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Fiona Hayward

Studio Pic - Fiona Hayward - aotearoa-artist

GOING SOLO

Fiona Hayward was highly rated in two prestigious New Zealand art awards. Her works can be found as far afield as the USA and Australia. She is currently working on a new series of paintings of endangered species from around the world which, she says, will enable her to host her first solo exhibition.

Whilst a deep and profound love of nature lies at the core of her inspiration, it is a peaceful inner feeling of freedom and joy in creating a new artwork that drives and motivates Fiona to paint and draw. Although she has had no formal art training, Auckland born Fiona says her capacity to draw and paint stems from her mother, a talented artist in her own right, who encouraged Fiona from a young age to pursue her artistic bent.

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Kathryn Millard

Kathryn-millard-aotearoa-artist

THE INNER ARTIST

It is an intense and intimate relationship and interaction with the world around her that feeds Kathryn Millard’s artistic soul.

“My life is about energy, rhythm and sensation, and translating that into a piece of art,” she declares. “It is about inventing the perfect technique, my own unique language for my response to nature. It is the experience of what I see happening all around me that stimulates me and gets me going, not the thing itself, that is the underlying subject of my work.”

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Karen Panton- aotearoa artist

Karen Panton

Karen Panton- aotearoa artist

THE ART OF HUMOUR

Karen Rosaline Panton is one of those exceptional, largely self taught artists who has developed a sense of style and presentation all of her own. Reading her comments in this article and perusing through some of her paintings it is evident that Karen lives her art; each painting has a voice and meaning, each one a soul.

Apart from the odd day class, Karen, who currently hails from Napier, says she has enjoyed several short courses with the likes of Krispin Korschen, Rua Longley, Marianne Muggeridge, Megan Schmidt, among others. “All fabulous artists,” she enthuses, “who have stretched my mind sideways, up and down and inside out, that is when they could catch up with my own train of thoughts.”

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Lynn Sinclair-Taylor - aotearoa artist

Lynn Sinclair-Taylor

Lynn Sinclair-Taylor - aotearoa artist

MY OWN ART JOURNEY

"I have made my own art journey by putting into practice what I have read and learning from my mistakes."

“My jobs were always art related and it was always in the back of my mind that one day I would take my art more seriously. That day came when our youngest son started school and before long I was tutoring adults and children and painting most of the week. Drawing peoples’ portraits came naturally to me and I thought I might become a portrait artist.

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Robyn Mitchell - aotearoa artist

Robyn Mitchell

Robyn Mitchell - aotearoa artist

CHISELING OAMARU STONE

“Learn to organise your life, make time to do the things you dream of.”

Robyn Mitchell’s favourite sculptural medium is wood: “It is not until you start to shape and polish the wood, that the beauty of the grain and colour are revealed,” she says. “Because of the variants of grain, the type of wood and what part of the tree they come from, no two pieces will ever come out the same.”

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Jacky Pearson - Aotearoa Artist

Jacky Pearson

jacky-pearson-aotearoa-artist

ABSORBING WATERCOLOUR

“I have gradually become absorbed by the need to paint and draw all the time. It is really what I have always done from a very young age.” 

You might have come across this talented lady’s work in a book or magazine or even a calendar. Although no one in Jacky Pearson’s family painted, she was encouraged to do so because she was so passionate about drawing and painting which she took to A level standard in high school.

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Kellie Edwards - Aotearoa Artist

Kellie Edwards

Kellie Edwards - Aotearoa Artist

A FOCUS ON LIGHT AND AMBIENCE

Kellie Edwards spends a lot of time outside her studio thinking and planning, and as a long distance runner she has plenty of time for thinking.

When she is not running, Kellie works part time-caring for children of local families. This time spent with children has been a good counter balance to her work in fine art, being the opposite of contemplative studio time. The transition back into almost full time art has helped her work past being the perfectionist, and having less studio time in the week has been great leverage to keep her fearlessly moving forward.

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Mark Jones Aotearoa Artist

Mark Jones

DOODLEWOOD

“I call my work doodlewood because that’s what it is, literally doodling with wood”

Mark Jones’s organic sculptures are shaped by the wood he is working with: “I enjoy having the gift of being able to see an ordinary piece of wood and visualise it being a piece of art.”

Mark started at the Stevenson Brothers Rocking Horse Makers, UK, assembling wooden horses in the factory for a year when the opportunity to learn how to carve the horses arose.

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Matt Diamond - Aotearoa Artist

Matt Diamond

Matt-in-action-aotearoa-artist-matt-diamond
Matt in action

MATT DIAMOND EXPRESSIVE

Throughout his life, Matt Diamond has had an interest in drawing, endeavouring to put to paper that which he saw, developing his talent through the years. He travelled Europe and the Middle East for four years, returning to New Zealand to train at Aucklands Freelance Animation Studio.

After working in 2 and 3 dimensional animation and spending time doing animation for Maori TV, he realised his creativity didn’t really flourish in an office environment and decided to start travelling again. Whilst in central America he spent time sketching people in cafés, without them knowing, and then presenting them with the drawing when they had finished their meal. Sometimes he just made a new friend, other times the unwitting model would buy him a meal or tip him. However, although this was entertaining, it did not satisfy his overwhelming urge to create huge artworks.

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Aaron Hoskings

THE URGE TO CREATE

Aaron Hoskins has completed a large commissioned work and finds it very interesting to meet his clients’ wishes. He is creating a series of carved and painted oars that are based on his own historical Maori research on Northland, enjoying the combination of Maori and European influences and reflecting on New Zealand history.

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