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Tessa Ralston

tessa-ralston-aotearoa-artistINSPIRED ILLUSTRATION

I’ve come to find that art seems to always niggle it’s way back into my life, even, perhaps, when I’m trying to distance myself from it. I have no true recollection of ‘getting into art’, but like most children inherently are, I was drawn to painting and visual expression.

With my mother being a graphic designer, I was fortunate enough that she fostered my artistic energy and patiently encouraged my creativity – and amusingly, she simultaneously firmly discouraged my entering the graphic design world. I believe there is a subtle divergence that happens when artists are ‘made’, and that is when they keep drawing, painting and playing after they are no longer children.

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Rochelle Boult - Aotearoa Artist

Rochelle Boult

FREE SPIRIT

Watching unlimited possibilities unfold onto paper, Rochelle Boult’s free spirit finds itself at the tip of a sharpened pencil. Finding peace and relaxation within her mark making, she builds her line and tone gently, observing her drawing as it gradually grows in depth and detail using shading and clever use of the different softnesses of her medium.

Rochelle creates works with Faber-Castell thick Graphite on Bockingford Drawing paper. Starting with an HB which she uses to sketch the outline, she then moves through from a 2B for shading to a 6B and an 8B for final depth. Rochelle also does some printmaking including etching and woodcuts, which she has successfully sold in a Marlborough exhibition.

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Angela Mole

Angela Mole - Aotearoa Artist

I was destined to become an artist - having drawn, painted, sewn and crafted constantly throughout my growing years. After gaining a History and English degree I became a primary school teacher, encouraging the children in artistic expression at every opportunity and displaying their art in every available space. I was commended for the ambience but warned that too many ‘hangings’ could pose a fire risk! Later I co-ordinated the installation of large permanent outdoor murals which met with approval. On retiring from teaching, once my family had grown, I was at last free to follow my own artistic journey.

I am largely self-taught but value the grounding and increased confidence attained by completing a diploma in painting in 2011. These days I feel compelled to create positive vibrant images. My brief as an artist is to “Focus on the beauty which is abundant in this world and thereby know peace” (Philippians 4:8-10, from the Holy Bible). One part of my inspiration is what I see as beauty, most often the smallest organic forms in nature - seeds, shells, eggs, petals and leaves, small beginnings from which greater things evolve. Equally important, is how I feel. I paint from the heart and am translating thoughts, words, poems and dreams into painted expression. I have an overwhelming desire to inject colour, truth and beauty into our environment, trying to counter the negative, dark influences pervading society. It’s about spreading a little happiness. Japanese style (the combination of minimalism and fine detail present in paper and silk design) influences my painting as do the swirling curves and clean lines from the Art Nouveau era.

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Robert van der Touw

robert-van-der-touw-aotearoa-artistTHE PASSION IN PATTERN

Robert van der Touw arrived in New Zealand in 1990 after graduating from the School of Natural medicine in Holland. He always had a strong love for the beauty of nature, even as a four year old boy when he used to wander the Dutch forest and steal flowers and plants out of people’s gardens to put in his own. The police were not amused but were very surprised at his age! “Is that Robert van der Touw” one of them laughed as he entered the room! Roger tells us more of his interest in nature and accomplishing his mission.

Shortly after my arrival here I fell in love (literally) with the native forests of New Zealand. As a practitioner of natural medicine, nature was my ‘playing ground’ and New Zealand’s pristine ancient forests could not provide for a better one. I developed a sincere desire to explore all these beautiful ‘new medicines’. As a trained classical homeopath I was lucky. Homeopathy offers effective research methods to let you explore these.

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Jill White

jill-white-aotearoa-artistFINDING THE SECRETS

I have had no formal art training but I come from a family of art lovers so I always say it must have been through a process of ‘osmosis’ that I learnt to work with colour.  Being surrounded by art in the home must have had some subconscious influence. My sister Loy Forrest was the artist in the family so until I came to New Zealand from Botswana, it wasn’t something I had considered doing.

Once I asked a friend’s daughter to do a painting for me but she was too busy so I thought I would try to do one myself. Another wonderful friend of mine Raewyn Coker saw it and took it into the local community gallery where it sold in the first week - they asked me to bring more work in to which I replied “but I’m not an artist and I don’t think I can”. However, I gave it a go and when that one sold, my career as an artist took off. Once I started painting I couldn’t stop, finding a need to create.

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Drew Hill

CONTEMPORARY VIEWPOINT

'Meat on Meat'

Using his camera to tell the stories of those who fall through the cracks, Drew Hill ventures to highlight political, social and cultural injustices and issues. He has been passionate about art from an early age and began by using painting as a medium to express his world view.

Drew loves art history and the biographies on artists - how they lived and worked. In 1999 he graduated from Ilam School of Fine Arts, Canterbury and now draws inspiration from current issues, producing thought provoking images through his recently favoured medium, photography, “...because a picture tells a thousand words and it enables you to capture the perfect moment in time that will never be seen again.”

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Theo TAS Arraj

Theo TAS Arraj - aotearoa artist

NATURAL CONNECTION

With an eye set firmly on inclusion in the global art community, Theo “TAS” Arraj has a natural connection with art as a way to communicate how he sees the world. Having recently committed wholeheartedly to a career as an artist he finds inspiration from the world around him.

Frequently drawing from his environment, aspects of nature, music and the people which surround him inspire his passion for his artistic endeavours. TAS likes to observe other artists and their processes but is proud to say his skill comes from the practice of his craft. Likening his humble beginnings within the street art culture and graffiti to those of Mankind’s ancestors, who also wrote on walls, both tell a story in different times but draw from the same impulse to share their vision.

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Tony Clarke

Tony Clarke - aotearoa artist

CORNERSTONE SKILL

With luscious, almost glowing colour pouring out from the canvas, Tony Clarke’s work emits a sense of vibrancy making his art feel alive. The intricate texture conveys the feeling that you could reach out and touch the feather or fur.

Tony’s father was a very accomplished hobby painter and encouraged him from an early age. “He gave me a book at age 13 of Raymond Ching’s book of British Birds and took me out drawing over the weekends. I copied paintings from that book and studied originals at the International Art Centre.”

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Andrew Swarbrick

Andrew Swarbrik - aotearoa artist

THE HUMAN CONDITION

With very supportive parents constantly supplying him with art materials and encouragement, Andrew Swarbrick has overcome his physical disabilities to emerge as a very talented artist. Lucky enough to be using his talent every day as a tattoo artist, Andrew tells us his story.

I have been interested in art from a young age, and have been drawing for as long as I can remember. At age 12, I had a large operation to help alleviate some of the physical disabilities I was born with, which resulted in me being wheelchair bound for just over a year. As there wasn’t much to do in hospital in those days, my folks were constantly bringing me comic books to read. I promptly copied all of my favourite pictures from them and then pursued other artists books, which I also feverishly copied from, learning all the time. I didn’t fare well with art at school and am largely self taught. After school, I worked in various factories over the next six years or so, while trying to build a portfolio to go to university as an adult student. That portfolio landed me an apprenticeship as a tattoo artist.

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