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Lynn Webb

Lynn Webb - aotearoa artist

EXPLORING THE COAST

“Waves, rocks, reflections on the sand, boat sheds reflecting on the water - these are my inspiration,” says Lynn Webb, oil and watercolour artist from Tauranga. “Having grown up in the small untouched coastal settlement of Tongaporutu, within the crumbling cliffs and the black reflecting sand amongst the waves and rocks, fills me with an exciting inspiration to capture the many moods of the coast, the sea and the never ending procession of breaking waves.”

Not having had any formal training, Lynn says she has been creative since she was little. “Even as a child I loved to draw. I guess as the years have gone on the urge to paint became stronger and so it began.” Inspired by the likes of Richard Robinson and John Crump, Lynn prefers a loose style of painting, often using a palette knife to capture light and colour in her work.

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Mille Dunstall

My dead uncle-mille-dunstall-aotearoa-artistBorn in 2000, Mille is another youth artist who is proving that this century is producing excellent artists. With one sibling, Mille’s family isn’t particularly artistic. “I’m kind of the odd one out”, she says.

Waihi College have Mille’s attendance and she has decided to take art this year, planning to get into a graphic design course in the future. From the looks of what she is producing thus far, we believe graphic design would definitely be the way for Mille to go. It might be worth Mille’s while to investigate illustration as well, a noble, well established art form.

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Richard Page - aotearoa artist

Richard Page

Richard Page - aotearoa artist

UNDER THE SKIN

New Zealand-based sculptor Richard Page aims to rival the perfection of nature in his work. Using techniques acquired through collaborations across the world, Page creates stone-based sculptures that reference or play with the physical force and beauty in organic formations. Richard’s work often combines smooth, voluminous forms with intentionally rough-cut textures, as the contrast highlights the naturalistic elements of both styles. Similarly, the raw textures hint at the process that goes into producing the more refined ones, providing a sense of time and context for the viewer.

Whether sculpting abstract, geometric pieces or more impressionistic works, Richard’s work shows a clear aquatic influence in both composition and texture. His choice of stone often corresponds to the patterns found in marine life, while the curving surfaces of his work resemble the smooth character of ocean rocks. Even in the contrast of refined and raw, or hard and smooth, the sea provides a model for Richard’s naturalistic take on erosion. Richard’s gift is the fine precision in reproducing the organic qualities that nature has to offer. 

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Ian Given

Ian Given - aotearoa artist

FROM THE BOAT HOUSE

In 2010, after being in business for 30 years, manufacturing aluminium windows and supplying hardware, both retail and wholesale, Ian Given - a keen photographer - decided to begin painting. He signed up for lessons with Sue Dent, a recognised Tauranga artist, and has never looked back.

Spending many years looking at and enjoying other artists work, Ian always had a niggle in the back of his mind that he could paint like that if he tried. Some of the most influential artists in Ian’s artistic career include Tim Wilson for his attention to detail and the way he portrays mist and clouds, John Crump for his ability to paint plein-air on large canvases and the depth he manages to portray in his paintings and Richard Robinson for his loose brush work, the ability to control his colours and his talent with adjusting scenes to ease and balance up his composition. Preferring landscapes, seascapes, boats and architecture as his subject matter, Ian also takes commissions. Currently he is doing a commissioned painting of the Pungapunga estuary at the northern end of Whangapoua Beach. He is also working on a group of scenes of the coastal areas around the Coromandel. Both of these areas are firmly in Ian’s favourite list. 

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Fran Gould

Fran Gould - aotearoa artist

GRAPPLING WITH GRAPHITE

My love of being an artist started with a Folk Art course at Waimea College in Richmond. Gradually art became more important in my life. After hearing the enthusiasm from several members of the art group I had joined, regarding courses with The Correspondence School in Wellington, I decided to enrol. I met my tutor in Wellington and he was happy for me to pursue figurative work, which was and still is, my passion as an art form.

My partner had a massive heart attack and several operations later, recuperative time, along with the process of ‘just being there’ as he got his strength back had a huge effect on me physiologically. After a while I started my second year at the correspondence school. My partner by this time was well enough to model for me, so I photographed him for my work and the ideas came fast and furious. My painting fitted into my studies “the human condition”. It all turned out to be very cathartic and the finished article, at the end of the year, achieved NZCA excellence. The whole project transformed me, mainly from the stress of the previous year. 

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Chris Emeleus

Chris Emeleus - aotearoa artist

PAINTING WITH PAPER

After successfully completing two years of study at Ilam School of Fine Arts - 1989-90, Chris became ill from exposure to pesticides during a summer holiday work experience. As a result he  experienced acute Chronic Fatigue Syndrome which lasted twelve years making him unable to complete his Bachelor of Fine Arts degree. “My artistic development was very much put on hold during this period however, since making a full recovery, the tangent of my artistic development has been plentiful with many unexpected discoveries.” Chris has gone on to achieve a BA from the University of Canterbury, majoring in Sociology, which he finished in 2005.

A bit of a ‘magpie’ character, Chris collects discarded materials, old magazines and children’s books. His inspiration comes from the potential aesthetic beauty of our transcient/throw-away culture as well as ecological awareness. The likes of Marcel Duchamp and Andy Warhol have much of Chris’ admiration due to their ability to use mundane objects and squeeze artistic beauty from them. “I am very indebted to Picasso and Braque as they were both pioneers in integrating collage into their works and helped raise awareness of collage as a serious art form within western art.”

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Christine Redfern - aotearoa artist

Christine Redfern

Christine Redfern - aotearoa artist

BREAKING THE BOUNDARIES

Christine Pickstone-Redfern spent her childhood years watching and assisting her father, the renowned Queensland artist, George Pickstone, sketch, paint and carve. Her passion and inherent talent ensured her participation in scholastic art activities, where she spent much time sketching and entering art competitions. Winning an Australasian scholarship to the Melbourne Art Training Institute boosted her confidence. She re-trained to become a nurse. 

Christine has a very interesting perspective in life. All of her creations are unique - ‘one of a kind’. She will not reproduce any work (not even try to) twice, and the worst thing you could say to Christine is: “It can’t be done, it’s not possible.” She wants to know why, and you while you are explaining, she’ll do it anyway and when you finish explaining, she will be standing proudly next to her latest creation, defying the rules.

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Patrick Greene

Patrick Greene - aotearoa artist

TAKING A RAINBOW FOR A WALK

A master watercolour artist, draughtsman and recipient of many awards, James Patrick (Patrick) Greene sadly passed away in October 2014.

By Barbara von Seida

In the 1950’s, he trained as a cartographic draughtsman with the Lands and Survey Dept, which was interrupted for two years whilst he travelled his big “OE”. During this time he was actually shipwrecked in British Guyana. His love for art took him to the great museums of the world which left a big impression on him and a desire to become an artist.

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Natasha Bethune

natasha-bethune-aotearoa-artistTHE ART OF INNER HEALING

At the age of 18, Natasha Bethune tells us of her hardships and how she is devoted to her art and the healing she receives from creating.

Drawing is all that I’ve ever known - as a kid it’s all that I remember doing. My heart aches thinking about pursuing anything other than art. I love being alone in nature. Any place of solitude, that forces me to think and feel whilst listening to deep emotional music that conjures memories and beautiful desires of ‘what if’s and I wishes’.

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Katrina McGettigan

katrina-mcgettigan-aotearoa-artist100 BIRDS IN 100 DAYS

The New Zealand Artist Magazine first met Katrina McGettigan at the Christchurch Art Show 2015, where, in awe, we watched her paintings sell like hot cakes. Katrina is an established artist in the Canterbury region. At that time she worked as a full-time pre-school and art teacher, inspiring young artists to fulfil their artistic talent. By night she spent her time painting.

Recently Katrina completed the colossal challenge of painting 100 birds in 100 days. “I had heard about the challenge and was inspired by other artists who had completed the challenge in previous years. So I thought it would be a great thing to gain a little more exposure, help with my technique and give me something to aim towards each day.”

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