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Susannah Law - Aotearoa Artist - The New Zealand Artists Magazine

Susannah Law

Susannah-law-aotearoa-artistSince childhood, Susannah Law has been receiving awards for her artwork and it was always her dream to be an artist. With much encouragement from family and friends, she finally completed a Diploma in Fine Arts from Hungry Creek Art School in Puhoi.

My mother always supported me and organised private lessons for me during my teen years with my forever favourite art tutor (late) Kathleen Bartlett. Kathleen was so passionate about art and the history of art which she studied in London, she was always inspiring to me. I can remember her even now, vividly telling a story of her travels such as to murals in Greece and Turkey and other exhibits she visited, how Van Gogh’s originals move you in a way that prints never could and that paintings in their original form always have a better impact.

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Lynley van Alphen - Aotearoa Artist - The New Zealand Artists Magazine

Lynley van Alphen

lynley-van-alphen-aotearoa-artistSOUL SOOTHING

Although largely self-trained, Lynley van Alphen has done various workshops with the likes of John Crump, Ben Ho, Wayne Edgerton as well as a week-long plein air workshop with John Wilson in Alice Springs, Australia.

Always a teenage dream, and always having wanted to make a living as an artist, Lynley fondly remembers sitting on the hillside above the Tarras (Central Otago) primary school, sketching with crayon the distant Hawkdun mountain range. She has continued to paint and sketch during her free time. The sad passing of her husband, seven years ago, enabled her to take the step to pursuing her artist’s dream more fully. "He told me when we first found out his terminal diagnosis of motor neuron disease, that he’d like me to follow my art dream when he was gone. Focusing on that helped me overcome the grief that comes from losing one’s life partner."

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Jenny Konz

jenny-konz-aotearoa-artistTHERAPEUTIC TALENT

The first time Jenny Konz picked up a pencil to draw with, was in 2009. She maintains there was never a 'plan’ to become an artist. She resorted to drawing to ease the ache in her heart from her daughter and granddaughter living so far away in America.

"I went over to America for the birth of my first grandchild as my son-in-law (GI Joe) was doing a tour in Iraq. It tore my heart in two when I had to leave this beautiful little bundle and come back home. His second tour was when she was two years old, and my daughter and granddaughter came to New Zealand for a holiday. I fell in love with this bundle of joy all over again and my heart seriously broke when they had to leave. I struggled to cope with the loss and decided to pick up a pencil and try to draw her from my favourite photo, thinking that it would be good therapy for me. I had my Aunt Margaret who lived in Christchurch who was an artist (Margaret Hudson-Ware) so I sent her my drawing for some feedback and this is what she said… "What a lovely drawing! You have caught the most important part of any drawing, which is the spirit of the work. Alex looks unsure, uncertain what is happening. Well done Jenny!!! The hair is very soft and babyish and wispy . . . good work here. Hands are a nightmare. These hands are very sweet and very young . . . good work again. (I think of them as a bunch of sausages). Lop-sided is real, too symmetrical often looks artificial - a bit of good work. Just keep going."

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Fiona Newton - Aotearoa Artist - The New Zealand Artists Magazine

Fiona Newton

fiona-newton-aotearoa-artistFINDING WHENUA

By Matt Mortimer

Here in Aotearoa we are blessed to have an abundance of stunning natural beauty around us to inspire creative works and fire the coals of our imagination. This connection to our whenua is more than simply sightseeing or exploring to artist Fiona Newton, this began and still forms the base for much of her work today, including an approach of kaitiaki – guardianship of the land. This includes utilising discarded items she finds along the way.

"I began gathering off the coastline, finding marine waste, sea glass, sea stones and sandblasted crockery on old tile and brick, my concern was respecting the beautiful coastline (keeping it) free of rubbish. A lot of it comes from boats and people throwing waste off the cliffs," she says. "I’m very visual and notice the beauty in most simple things especially nature and our incredible Aotearoa. We have fantastic coastlines, rivers, mountains, and native bush. We are the lucky country! I see myself as an environmental artist. I work with found objects in nature in my garden art and found objects in my sculptural work, recycling and sustainable art. I began mosaicking on concrete, making garden art."

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Claire Wallwork

 

claire-wallwork-aotearoa-artistCONQUERING DOUBTS

As a young woman and throughout her life, whenever Claire Wallwork thought of her dream career, she saw herself as an artist creating beautiful works and loving it,and yet she never really imagined that it was something that could actually eventuate. Three years ago, she had a catharsis where she asked herself,’what is holding me back?’ When she realised that the only thing stopping her were her own self-imposed limitations, she began to pursue her dream in earnest. ‘From that moment I replaced my student paints for professional ones and dedicated all my time and resources into mastering my craft and stepping up to the challenge’.

I am self-taught and have learnt through a huge amount of experimentation, asking a lot of questions and through watching YouTube Videos to familiarise myself with various mediums and techniques. To describe the theme that has permeated every aspect and stage of my life, it has been the challenge of self-expression. As a child I was cripplingly shy, and it took many years to find my voice, and even more to be able to express it eloquently. I eventually found writing really supported me in that but then I discovered painting. After a lifetime of soul-searching and healing, I discovered that painting allowed me access to the feelings and thoughts that sat under the surface of my conscious awareness.

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Alex Hoare

 

As with all artists across the board, the issue of confidence in ability is always a tenuous thing, especially when young and starting out. Alex Hoare is just such a young talented artist, who is finding out exactly how much talent he really has, both with visual and performance art. Colin Hoare, Alex’s father was featured in our September October 2014 issue, and visited us here in Whangarei around the same time, bringing his twin sons, Alex and James to introduce them. It is with great pride and pleasure that we introduce our readers to Alex, his talents and his reflections.

The only formal training for art I’ve had was in classes at school. My art class in high school was the foundation for my understanding of art and made me excited to create; it gave me a really good baseline understanding of how to apply different materials and techniques to my work to create art that looked the way I wanted it to. I remember we would experiment with so many different mediums and just have fun with creating art and I think that’s still so important to my creative process now.

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Clint©

clint©-aotearoa-artistClinton Christian’s proudest moment in his artistic career was the first time he ever exhibited in a gallery, a solo show at The Mandarin Tree Gallery, Gordonton, in 2018. This was a huge success, “It was kind of a ‘coming out’ show called ‘Resolution’, many of my friends didn’t even know I could paint. Creating the new work under pressure for the show, and almost selling half my work on opening day gave me the confidence to call myself an artist.”

 

Born in Hamilton, Clinton, most commonly known as Clint©, achieved a Certificate in Visual Arts at the Waikato Polytechnic in 1992. He was an A+ student at art school, but realised the income from being a relatively unknown artist wasn’t going to get him on the property ladder and so he joined the building industry. He trained and worked as a draftsman, which is an occupation that allows for some sort of creativity, but not enough for him to realise his true ambition of becoming a full-time artist. “Too many straight lines,” he jokes.

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Wendy Ricketts

wendy-ricketts-aotearoa-artistCompelled to paint and draw animals, especially their eyes, Wendy Ricketts tells us how she uses her artistic talent to focus and calm her busy mind while producing works for commission, family and friends.

I was first inspired to draw after seeing a study of a hare by German artist Albrecht Durer. I was taken by the detail and softness of the rendition. I love the faces of animals and the detail needed to produce them. I strive to produce it, sometimes to my detriment. You can get so caught up in the detail that you forget the result you were intending to achieve. Or the mood you were trying to show in the animal. Animal faces convey so much, especially the eyes. I have always loved the natural world and have a fascination with wildlife. 

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Wendy Leach - Aotearoa Artists - The New Zealand Artists Magazine

Wendy Leach

 

wendy-leach-aotearoa-artistThree years at Elam School of Fine Arts, Auckland University (Diploma of Fine Arts) and two years at Whitecliffe College of Art and Design (Master of Fine Arts, 1st class honours) has seen Wendy Leach through to a fine career in visual arts. She tells us her of her process and progress.

I went to Elam when I left school, then trained as a secondary teacher. I became an art teacher first, then an exhibiting artist later. In terms of a philosophy that drives my creative soul, that would be the language and understanding of the power of opposites, yin and yang. These complementary opposites - dark and light, black and white, night and day, warm and cool, storm and calm - are fundamental to my current paintings as I explore the natural elements around me.

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Sally Spicer

 

sally-spicer-aotearoa-artistSally Spicer’s portrait art is imbued with a vintage sense of drama, intrigue, and intimacy. Her pathos evoking images provoke simultaneously hopeful and wistful emotions. She recently described to us her approach to art.

The most important thing I have learned is to follow your instinct with your art. Critique from external sources is valuable, but you need to stick to your decisions if they feel right. I loved to draw from a very young age, favouring depicting people right from the start. I was really lucky to have incredibly supportive parents, who recognised my passion and helped to steer me in the right direction. My grandmother was a talented artist, as are my Dad and my aunt. 

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