Birdlife Archives - Page 2 of 6

Susannah Law

22 April 2021
Acrylic, Animals, Artists, Australia, New Zealand & Oceania, Birdlife, Fantasy, Featured Artists, Hyper Realism, Illustration, Nature, Painting

Since childhood, Susannah Law has been receiving awards for her artwork and it was always her dream to be an artist. With much encouragement from family and friends, she finally completed a Diploma in Fine Arts from Hungry Creek Art School in Puhoi.

My mother always supported me and organised private lessons for me during my teen years with my forever favourite art tutor (late) Kathleen Bartlett. Kathleen was so passionate about art and the history of art which she studied in London, she was always inspiring to me. I can remember her even now, vividly telling a story of her travels such as to murals in Greece and Turkey and other exhibits she visited, how Van Gogh’s originals move you in a way that prints never could and that paintings in their original form always have a better impact.

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Marie Reid-Beadle

1 November 2020
Acrylic, Animals, Artists, Australia, New Zealand & Oceania, Birdlife, Drawing, Hyper Realism, Painting, Surrealism

BOVINE BLISS

Self-taught, art has always been a passion for Marie Reid-Beadle. She spent a lot of time doodling and sketching in her teen years. Some 10 years later, after her first child was born, she decided to purchase some quality paints and a quality canvas and entered a painting in an open exhibition at the Otago Art Society. The painting sold - not to her great aunt or an empathetic friend, but to a total stranger. She was on a high all week!

My creative soul is driven by the world around me. I am so grateful and blessed to now live in the beautiful Catlins. I often just drive around looking for a photo opportunity. Seeing maybe a heron, kingfishers, cows and wildlife that give me ideas for my next painting. My balancing act painting called ‘The Steward Island Party’ was based on being in Stewart Island for a 50th birthday and the birds that we encountered.

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Lynn Isherwood

1 November 2020
Acrylic, Animals, Artists, Australia, New Zealand & Oceania, Birdlife, Ceramics, Expressionism, Fantasy, Figures, Painting, Sculpture

THE CREATIVE FLOW

Lynn Isherwood uses the old as time ceramic technique of hand building to create flowers, animals, birds and creatures for people to enjoy. Her calling is to create, to make, and to then close the loop by recording, and reflecting on, the outcome. This is her passion.

“I have been keen on art all my life. I love making; it is my passion. I believe that there is a spiritual creative force which encourages, inspires and uplifts me. I am happy when people buy my works and take them home to enjoy them in their daily lives. I am happy in my studio when I am in a creative flow… or just thinking and playing with my art. My aim is to develop more skills and confidence in painting and pottery – to be able to express myself more fully.

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Melanie Corby

1 September 2020
Animals, Artists, Australia, New Zealand & Oceania, Ball Point Pen, Birdlife, Drawing, Ink, Kiwiana, Painting, Stylized

ZONING IN

Melanie Corby has an unusual claim to fame: her painting is the first thing people see when entering the Wellington Police HQ holding cells. “I just hope when people walk through, they’re inspired that there is hope and the world is full of colour and brightness. They can grasp a little straw of that and know they’re here for a reason and a purpose,” she said.

I used to love drawing as a child, and I had an Aunty who used to paint. She taught me to make a notebook out of recycled paper when I was about 12 years old. I filled that little notebook with 100s of drawings of cartoons and animals. I had an eye for detail and being able to look at a large image and draw it perfectly scaled down. I took art painting right up to bursary level 7th form. I wanted to do a fine arts degree when I left high school, but my parents said there was no money in art, so I trained as a primary school teacher.

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Tessa Ralston

1 January 2017
Animals, Artists, Australia, New Zealand & Oceania, Birdlife, Charcoal, Drawing, Expressionism, Featured Artists, Gouache, Illustration, Ink, Nature, Painting, Portraits, Realism, Stylized, Watercolour

INSPIRED ILLUSTRATION

I’ve come to find that art seems to always niggle it’s way back into my life, even, perhaps, when I’m trying to distance myself from it. I have no true recollection of ‘getting into art’, but like most children inherently are, I was drawn to painting and visual expression.

With my mother being a graphic designer, I was fortunate enough that she fostered my artistic energy and patiently encouraged my creativity – and amusingly, she simultaneously firmly discouraged my entering the graphic design world. I believe there is a subtle divergence that happens when artists are ‘made’, and that is when they keep drawing, painting and playing after they are no longer children.

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John White

1 January 2017
Animals, Artists, Australia, New Zealand & Oceania, Birdlife, Featured Artists, Impressionism, Landscape, Oils, Painting, Realism, Vehicles

WILD PASSION

“Don’t be afraid, all the great painters had to start somewhere. You will make many mistakes so go ahead and start making them”. Adeptly using the time honoured mediums of oil and watercolour, John White portrays his love of wildlife through richly built paintings, softly painted, revealing the passion he has for his subject. Having built his skills over a lifetime he continues to create, advise and exhibit in New Zealand and overseas.

You know the first thing people ask me when they see my art is “how long have you been painting”? My answer is that I have always painted. I was brought up in a small place called Macandrew Bay on the Otago Peninsula with my three brothers and one sister. One of my brothers is my identical twin who is also an artist. We are the only ones in our family who do art, so my parents really did not understand what it was all about but they did encourage us. In my late teens I used to come home after playing rugby on a Saturday and paint watercolours on our kitchen table. If we had any visitors my mother would bring out my paintings and show them.

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Kristin Ivill

1 November 2016
Abstract, Acrylic, Artists, Australia, New Zealand & Oceania, Birdlife, Drawing, Featured Artists, Ink, Nature, Oils, Realism, Symbolism

JOINING THE DOTS

Written and photographed by John Botton.

I first met Kristin Ivill when she breezed into my studio clutching a portfolio folder full of artworks she wanted to get copied and printed. While pouring over her work, it took me some time to realise that the exquisite images were made of thousands of dots, dots of all shapes, dots of all sizes, dots of all hues. My only point of reference was to imagine that the dots were like pixels in a photograph. I went along to Kristin’s studio to see if she was indeed going dotty.

JB: “Give me a little background to your beginnings in art and your training?”

“I’ve always loved art. My mother was arty and my grandmother was quite crafty. She spun wool. She dyed wool and wove fabrics. My grandmother would take me around the farm and we’d go hunting for birds and bugs and look at the trees and she would tell me all about the native fauna and flora. So that’s where my love of birds and nature stems from. I did art at school until year eleven when my art teacher told me to give it up. She said I had no talent. So I stopped doing it and focused on art history in year twelve which I loved. That’s where I was exposed to Seurat who did pointillism. But that was the end of that so I left art and got married and had children. When my daughter was born I did a bit of painting again because we needed some art to fill the walls. I got some canvases and paint and just started painting and it went from there.”

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Julie Freeman

1 September 2016
Animals, Artists, Australia, New Zealand & Oceania, Birdlife, Featured Artists, Hyper Realism, Nature, Painting, Pastels, Realism, Seascape

A self-taught artist, Julie Freeman has always loved art as a hobby. When she moved overseas after marriage in 1980, she was able to pursue her art while her husband Michael was completing a Masters in Product Design at the University of Illinois. She began doing animal portraits and some figurative work, which gradually progressed from black and white to colour. After living in the USA for eight years they transferred to the UK. Life was pretty busy with two young children but she persevered, mainly doing commissioned animal portraits, which became popular through word of mouth. Julie tells us of her journey from then through to winning the 2016 Unison Colour Cup at the PANZ ‘Purely Pastel’ National Awards in Mapua.

We returned to New Zealand at the end of 1993, and my primary focus was on the children, the home and part-time work in a local art shop. As the children got older I had a little more free time and started to focus on pastel as my preferred medium. My first exhibition was with two other professional artists, Merle Bishop and Joan Taylor, at A Fine Line Gallery in Matakana in December 2009 which was a turning point for me as an artist. My work for this exhibition covered a range of subjects, focusing on what I thought would be popular with the local residents and I successfully sold the majority of my work.

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Theo TAS Arraj

1 July 2016
Abstract, Artists, Australia, New Zealand & Oceania, Birdlife, Expressionism, Featured Artists, Graffiti, Murals, Nature, Painting, Portraits, Spray Paint, Street Art

NATURAL CONNECTION

With an eye set firmly on inclusion in the global art community, Theo “TAS” Arraj has a natural connection with art as a way to communicate how he sees the world. Having recently committed wholeheartedly to a career as an artist he finds inspiration from the world around him.

Frequently drawing from his environment, aspects of nature, music and the people which surround him inspire his passion for his artistic endeavours. TAS likes to observe other artists and their processes but is proud to say his skill comes from the practice of his craft. Likening his humble beginnings within the street art culture and graffiti to those of Mankind’s ancestors, who also wrote on walls, both tell a story in different times but draw from the same impulse to share their vision.

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Tony Clarke

1 July 2016
Acrylic, Animals, Artists, Australia, New Zealand & Oceania, Birdlife, Charcoal, Drawing, Expressionism, Featured Artists, Figures, Landscape, Nature, Oils, Painting, Portraits, Realism, Symbolism, Watercolour

CORNERSTONE SKILL

With luscious, almost glowing colour pouring out from the canvas, Tony Clarke’s work emits a sense of vibrancy making his art feel alive. The intricate texture conveys the feeling that you could reach out and touch the feather or fur.

Tony’s father was a very accomplished hobby painter and encouraged him from an early age. “He gave me a book at age 13 of Raymond Ching’s book of British Birds and took me out drawing over the weekends. I copied paintings from that book and studied originals at the International Art Centre.”

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