Caitlin Johnston
SELF-TAUGHT BY THE SEA By Matt Mortimer It is said that if you make a job out of what you love,…
Bari Duncan
A DRIVING FORCE
After trying various work prospects, such as clerical, retail,
bank and so on, Bari Duncan finally decided to follow her
lifelong passion. “Right from pre-school,” she reflects, “my mother couldn’t keep up with my lust for colouring-in books. I have always longed to follow my heart and get focused on my painting. I just kept pushing, struggling, learning and trying until the time was right.”
Having been dealt a number of blows on her journey, Bari reflects, “My art is everything to me, it’s who I am, a driving force. I love that it has helped me through the hardest, roughest times in my life and when it seemed everything around was crumbling, it kept me focused and positive.” On the subject of education, she has not attended art school or university.
Claudia Slaney
MAGICAL FLUIDITY
Inspired and encouraged by the likes of leading New Zealand watercolourist Brian Millard and internationally acclaimed Alvaro Castagnet, award winning watercolour artist Claudia Slaney has painted all her life. In this illuminating article she reveals that art has always been and remains her main interest in life.
Brian Millard
IN HIS OWN WORDS
Brian Millard, who has been successfully exhibiting paintings since he was in his early twenties, won a scholarship to art school when he was eleven years old but left for a job in advertising at the age of sixteen. Since then he has successfully combined being both artist and writer.
He has been a graphic designer, an illustrator, a cartoonist, an advertising art director, a copywriter, a writer for television and radio, a TV producer, a journalist and the editor in chief of two magazines - one a sports magazine in the States. For a decade he and his partner Marilyn Palmer, also a respected watercolourist, ran their own gallery near Queenstown. They now live and paint in Auckland.
Sam Earp
THE CALL OF THE SEA
Despite drawing and painting landscape scenes and trees in watercolour since he was a child, a bad grade in the sixth form put Samuel Earp off pursuing a career in art and he went to university where he studied plant sciences.
Born in Guernsey, Samuel’s first job was in London. Not enjoying either London or earning much money, he took up painting again for something to do. He visited a gallery in Exeter and saw the amazing seascape by Cornish artist, Peter Cosslett.
Colin Hoare
FAMILY PORTRAIT
Colin Hoare enjoys painting portraits. Family members, friends and better-known faces are all fair game for this self-taught artist.
Colin likes to work from photographs, saying he does not really like doing pictures of people posing or pulling a big smile. “I like it when they are relaxed and acting naturally. I think that it is a privilege to paint a portrait of someone and try to be honest,” he says. “I draw using a light pencil and then paint with a brush. I prefer painting in oil because the paint takes longer to dry than acrylic paint; this means that I don’t have to keep remixing my paint in order to make the same colour.
Kathryn Millard
THE INNER ARTIST
It is an intense and intimate relationship and interaction with the world around her that feeds Kathryn Millard’s artistic soul.
“My life is about energy, rhythm and sensation, and translating that into a piece of art,” she declares. “It is about inventing the perfect technique, my own unique language for my response to nature. It is the experience of what I see happening all around me that stimulates me and gets me going, not the thing itself, that is the underlying subject of my work.”
David Foley
A LINEAR PERSPECTIVE
For much of his life David Foley worked in commercial interior design and only took up serious watercolour painting on retiring, attending various workshops in New Zealand, Italy and Australia.
“While I took an interest in drawing from a very early age I did not have any formal art training at all,” he says. He did however attend the Brixton School of Building and Architecture in the UK from 1949 - 1952 and completed a five year apprenticeship in Display and Signwriting in Hamilton.
Lynn Sinclair-Taylor
MY OWN ART JOURNEY
"I have made my own art journey by putting into practice what I have read and learning from my mistakes."
“My jobs were always art related and it was always in the back of my mind that one day I would take my art more seriously. That day came when our youngest son started school and before long I was tutoring adults and children and painting most of the week. Drawing peoples’ portraits came naturally to me and I thought I might become a portrait artist.
Jan Thomson
BREAKING THE RULES
Recollecting how she first picked up a brush in her mid-forties after recovering from an encounter with the big ‘C’, Jan Thomson says “My journey into the world of painting began late. It was then that I decided that life is far too short to delay doing what you love, so I gave up my house painting job of 17 years and took up slightly smaller brushes.”
With a number of artists in the family, Jan says art was always in her blood. Why she avoided it for 47 years she didn’t say but once she started she was instantly and totally hooked. “I started with watercolours and then moved onto oils,” she reveals. “I learnt to paint by going out to Wellington’s (sometimes wild) south coast, wrestling with the elements and trying to put down on paper what was in front of me.”