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Monika Welch - aotearoa artist

Monika Welch

Monika Welch - aotearoa artist

LET US BE ARTISTS!

It was the love of art and an inherent creativity that paved the way for Monika Welch, a former musician, to become a full time artist.

“I never had any formal are training and just blundered and blustered my way through,” she quips, adding that she did not enter the world of ‘art’ until she was 35: “It was New Year’s and my friend Julie asked what shall we do this year? Seeing as we’d both dabbled in writing and music I replied: ‘let’s be artists, and that was that.”

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Jo Chester - aotearoa artist

Jo Chester

Jo Chester - aotearoa artist

HOLD ON TIGHT

“Art enables us to find and lose ourselves at the same time” Thomas Merton.

“Ever since I can remember I have always been drawing and creating images,” Jo Chester explains when asked about her entry in the world of art, “I had a very supportive teacher at Rotorua Girl’s High who encouraged my talent and insisted that I apply to Wellington Polytechnic to study graphic design.”

This ultimately resulted in a career with art as the baseline. “I have worked as a Graphic designer, Textile designer, even designing jeans at one stage as well as drawing up fashion shots for a retail outlet.

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Brian Looker - aotearoa artist

Brian Looker

Brian Looker - aotearoa artist

AN OPPORTUNITY FOR REFLECTION

When Brian Looker returned to New Zealand after an absence of twenty years living in Australia, it was like coming to an unknown country. It was the catalyst he needed to become a full time artist. “It seemed a fitting time, to follow my dream and make a commitment to pursue my art on a deeper level,” he says.

“It seemed a fitting time, to follow my dream and make a commitment to pursue my art on a deeper level,” he says. “For many years my wife and I had visited artists in their studios in many countries around the world, each time thinking what a perfect lifestyle they had. Truthfully the only difference between dreaming and having is that first step of doing.”

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Don Wilkie - aotearoa artist

Don Wilkie

Don Wilkie - aotearoa artist

SOARING TO NEW HEIGHTS

Painter, published author, and printer - Don Wilkie does not set limits on his range of creative talents.

“Painting provides the space and relaxation in which I lose myself in creating,” he reveals, “one of my biggest joys is when the painting is completed and seeing what has been achieved from a blank canvas.”

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Pauline Gough - aotearoa artist

Pauline Gough

Pauline Gough aotearoa artist

CALL OF THE ARTIST

When asked what motivates her, Pauline Gough says simply: “It is the love of it. It’s important for me to love the whole process – if it feels like work, I shouldn’t be doing it.”

Recalling her early years when the call of the artist flowed strongly in her heart, Pauline says she has always loved anything to do with art: “I wanted to do art at school, however my school in Wellsford, didn’t offer this as an option in those days. My mother looked into some individual lessons and the principal of Rodney College said he would try to arrange an art teacher; however this never amounted to anything. “Art as a career was what I desired, teaching is where I ended up,” she says wryly.

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Robyn Mitchell - aotearoa artist

Robyn Mitchell

Robyn Mitchell - aotearoa artist

CHISELING OAMARU STONE

“Learn to organise your life, make time to do the things you dream of.”

Robyn Mitchell’s favourite sculptural medium is wood: “It is not until you start to shape and polish the wood, that the beauty of the grain and colour are revealed,” she says. “Because of the variants of grain, the type of wood and what part of the tree they come from, no two pieces will ever come out the same.”

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Jane Pestell-Litten -aotearoa artist

Jane Pestell-Litten

Jane Pestell-Litten - aotearoa artist

LIQUID LIGHT

Jane Pestell-Litten is a trans-Tasman fine artist working primarily in the traditional mediums of charcoal and watercolour, or oils on linen. Jane’s work is exclusively figurative (whole and portrait). Her charcoals are large and lively and strong in line and style.

She is driven to capture the brilliance of light and paints in the style of the Photorealist movement. Her work depicts the actuality of what the eye can see, yet allows for subject ambiguity to enable individual interpretation. Her work is held in numerous local and international private and public collections.

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Kellie Edwards - Aotearoa Artist

Kellie Edwards

Kellie Edwards - Aotearoa Artist

A FOCUS ON LIGHT AND AMBIENCE

Kellie Edwards spends a lot of time outside her studio thinking and planning, and as a long distance runner she has plenty of time for thinking.

When she is not running, Kellie works part time-caring for children of local families. This time spent with children has been a good counter balance to her work in fine art, being the opposite of contemplative studio time. The transition back into almost full time art has helped her work past being the perfectionist, and having less studio time in the week has been great leverage to keep her fearlessly moving forward.

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Tanya Finlayson - Aotearoa Artist

Tanya Finlayson

tanya-finlayson-aotearoa-artist

CARVING A NEW FASHION

“Have a goal, have something to achieve and then go and fulfill it. It always a nice feeling to look back on the journey of how you realised your dreams.” 

So says Tanya Short, who some may remember as Tanya Finlayson making and selling handmade jewellery and sewing children’s clothing at the Whangarei markets.

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Matt Diamond - Aotearoa Artist

Matt Diamond

Matt-in-action-aotearoa-artist-matt-diamond
Matt in action

MATT DIAMOND EXPRESSIVE

Throughout his life, Matt Diamond has had an interest in drawing, endeavouring to put to paper that which he saw, developing his talent through the years. He travelled Europe and the Middle East for four years, returning to New Zealand to train at Aucklands Freelance Animation Studio.

After working in 2 and 3 dimensional animation and spending time doing animation for Maori TV, he realised his creativity didn’t really flourish in an office environment and decided to start travelling again. Whilst in central America he spent time sketching people in cafés, without them knowing, and then presenting them with the drawing when they had finished their meal. Sometimes he just made a new friend, other times the unwitting model would buy him a meal or tip him. However, although this was entertaining, it did not satisfy his overwhelming urge to create huge artworks.

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