Stretching Watercolour Paper
STEP BY STEP - STRETCHING WATERCOLOUR PAPER If you have ever painted on a sheet of well-stretched watercolour paper, you will…
STEP BY STEP - STRETCHING WATERCOLOUR PAPER If you have ever painted on a sheet of well-stretched watercolour paper, you will…
WHAT ARE THE OPTIONS FOR PALETTES? Traditionally, an artist’s palette was a wooden board with a hole for the thumb, so…
JOHN GOFFE RAND'S INCREDIBLE INVENTION “A metallic vessel so constructed, as to collapse with slight pressure and thus force out the…
FINDING OPPORTUNITIES TO SHOW AND SELL YOUR ARTWORK Some people find galleries scary - firstly they take a large percentage of…
CHOOSING YOUR WATERCOLOUR PAPER By Charlene McGill Choosing your watercolour paper is more important than you think, and can definitely affect…

DOODLEWOOD
“I call my work doodlewood because that’s what it is, literally doodling with wood”
Mark Jones’s organic sculptures are shaped by the wood he is working with: “I enjoy having the gift of being able to see an ordinary piece of wood and visualise it being a piece of art.”
Mark started at the Stevenson Brothers Rocking Horse Makers, UK, assembling wooden horses in the factory for a year when the opportunity to learn how to carve the horses arose.
ARTIST QUALITY PAINTS Every pigment has a unique Colour Index Name, consisting of two letters and some numbers. It’s not a…
UNDERSTANDING THE DRYING TIMES FOR OIL PAINT Traditional oil paints are bound with drying oils. This is what gives them their…

Throughout his life, Matt Diamond has had an interest in drawing, endeavouring to put to paper that which he saw, developing his talent through the years. He travelled Europe and the Middle East for four years, returning to New Zealand to train at Aucklands Freelance Animation Studio.
After working in 2 and 3 dimensional animation and spending time doing animation for Maori TV, he realised his creativity didn’t really flourish in an office environment and decided to start travelling again. Whilst in central America he spent time sketching people in cafés, without them knowing, and then presenting them with the drawing when they had finished their meal. Sometimes he just made a new friend, other times the unwitting model would buy him a meal or tip him. However, although this was entertaining, it did not satisfy his overwhelming urge to create huge artworks.

Kim Kerr has enjoyed drawing and painting from an early age and expressed a keen interest in studying further. When her art teacher at high school tried to discourage her saying she couldn’t do Fine Arts Prelim in Form 7, she decided to prove him wrong, and enrolled at Art School.
She spent three years at Otago Polytechnic where she obtained a Distinction in a Fine & Applied Arts Diploma. After completing this diploma, Kim went on to study at Teachers College. She spent several years as Head of Art Departments at various secondary schools, teaching art, design and history of art.
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