriel

tammy-gabriel-aotearoa-artistFINDING IDENTITY

By Matt Mortimer

The great Roman philosopher Cicero was credited as saying; “The face is a picture of the mind, as the eyes are its interpreter.” These words seem to resound beyond a quotation and take on a literal meaning for Albany-based portrait artist, Tammy Gabriel.

“I get inspired by photos of interesting compositions, but mostly ones that show expression on faces. My goal is to capture that expression in my painting. I love photos of interesting body compositions creating unique shapes too,” she says. “Individualism has been an area of interest to me my whole life and I am drawn towards uniqueness. I try to capture a person’s individual personality through my paintings.

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Jenny Konz

jenny-konz-aotearoa-artistTHERAPEUTIC TALENT

The first time Jenny Konz picked up a pencil to draw with, was in 2009. She maintains there was never a 'plan’ to become an artist. She resorted to drawing to ease the ache in her heart from her daughter and granddaughter living so far away in America.

"I went over to America for the birth of my first grandchild as my son-in-law (GI Joe) was doing a tour in Iraq. It tore my heart in two when I had to leave this beautiful little bundle and come back home. His second tour was when she was two years old, and my daughter and granddaughter came to New Zealand for a holiday. I fell in love with this bundle of joy all over again and my heart seriously broke when they had to leave. I struggled to cope with the loss and decided to pick up a pencil and try to draw her from my favourite photo, thinking that it would be good therapy for me. I had my Aunt Margaret who lived in Christchurch who was an artist (Margaret Hudson-Ware) so I sent her my drawing for some feedback and this is what she said… "What a lovely drawing! You have caught the most important part of any drawing, which is the spirit of the work. Alex looks unsure, uncertain what is happening. Well done Jenny!!! The hair is very soft and babyish and wispy . . . good work here. Hands are a nightmare. These hands are very sweet and very young . . . good work again. (I think of them as a bunch of sausages). Lop-sided is real, too symmetrical often looks artificial - a bit of good work. Just keep going."

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Wendy Ricketts

wendy-ricketts-aotearoa-artistCompelled to paint and draw animals, especially their eyes, Wendy Ricketts tells us how she uses her artistic talent to focus and calm her busy mind while producing works for commission, family and friends.

I was first inspired to draw after seeing a study of a hare by German artist Albrecht Durer. I was taken by the detail and softness of the rendition. I love the faces of animals and the detail needed to produce them. I strive to produce it, sometimes to my detriment. You can get so caught up in the detail that you forget the result you were intending to achieve. Or the mood you were trying to show in the animal. Animal faces convey so much, especially the eyes. I have always loved the natural world and have a fascination with wildlife. 

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Sally Spicer

 

sally-spicer-aotearoa-artistSally Spicer’s portrait art is imbued with a vintage sense of drama, intrigue, and intimacy. Her pathos evoking images provoke simultaneously hopeful and wistful emotions. She recently described to us her approach to art.

The most important thing I have learned is to follow your instinct with your art. Critique from external sources is valuable, but you need to stick to your decisions if they feel right. I loved to draw from a very young age, favouring depicting people right from the start. I was really lucky to have incredibly supportive parents, who recognised my passion and helped to steer me in the right direction. My grandmother was a talented artist, as are my Dad and my aunt. 

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Lui Peti

lui-peti-aotearoa-artistLui Peti’s art is surrealistic, emotive and a little quirky. His digital paintings are available to be enjoyed by everyone, with his original work sold online as affordable art prints. His hope is for people to enjoy his art as much as he enjoys creating it. With buyers already in Australia, the USA and Canada, Lui is well on his way to becoming a full-time artist.

I love being able to visualise my thoughts and being able to create art from a process of thinking. I like pushing myself to be braver and reach deeper into my psyche to explore its essence. Perfecting my craft and being surprised by my progress is very satisfying. 

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Freeman White

freeman-white-aotearoa-artistANSWERING THE CALL

Born in the Hawke’s Bay, Freeman White started drawing before he started school, and enjoyed tremendous support from his parents. While still in primary school, Freeman was entering and winning art competitions, always serious about his artwork.

In the late 90s Freeman attended Elam School of Fine Arts in Auckland for a year. “Their mantra was that ‘painting is dead’, but painting was very much alive for me, so I left after a year. After that I received a scholarship to study Honours at the Learning Connexion in Wellington where I met fellow painter Sandro Kopp.” 

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Tracey Coakley - Aotearoa Artist

Tracey Coakley

mug-shot-tracey-coakley-aotearoa-artistTracey Coakley’s narrative work explores the human emotions of mental health issues, growing up, pre-teen and understanding the transition from child to teenager and still retaining your own uniqueness. Using herself and her family as models.

“I love making art and exhibiting it. I’ve always been making art, creating and drawing, since I was a child growing up in Melbourne. I used to open-up paper shopping bags and draw murals. I had an amazing art teacher in the last two years of high school who introduced us to the world of art, not only in the classroom but also the occasional field trips from the country to city galleries and the National Gallery of Victoria and art lectures. It was always the subject I enjoyed the most and excelled in. 

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Teissi Aranda

Teissi Aranda - Aotearoa Artist

HEALING POWER

Teissi Aranda is on the hunt for her global art tribe. After a serious accident forced her to reevaluate her values, she decided to study art full time to a postgraduate level and has never looked back. “I have found people along the way who support me and believe in me, and that is the most important thing.”

With works now located in Argentina, New Zealand, Australia, UK and USA, Teissi is a force to be reckoned with. She believes that art heals, that it connects you to your people.

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Natalie Gelder aotearoa artist

Natalie Gelder

Natalie Gelder aotearoa artist

PRECIOUS MOMENTS

In 2020, Natalie Gelder was a busy, pregnant mum with a two-year-old toddler. As a result, most of her art was created at night by the light of a daylight bulb. But the journey into motherhood has also given her a wonderful new subject matter, “one that I am full of love and enthusiasm for”.

Becoming an artist, for me, has been a personal creative development process from a young age. My biggest motivator was my dad. He encouraged me in the right direction as an artist, together with building a creative and supportive family environment. I started going to fringe art association meetings in England with my Dad when I was still really young, around 12 years old. I did AS level Fine Art straight out of school, and then two years of studying at art college from 2010. 

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