Landscape

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Debbie Lambert

debbie-lambert-aotearoa-artistINTREPID PLEIN-AIR

Having taken art as a subject through school to upper education and later followed with an art major at training college, Debbie Lambert’s oil and watercolour painting journey has been largely self-taught with workshops over the years held by a number of notable New Zealand and overseas tutors.

With both parents loving painting and keen amateur artists, she was encouraged from a very early age to ‘make art’. “In my early 20s my mother paid for me to attend a Randall Froude oil painting workshop. I was hooked. Later I attended another with watercolours, and loved that too. Because I loved both mediums and the special properties of each type of paint, I have continued to learn from many different tutors and paint (and sell) in both mediums. I also have utilized my teaching training and tutored many artists through the years.”

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Amanda Gleason

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Painting en plein-air is a dream for many landscape artists. Unfortunately, the hurdles of self-consciousness and a lack of appropriate equipment often constrain us to the studio. Amanda Gleason has broken these chains and is now flying solo; loving her newfound artistic freedom. 

My mother was an artist and art teacher, so I was surrounded by art all my growing years. I work full time as Practice Manager at a physio clinic, but once my children had finished high school, I had the time to pursue some formal art classes and over the last five – six years I have become increasing impassioned with my painting and drawing. I have had classes in oil painting, portrait painting (based on the old masters’ techniques), drawing and landscape painting. I have also done a number of workshops through the Howick Art Group, including life drawing and still life painting.

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Lynley van Alphen - Aotearoa Artist - The New Zealand Artists Magazine

Lynley van Alphen

lynley-van-alphen-aotearoa-artistSOUL SOOTHING

Although largely self-trained, Lynley van Alphen has done various workshops with the likes of John Crump, Ben Ho, Wayne Edgerton as well as a week-long plein air workshop with John Wilson in Alice Springs, Australia.

Always a teenage dream, and always having wanted to make a living as an artist, Lynley fondly remembers sitting on the hillside above the Tarras (Central Otago) primary school, sketching with crayon the distant Hawkdun mountain range. She has continued to paint and sketch during her free time. The sad passing of her husband, seven years ago, enabled her to take the step to pursuing her artist’s dream more fully. "He told me when we first found out his terminal diagnosis of motor neuron disease, that he’d like me to follow my art dream when he was gone. Focusing on that helped me overcome the grief that comes from losing one’s life partner."

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Wendy Leach - Aotearoa Artists - The New Zealand Artists Magazine

Wendy Leach

 

wendy-leach-aotearoa-artistThree years at Elam School of Fine Arts, Auckland University (Diploma of Fine Arts) and two years at Whitecliffe College of Art and Design (Master of Fine Arts, 1st class honours) has seen Wendy Leach through to a fine career in visual arts. She tells us her of her process and progress.

I went to Elam when I left school, then trained as a secondary teacher. I became an art teacher first, then an exhibiting artist later. In terms of a philosophy that drives my creative soul, that would be the language and understanding of the power of opposites, yin and yang. These complementary opposites - dark and light, black and white, night and day, warm and cool, storm and calm - are fundamental to my current paintings as I explore the natural elements around me.

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Charne Christensen

 

charne-brent-christensen-aotearoa-artistBRIEF MOMENTS

Charne Brent Christensen’s immaculate photo-realistic painting style does justice to the dramatic but serene landscape of the South Island. Blending the mists of the unknown with the hyper-realism of strong light on crisply defined mountain and lake scenery, he has developed a unique style which he shares with us here.

My art is inspired by the New Zealand landscape. I regularly take my eight-year-old dog Chow Chow on road trips around the South Island. I love to explore the countryside and every trip inspires a new creation. It’s as if the lakes and mountains beg me to capture them for one brief moment in time; so that they can be displayed in a loving home to remind us of their eternal beauty. I work full time, so I paint whenever I get the time - mostly on weekends. I have been driven to learn and develop my skills so that one day I can become known as an accomplished artist. 

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Freeman White

freeman-white-aotearoa-artistANSWERING THE CALL

Born in the Hawke’s Bay, Freeman White started drawing before he started school, and enjoyed tremendous support from his parents. While still in primary school, Freeman was entering and winning art competitions, always serious about his artwork.

In the late 90s Freeman attended Elam School of Fine Arts in Auckland for a year. “Their mantra was that ‘painting is dead’, but painting was very much alive for me, so I left after a year. After that I received a scholarship to study Honours at the Learning Connexion in Wellington where I met fellow painter Sandro Kopp.” 

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Sue Currie - Aotearoa Artist

Sue Currie

Sue Currie - Aotearoa Artist

Sue Currie was delighted to find that a comprehensive Australian correspondence course in graphic design for three years while at high school in Christchurch was a successful background for working in art. “In those days there were few opportunities for women to be taken seriously. In Sydney, Australia, the attitude was much more positive.”

Sue also took lessons with artist and illustrator Arthur Renshaw, (a retired tutor from the NSW Polytech), twice a week for six months as well as working freelance in graphic design. After six years she returned to New Zealand to paint, attending weekend workshops with a few fellow artists.

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Sally-Ann Davies

Sally-Ann Davies was born in Shropshire, England and resides in Taupo. She started her journey of becoming an artist as a toddler, drawing on the newly wallpapered walls of the farmhouse she grew up in. Her favourite subject at school without doubt was art. She vividly remembers that the primary school she attended would reward you if you finished your work early, with going and playing in the craft corner. She remembers how amazing creations developed with the simple materials such as egg cartons and toilet rolls. 

Her journey to becoming the esteemed artist she is today did not come with ease. A the age of 12 she had a detached retina so ended up having quite a few months off school. This meant no active play, which she says was very frustrating when you grow up on a farm with her brothers. Sally-Ann is a triplet, so you can understand the frustration she must have had, because she and her brothers normally spent their time building dens, rafts and camping by the river. 

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Boat Sheds Otago Harbour-john-white-aotearoa-artist

John White

John White - Aotearoa Artist

WILD PASSION

“Don’t be afraid, all the great painters had to start somewhere. You will make many mistakes so go ahead and start making them”. Adeptly using the time honoured mediums of oil and watercolour, John White portrays his love of wildlife through richly built paintings, softly painted, revealing the passion he has for his subject. Having built his skills over a lifetime he continues to create, advise and exhibit in New Zealand and overseas.

You know the first thing people ask me when they see my art is “how long have you been painting”? My answer is that I have always painted. I was brought up in a small place called Macandrew Bay on the Otago Peninsula with my three brothers and one sister. One of my brothers is my identical twin who is also an artist. We are the only ones in our family who do art, so my parents really did not understand what it was all about but they did encourage us. In my late teens I used to come home after playing rugby on a Saturday and paint watercolours on our kitchen table. If we had any visitors my mother would bring out my paintings and show them.

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Roger Shanks

Roger Shanks - aotearoa artist

HARNESSING THE BEAUTY

When Roger Shanks retired from a full time career in sheep and cattle farming, he became an artist, gaining knowledge from reading books and magazines and attending workshops with prominent Australian and New Zealand artists.

Having had no formal training, art filled a need to keep himself occupied during his retirement with the biggest motivating factor being the sense of achievement that comes from creating beautiful paintings. Roger retired at age 54. Eighteen years later, Roger is very proud of having had a private exhibition in Napier, two exhibitions in Gisborne and being a finalist in the Australian Artist magazine competition, Volume 203. He intends to continue on his artistic journey indefinitel

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