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Roger Shanks

Roger Shanks - aotearoa artist

HARNESSING THE BEAUTY

When Roger Shanks retired from a full time career in sheep and cattle farming, he became an artist, gaining knowledge from reading books and magazines and attending workshops with prominent Australian and New Zealand artists.

Having had no formal training, art filled a need to keep himself occupied during his retirement with the biggest motivating factor being the sense of achievement that comes from creating beautiful paintings. Roger retired at age 54. Eighteen years later, Roger is very proud of having had a private exhibition in Napier, two exhibitions in Gisborne and being a finalist in the Australian Artist magazine competition, Volume 203. He intends to continue on his artistic journey indefinitel

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Jill White

jill-white-aotearoa-artistFINDING THE SECRETS

I have had no formal art training but I come from a family of art lovers so I always say it must have been through a process of ‘osmosis’ that I learnt to work with colour.  Being surrounded by art in the home must have had some subconscious influence. My sister Loy Forrest was the artist in the family so until I came to New Zealand from Botswana, it wasn’t something I had considered doing.

Once I asked a friend’s daughter to do a painting for me but she was too busy so I thought I would try to do one myself. Another wonderful friend of mine Raewyn Coker saw it and took it into the local community gallery where it sold in the first week - they asked me to bring more work in to which I replied “but I’m not an artist and I don’t think I can”. However, I gave it a go and when that one sold, my career as an artist took off. Once I started painting I couldn’t stop, finding a need to create.

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The Business of Art – John Botton

johnbotton_camera-aotearoa-artistDuring my recent visit to Sydney I popped into one of my favourite hangouts, the Art Gallery of NSW and headed straight down to the photographic exhibitions (why do galleries always bury photography exhibits in the basement?). I was surprised to find a number of pieces by Andreas Gursky, whose name didn’t mean much to me until a few years back when one of his photographs sold for over three million dollars. 

While contemplating the huge print of “Chicago, Mercantile Exchange” (it was estimated to sell for over five hundred thousand Euros), I got to thinking about the first time I presented my photography to the owner of the Red Square Gallery in Cape Town, South Africa. I now cringe at the thought of how naive I was; I just arrived at the gallery without an appointment, my work was very poorly presented and was very higgledy-piggledy to say the least with no structure or cohesive theme. The gallery owner was very polite in rejecting me but it took me ages to come to terms with it. So how do you go from aspiring artist to commercial success? 

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Levin Adventure Park Mural

A huge colourful mural has transformed the wall at Levin Adventure Park’s northern border.

At a ceremony to celebrate the mural’s completion last Thursday, Horowhenua Deputy Mayor Garry Good described it as a 300 square-metre landmark piece of beautiful artwork. “From Council’s perspective, it’s the most amazing mural in New Zealand. You won’t see anything like it in Auckland, Wellington, Christchurch, anywhere. We’ve set a standard with this here in Horowhenua,” Mr Good said.

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Drew Hill

CONTEMPORARY VIEWPOINT

'Meat on Meat'

Using his camera to tell the stories of those who fall through the cracks, Drew Hill ventures to highlight political, social and cultural injustices and issues. He has been passionate about art from an early age and began by using painting as a medium to express his world view.

Drew loves art history and the biographies on artists - how they lived and worked. In 1999 he graduated from Ilam School of Fine Arts, Canterbury and now draws inspiration from current issues, producing thought provoking images through his recently favoured medium, photography, “...because a picture tells a thousand words and it enables you to capture the perfect moment in time that will never be seen again.”

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Theo TAS Arraj

Theo TAS Arraj - aotearoa artist

NATURAL CONNECTION

With an eye set firmly on inclusion in the global art community, Theo “TAS” Arraj has a natural connection with art as a way to communicate how he sees the world. Having recently committed wholeheartedly to a career as an artist he finds inspiration from the world around him.

Frequently drawing from his environment, aspects of nature, music and the people which surround him inspire his passion for his artistic endeavours. TAS likes to observe other artists and their processes but is proud to say his skill comes from the practice of his craft. Likening his humble beginnings within the street art culture and graffiti to those of Mankind’s ancestors, who also wrote on walls, both tell a story in different times but draw from the same impulse to share their vision.

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Tony Clarke

Tony Clarke - aotearoa artist

CORNERSTONE SKILL

With luscious, almost glowing colour pouring out from the canvas, Tony Clarke’s work emits a sense of vibrancy making his art feel alive. The intricate texture conveys the feeling that you could reach out and touch the feather or fur.

Tony’s father was a very accomplished hobby painter and encouraged him from an early age. “He gave me a book at age 13 of Raymond Ching’s book of British Birds and took me out drawing over the weekends. I copied paintings from that book and studied originals at the International Art Centre.”

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Andrew Swarbrick

Andrew Swarbrik - aotearoa artist

THE HUMAN CONDITION

With very supportive parents constantly supplying him with art materials and encouragement, Andrew Swarbrick has overcome his physical disabilities to emerge as a very talented artist. Lucky enough to be using his talent every day as a tattoo artist, Andrew tells us his story.

I have been interested in art from a young age, and have been drawing for as long as I can remember. At age 12, I had a large operation to help alleviate some of the physical disabilities I was born with, which resulted in me being wheelchair bound for just over a year. As there wasn’t much to do in hospital in those days, my folks were constantly bringing me comic books to read. I promptly copied all of my favourite pictures from them and then pursued other artists books, which I also feverishly copied from, learning all the time. I didn’t fare well with art at school and am largely self taught. After school, I worked in various factories over the next six years or so, while trying to build a portfolio to go to university as an adult student. That portfolio landed me an apprenticeship as a tattoo artist.

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