Presentation
By John Botton I’m not sure about you but I always feel a bit self-conscious when exposing myself to other people,…
By John Botton I’m not sure about you but I always feel a bit self-conscious when exposing myself to other people,…
10 WAYS TO GET YOUR FOJO WORKING By John Botton As I staggered to the summit of North Ridge on my…

Spending many years looking at and enjoying other artists work, Ian always had a niggle in the back of his mind that he could paint like that if he tried. Some of the most influential artists in Ian’s artistic career include Tim Wilson for his attention to detail and the way he portrays mist and clouds, John Crump for his ability to paint plein-air on large canvases and the depth he manages to portray in his paintings and Richard Robinson for his loose brush work, the ability to control his colours and his talent with adjusting scenes to ease and balance up his composition. Preferring landscapes, seascapes, boats and architecture as his subject matter, Ian also takes commissions. Currently he is doing a commissioned painting of the Pungapunga estuary at the northern end of Whangapoua Beach. He is also working on a group of scenes of the coastal areas around the Coromandel. Both of these areas are firmly in Ian’s favourite list.

A bit of a ‘magpie’ character, Chris collects discarded materials, old magazines and children’s books. His inspiration comes from the potential aesthetic beauty of our transcient/throw-away culture as well as ecological awareness. The likes of Marcel Duchamp and Andy Warhol have much of Chris’ admiration due to their ability to use mundane objects and squeeze artistic beauty from them. “I am very indebted to Picasso and Braque as they were both pioneers in integrating collage into their works and helped raise awareness of collage as a serious art form within western art.”

Christine has a very interesting perspective in life. All of her creations are unique - ‘one of a kind’. She will not reproduce any work (not even try to) twice, and the worst thing you could say to Christine is: “It can’t be done, it’s not possible.” She wants to know why, and you while you are explaining, she’ll do it anyway and when you finish explaining, she will be standing proudly next to her latest creation, defying the rules.

By Barbara von Seida
In the 1950’s, he trained as a cartographic draughtsman with the Lands and Survey Dept, which was interrupted for two years whilst he travelled his big “OE”. During this time he was actually shipwrecked in British Guyana. His love for art took him to the great museums of the world which left a big impression on him and a desire to become an artist.
THE ART OF INNER HEALINGDrawing is all that I’ve ever known - as a kid it’s all that I remember doing. My heart aches thinking about pursuing anything other than art. I love being alone in nature. Any place of solitude, that forces me to think and feel whilst listening to deep emotional music that conjures memories and beautiful desires of ‘what if’s and I wishes’.
Let’s begin with the origination - your digital camera (this may also apply to smart phone cameras in the future), go into the menu settings for the camera and find the reference to ‘colour space’. You should have at least two options here, sRGB and Adobe RGB. Make sure you have Adobe RGB selected.

I completed a Bachelor of Design at Christchurch Polytechnic School of Art and Design in 2006. The drawing classes at CPIT were to a particularly high standard and an incredibly valuable learning experience. Apart from that I am self-taught.

Serge attended the Art College and The Institute of Culture in Russia where he learnt how to play the accordion, compose music and create art pieces. Thoroughly enjoying pushing the boundaries, Serge’s ideas and inspiration come from observing marine life and whimsical sea creatures, as well as from dreams and fantasies dating as far back as his childhood. He is currently a part-time artist but finds his ideas keep pushing him to create.
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