Portraits

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Marc Mckinlay

 

Marc currently lives in Christchurch and has never had any formal training in art. He says his major interest in art stemmed from secondary school in Scotland, when he was selected to represent his school in regional art programmes.

“I like to experiment with colour and find inspiration everywhere. I don’t focus on other artists’ work but the vibrant art scene in Christchurch has inspired me to create more art in the last 24 months than I did over the last twenty years. Due to this, my art has evolved significantly in the past 18 months and I am now considered to have evolved a style.” 

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Lucia Laubscher

Lucia Laubscher - Aotearoa Artist - The New Zealand Artist Magazine

Lucia Laubscher was born in South Africa and carved an impressive career there around her painting. She immigrated to New Zealand in 2017, and battled with the adjustment of living in a new country with a different culture and set of rules. She started building her career from scratch again and has done exceptionally well in those four years. She tells us her story

When I was five years old, my first grade teacher looked at a cartoon elephant I drew and exclaimed “You are an artist!” This stuck with me throughout my life and my love for creating grew stronger with every passing year. When I was 12 years old my parents ordered me my first oil painting kit in the mail and it arrived with four small canvasses and instructions on how to paint four different artworks – trees, buildings, still-life etc. I enjoyed drawing and experimenting with paint and have always been creative and would find myself doodling all the time.

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Debbie Cleland

debbie-cleland-aotearoa-artistA PROMISE MADE

Brought up around the Otago Harbour area of Dunedin, Debbie Cleland distinctly remembers being out on a walk one day as an 11-12 year old and coming across a gentleman who had set up his easel on the water’s edge at Carey’s Bay. She was very curious to see what he was painting, and crept up quietly to peer over his shoulder. Immediately fascinated at how the watercolour paint flowed from his brush on to the page, creating the most beautiful watery reflections, she promised herself, “One day I will paint with watercolours like this man.” Many years later she attended a weekend art class lead by Barrie White. This experience motivated her to finally start painting, fulfilling her promise, the results of which can be seen below. Debbie explains . . .

I feel like my career has just begun. Over the years there has been little time for me to pursue my passion for art, due to raising a large family of four, (and all that entails), so I have not been as productive as I would have liked. There has been no specific space for creating art, except for the kitchen table. However, I now have a designated room in our home where I can work in solitude. I will soon have a lot more time to pursue my creative side as I intend to retire in September this year. This is a huge motivating factor for me to really get stuck into producing more works.

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Coral Noel Yang - Aotearoa Artist - The New Zealand Artists Magazine

Coral Noel Yang

Professionally trained in film production, giving her a solid foundation in visual language, storytelling, colour theory, cinematography, and lighting amongst other skills, Coral Noel Yang’s predominant painting training comes from her mother who is a premier painter in Taiwan and also from various classes she took throughout the years including a Master of Fine Arts (Cinema-Television Production) at the University of Southern California, USA and Art History at the Whitman College, USA, amongst others. She tells us about herself: 

I was very fortunate to grow up in an artsy family – my Chinese dad was a professor and my Japanese mom is a painter so I grew up immersed in a strong love for arts and literature, which continues to develop. With a passion for storytelling and visual arts I chose my professional pathway as a filmmaker. After earning an MFA in Cinema-TV production from the University of Southern California I embarked on a rich creative journey involving living and traveling in different countries, directing and producing films, TV commercials and children’s television.

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Tammy Gabriel

tammy-gabriel-aotearoa-artistFINDING IDENTITY

By Matt Mortimer

The great Roman philosopher Cicero was credited as saying; “The face is a picture of the mind, as the eyes are its interpreter.” These words seem to resound beyond a quotation and take on a literal meaning for Albany-based portrait artist, Tammy Gabriel.

“I get inspired by photos of interesting compositions, but mostly ones that show expression on faces. My goal is to capture that expression in my painting. I love photos of interesting body compositions creating unique shapes too,” she says. “Individualism has been an area of interest to me my whole life and I am drawn towards uniqueness. I try to capture a person’s individual personality through my paintings.

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Jenny Konz

jenny-konz-aotearoa-artistTHERAPEUTIC TALENT

The first time Jenny Konz picked up a pencil to draw with, was in 2009. She maintains there was never a 'plan’ to become an artist. She resorted to drawing to ease the ache in her heart from her daughter and granddaughter living so far away in America.

"I went over to America for the birth of my first grandchild as my son-in-law (GI Joe) was doing a tour in Iraq. It tore my heart in two when I had to leave this beautiful little bundle and come back home. His second tour was when she was two years old, and my daughter and granddaughter came to New Zealand for a holiday. I fell in love with this bundle of joy all over again and my heart seriously broke when they had to leave. I struggled to cope with the loss and decided to pick up a pencil and try to draw her from my favourite photo, thinking that it would be good therapy for me. I had my Aunt Margaret who lived in Christchurch who was an artist (Margaret Hudson-Ware) so I sent her my drawing for some feedback and this is what she said… "What a lovely drawing! You have caught the most important part of any drawing, which is the spirit of the work. Alex looks unsure, uncertain what is happening. Well done Jenny!!! The hair is very soft and babyish and wispy . . . good work here. Hands are a nightmare. These hands are very sweet and very young . . . good work again. (I think of them as a bunch of sausages). Lop-sided is real, too symmetrical often looks artificial - a bit of good work. Just keep going."

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Wendy Ricketts

wendy-ricketts-aotearoa-artistCompelled to paint and draw animals, especially their eyes, Wendy Ricketts tells us how she uses her artistic talent to focus and calm her busy mind while producing works for commission, family and friends.

I was first inspired to draw after seeing a study of a hare by German artist Albrecht Durer. I was taken by the detail and softness of the rendition. I love the faces of animals and the detail needed to produce them. I strive to produce it, sometimes to my detriment. You can get so caught up in the detail that you forget the result you were intending to achieve. Or the mood you were trying to show in the animal. Animal faces convey so much, especially the eyes. I have always loved the natural world and have a fascination with wildlife. 

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Sally Spicer

 

sally-spicer-aotearoa-artistSally Spicer’s portrait art is imbued with a vintage sense of drama, intrigue, and intimacy. Her pathos evoking images provoke simultaneously hopeful and wistful emotions. She recently described to us her approach to art.

The most important thing I have learned is to follow your instinct with your art. Critique from external sources is valuable, but you need to stick to your decisions if they feel right. I loved to draw from a very young age, favouring depicting people right from the start. I was really lucky to have incredibly supportive parents, who recognised my passion and helped to steer me in the right direction. My grandmother was a talented artist, as are my Dad and my aunt. 

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Lui Peti

lui-peti-aotearoa-artistLui Peti’s art is surrealistic, emotive and a little quirky. His digital paintings are available to be enjoyed by everyone, with his original work sold online as affordable art prints. His hope is for people to enjoy his art as much as he enjoys creating it. With buyers already in Australia, the USA and Canada, Lui is well on his way to becoming a full-time artist.

I love being able to visualise my thoughts and being able to create art from a process of thinking. I like pushing myself to be braver and reach deeper into my psyche to explore its essence. Perfecting my craft and being surprised by my progress is very satisfying. 

featured-freeman-white-aotearoa-artist

Freeman White

freeman-white-aotearoa-artistANSWERING THE CALL

Born in the Hawke’s Bay, Freeman White started drawing before he started school, and enjoyed tremendous support from his parents. While still in primary school, Freeman was entering and winning art competitions, always serious about his artwork.

In the late 90s Freeman attended Elam School of Fine Arts in Auckland for a year. “Their mantra was that ‘painting is dead’, but painting was very much alive for me, so I left after a year. After that I received a scholarship to study Honours at the Learning Connexion in Wellington where I met fellow painter Sandro Kopp.” 

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