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Darina Cincurova

Darina Cincurova - Aotearoa Artist

THE ART OF FREEDOM

A passionate environmental artist, Darina Cincurova, hopes her art will inspire a respect and appreciation of New Zealand's diverse wildlife heritage.

Born in the Czech Republic, Darina says art has been her ‘thing’ from early childhood when she started drawing the world around her and dreamed of becoming a full time artist. Little wonder then that as a student Darina abandoned fashion design opting instead to undertake a four-year art course at a private art school in Prague as this allowed her more freedom to express herself. It is this artistic freedom that has driven and inspired Darina all her life and what she loves most about being an artist. “I cannot imagine life without it,” she says simply.

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Angela Murray

Angela Murray - aotearoa artist

MOVING DALI

“My biggest creative highlight was selling two pieces to the same buyers and then discovering they had moved an original Dali to make room for one of my paintings, that was a real buzz!” holistic life coach and passionate acrylic artist Angela Murray pronounces.

So while Dali is hanging in a different light, Angela has no illusions of grandeur and maintains that ongoing training is a key component in her creative life. “I learned so much through many courses in Newcastle and Nottingham in the UK and Timaru, as well as a lot of self-teaching over the past 30 years,” she rationalises. Indeed, she still attends workshops to brush up on certain skills, the most recent being a weeklong course in Bali with US artist and author of ‘Brave Intuitive Painting’, Flora Bowley and 16 other artists.

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Colin Hoare

Colin Hoare - aotearoa artist

FAMILY PORTRAIT

Colin Hoare enjoys painting portraits. Family members, friends and better-known faces are all fair game for this self-taught artist.

Colin likes to work from photographs, saying he does not really like doing pictures of people posing or pulling a big smile. “I like it when they are relaxed and acting naturally. I think that it is a privilege to paint a portrait of someone and try to be honest,” he says. “I draw using a light pencil and then paint with a brush. I prefer painting in oil because the paint takes longer to dry than acrylic paint; this means that I don’t have to keep remixing my paint in order to make the same colour.

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Fiona Hayward

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GOING SOLO

Fiona Hayward was highly rated in two prestigious New Zealand art awards. Her works can be found as far afield as the USA and Australia. She is currently working on a new series of paintings of endangered species from around the world which, she says, will enable her to host her first solo exhibition.

Whilst a deep and profound love of nature lies at the core of her inspiration, it is a peaceful inner feeling of freedom and joy in creating a new artwork that drives and motivates Fiona to paint and draw. Although she has had no formal art training, Auckland born Fiona says her capacity to draw and paint stems from her mother, a talented artist in her own right, who encouraged Fiona from a young age to pursue her artistic bent.

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Kathryn Millard

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THE INNER ARTIST

It is an intense and intimate relationship and interaction with the world around her that feeds Kathryn Millard’s artistic soul.

“My life is about energy, rhythm and sensation, and translating that into a piece of art,” she declares. “It is about inventing the perfect technique, my own unique language for my response to nature. It is the experience of what I see happening all around me that stimulates me and gets me going, not the thing itself, that is the underlying subject of my work.”

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Karen Panton- aotearoa artist

Karen Panton

Karen Panton- aotearoa artist

THE ART OF HUMOUR

Karen Rosaline Panton is one of those exceptional, largely self taught artists who has developed a sense of style and presentation all of her own. Reading her comments in this article and perusing through some of her paintings it is evident that Karen lives her art; each painting has a voice and meaning, each one a soul.

Apart from the odd day class, Karen, who currently hails from Napier, says she has enjoyed several short courses with the likes of Krispin Korschen, Rua Longley, Marianne Muggeridge, Megan Schmidt, among others. “All fabulous artists,” she enthuses, “who have stretched my mind sideways, up and down and inside out, that is when they could catch up with my own train of thoughts.”

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Lynn Sinclair-Taylor - aotearoa artist

Lynn Sinclair-Taylor

Lynn Sinclair-Taylor - aotearoa artist

MY OWN ART JOURNEY

"I have made my own art journey by putting into practice what I have read and learning from my mistakes."

“My jobs were always art related and it was always in the back of my mind that one day I would take my art more seriously. That day came when our youngest son started school and before long I was tutoring adults and children and painting most of the week. Drawing peoples’ portraits came naturally to me and I thought I might become a portrait artist.

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Robyn Mitchell - aotearoa artist

Robyn Mitchell

Robyn Mitchell - aotearoa artist

CHISELING OAMARU STONE

“Learn to organise your life, make time to do the things you dream of.”

Robyn Mitchell’s favourite sculptural medium is wood: “It is not until you start to shape and polish the wood, that the beauty of the grain and colour are revealed,” she says. “Because of the variants of grain, the type of wood and what part of the tree they come from, no two pieces will ever come out the same.”

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Jacky Pearson - Aotearoa Artist

Jacky Pearson

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ABSORBING WATERCOLOUR

“I have gradually become absorbed by the need to paint and draw all the time. It is really what I have always done from a very young age.” 

You might have come across this talented lady’s work in a book or magazine or even a calendar. Although no one in Jacky Pearson’s family painted, she was encouraged to do so because she was so passionate about drawing and painting which she took to A level standard in high school.

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Kellie Edwards - Aotearoa Artist

Kellie Edwards

Kellie Edwards - Aotearoa Artist

A FOCUS ON LIGHT AND AMBIENCE

Kellie Edwards spends a lot of time outside her studio thinking and planning, and as a long distance runner she has plenty of time for thinking.

When she is not running, Kellie works part time-caring for children of local families. This time spent with children has been a good counter balance to her work in fine art, being the opposite of contemplative studio time. The transition back into almost full time art has helped her work past being the perfectionist, and having less studio time in the week has been great leverage to keep her fearlessly moving forward.

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