Skip to content
Sarah Kane-Matete - Aotearoa Artist

Sarah Kane-Matete

Sarah Kane-Matete - Aotearoa Artist

Sarah Kane-Matete was born in Pasig Manila, Philippines and was raised in Nuhaka & Mahia, found on the east coastline of the North Island of NZ. Sarah says, “I was born from a bloodline of creatives”. She lived and breathed art at home and at school, always knowing she would be an artist right from a very young age. Growing up in the countryside surrounded by nature allowed a simpler life, encouraging her creative mind to flow. When Sarah was in high school, her passion for drawing and painting continued which lead her into her tertiary years where she graduated in 2009 with a BA in Contemporary Maori Visual art and Design. While working towards her BA, Sarah was also busy growing a wonderful family with her husband Vaughan becoming a busy lady flitting between her two passions in life. 2016 became her year to focus more on her career in art. Sarah’s children had developed more independence which allowed her more time to grow her small business at her home studio in Gisborne, working as a multimedia artist in ta moko, Filipino tattoo and painting. The wonderful thing about living in a beautiful place such as Gisborne, is you truly appreciate the simple living, which she also says is her paradise. Family is most important to Sarah, she says her young family are lucky to share their living space with their matriarch who is Vaughan’s 95 year old Nan Elsie. Content with living and appreciating the things so many take for granted; Fresh air, water, clean food, sun and the love of doing the things they are passionate about through their creative practices. Sarah explains how life doesn’t have to be complicated, just making a living and living itself is special.

See Sarah's work HERE

 

 

 

 

 

 

 

 

register and subscribe

Subscribe Today

Roger Morris - Aotearoa Artist

Roger Morris

Roger Morris - Aotearoa Artist

I consider myself an illustrator. For me visual artists are in two main categories: artists with a capital ‘A’, being those who are brave, clever, and who attempt to change the way we look at things: artists such as the impressionists and avant-garde abstract artists. Some turn out some extraordinary work which is beyond me. The other category are the small ‘a’s who are really illustrators, like me. I just don’t have the courage to produce abstract or experimental art and I would feel dishonest if I did. It is enough of a challenge just to capture the moods of the sea and ships on canvas. Excepting genuine primitive artists, I believe that any competent artist must have mastered representation before attempting abstract work and I do not consider myself there yet. Marine painting has its own demands. A bit like specializing in representing horses, one gets hauled over the coals if you get something wrong. Painting all ships, and particularly sailing ships demands a thorough technical knowledge which, I think I have. My technical expertise is inclusive of historical vessels as I specialise in maritime history and have published four books on the subject. A glance at the galleries on my website will show that the majority of my work is historical.
See Roger's work HERE

register and subscribe

Subscribe Today

Rick Rubens - Aotearoa Artist

Rick Rubens

 

rick-rubens-aotearoa-artistREDESIGN REUSE RECREATE

My name is Rick Rubens. When I started creating unusual furniture from recycled materials I never dreamt it would lead to a full time career; least of all that I’d become an artist. Although I had to be persuaded that my work is art. Despite being creative all my life, having never studied in a creative field I could never come to terms with saying “I’m an artist”. I still find it difficult.

All my pieces are unique. They’re one-offs using predominately reclaimed materials, leather to steel and most important of all, wood. When referring to reclaimed materials, this will often mean an existing piece of furniture (which I call the ‘canvas’) from yesteryear, but not always. Some creations are a combination of several separate pieces of furniture, whilst other works are made from materials that have never been furniture before. 

register and subscribe

Subscribe Today

Gillian Receveur

gillian-receveur-aotearoa-artistTHE FASCINATION LIES IN THE DETAIL

Gillian Receveur has always loved art. She studied it in school and at teachers college but it wasn’t until she retired from teaching that she could truly commit to her passion of art. A keen interest and love of plants and gardens led her to botanical painting. Gillian explains:

Plants fascinate me, they inspire me by their form, habits, colour and composition. I enjoy looking at plants, the fine details. I love observation and getting completely absorbed in the piece I am working on. Something I have always wanted to do is to paint one plant through all the four seasons as well as do a series of plants of one particular species. 

register and subscribe

Subscribe Today

featured-pic-yasmin-yussof-aotearoa-artist

Yasmin Yussof

Yasmin Yussof - Aotearoa Artist

GLOBAL GIRL

My name is Yasmin Yussof. I was born in Germany of Swiss-Malaysian parentage. I have been an Australian citizen, lived around the world and now, I am a permanent resident of New Zealand. Someone once called me ‘Global Girl’ as I never lived anywhere for more than two years, and was born to parents from different ends of the world.

My father was an Ambassador so I have lived in Singapore, Germany, Thailand, Philippines, Malaysia, India, Iran and Rome. Travelling all over the world as a child I attended mainly international schools. From when I was young, I have always been a tactile person, never knowing I wanted to be an artist, it just happened. I always creating something, just a doodler and needing to keep my hands busy. Never thinking anything of it, just did it. If one has a calling, whatever the profession, you can’t help but go in that direction.

register and subscribe

Subscribe Today

empowered-tessa-ralston-aotearoa-artist

Tessa Ralston

tessa-ralston-aotearoa-artistINSPIRED ILLUSTRATION

I’ve come to find that art seems to always niggle it’s way back into my life, even, perhaps, when I’m trying to distance myself from it. I have no true recollection of ‘getting into art’, but like most children inherently are, I was drawn to painting and visual expression.

With my mother being a graphic designer, I was fortunate enough that she fostered my artistic energy and patiently encouraged my creativity – and amusingly, she simultaneously firmly discouraged my entering the graphic design world. I believe there is a subtle divergence that happens when artists are ‘made’, and that is when they keep drawing, painting and playing after they are no longer children.

register and subscribe

Subscribe Today

Studio High res-sally-ann-davies-aotearoa-artist

Sally-Ann Davies

Sally-Ann Davies was born in Shropshire, England and resides in Taupo. She started her journey of becoming an artist as a toddler, drawing on the newly wallpapered walls of the farmhouse she grew up in. Her favourite subject at school without doubt was art. She vividly remembers that the primary school she attended would reward you if you finished your work early, with going and playing in the craft corner. She remembers how amazing creations developed with the simple materials such as egg cartons and toilet rolls. 

Her journey to becoming the esteemed artist she is today did not come with ease. A the age of 12 she had a detached retina so ended up having quite a few months off school. This meant no active play, which she says was very frustrating when you grow up on a farm with her brothers. Sally-Ann is a triplet, so you can understand the frustration she must have had, because she and her brothers normally spent their time building dens, rafts and camping by the river. 

register and subscribe

Subscribe Today

Rochelle Boult - Aotearoa Artist

Rochelle Boult

FREE SPIRIT

Watching unlimited possibilities unfold onto paper, Rochelle Boult’s free spirit finds itself at the tip of a sharpened pencil. Finding peace and relaxation within her mark making, she builds her line and tone gently, observing her drawing as it gradually grows in depth and detail using shading and clever use of the different softnesses of her medium.

Rochelle creates works with Faber-Castell thick Graphite on Bockingford Drawing paper. Starting with an HB which she uses to sketch the outline, she then moves through from a 2B for shading to a 6B and an 8B for final depth. Rochelle also does some printmaking including etching and woodcuts, which she has successfully sold in a Marlborough exhibition.

Boat Sheds Otago Harbour-john-white-aotearoa-artist

John White

John White - Aotearoa Artist

WILD PASSION

“Don’t be afraid, all the great painters had to start somewhere. You will make many mistakes so go ahead and start making them”. Adeptly using the time honoured mediums of oil and watercolour, John White portrays his love of wildlife through richly built paintings, softly painted, revealing the passion he has for his subject. Having built his skills over a lifetime he continues to create, advise and exhibit in New Zealand and overseas.

You know the first thing people ask me when they see my art is “how long have you been painting”? My answer is that I have always painted. I was brought up in a small place called Macandrew Bay on the Otago Peninsula with my three brothers and one sister. One of my brothers is my identical twin who is also an artist. We are the only ones in our family who do art, so my parents really did not understand what it was all about but they did encourage us. In my late teens I used to come home after playing rugby on a Saturday and paint watercolours on our kitchen table. If we had any visitors my mother would bring out my paintings and show them.

register and subscribe

Subscribe Today

Roxy & Dolce-carla-mcknight-aotearoa-artist

Carla McKnight

carla-mcknight-aotearoa-artistCarla McKnight ‘s favourite subjects are equestrian and aviation (warbirds). She works mainly in acrylic but has been known to play around with other mediums. “I’ve learned what works and doesn’t work by giving it a go and taking risks.” She finds the use of a ‘white-light’ lamp essential and uses a variety of brushes, sponges, scrapers, an airbrush and a spraygun. Carla tells us about herself . . .

I was born in Holland and my family immigrated to New Zealand when I was nine years old. I’ve always loved seeing artwork of horses from a very early age. Around 14 years old I started trying to draw horses but found it frustrating as I didn’t like the results. I was always on my horse, Misty, with my best friend Leeanne on her horse, Kelly. We used to ride all over the place and on wet days we watched cowboy movies and tried our hand at art, and that’s where it all started. My parents were very creative, so I guess that gave me a boost, but they didn’t ride horses or make art.

register and subscribe

Subscribe Today

Back To Top
Search

You cannot copy content of this page