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Jo Rankin

jo-rankin-aotearoa-artistABSTRACT BALANCE

Formal training began for Jo Rankin when she graduated from the two year Nanette Cameron Interior Design School Auckland in 2008. Included in the training subjects were colour harmony, balance, styling and art history which also sparked her interest in painting and becoming an artist.

Moving to Kinloch in 2010, Jo joined a watercolour group in her local community. At the same time she joined Active Arts Taupō where she went every week to paint. “I had a great time there, being encouraged by other artists and making new friends.” Semi-retirement allowed her the time to explore her artistic dreams. “Loving colour and design led me to begin my journey as an artist. I have always been a voracious reader and love my collection of art books where I constantly find inspiration. Also our beautiful country and scenery fires my creative soul each day.”

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Bec Robertson

bec-robertson-aotearoa-artistAVIAN AFFINITY

Bec Robertson’s grandmother and her grandmother’s sister were painters in their retirement. Bec’s grandmother also wrote and illustrated poems and stories, “As a kid I also wrote and illustrated A LOT of ‘newspapers’. I would make up fanciful news stories and pictures then sell ‘the paper’ to my dad for lolly money. I soon learnt that I could resell the same articles to my other family members for more money for lollies! I loved showing them new pictures and ideas and getting their feedback.”

She tells us more: “I have loved being creative for as long as I can remember. As a young child I had a cupboard in the kitchen under the bench where I kept all my treasures, little bottles of crayon sharpenings, paper cut outs of anything which took my fancy, matchboxes full of strange found objects - I think a few unfortunate forgotten lady bugs and a caterpillar died as a result of my match box obsession.”

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Roxanne Milson

THE MAGIC WEAVER

We introduce you to Roxanne Milson, an artist formerly of Australia, now living in Tauranga. Roxanne tells us her story:

I haven’t had any formal art training. My education was based in Graphic Design since I was predominantly a digital artist until two years ago. When I was pursuing education, graphic design was all that was offered for digital artists but it turns out it was not what I wanted! I wanted to illustrate, to draw, to create. So the internet and books were the things that educated me. If I wanted to know how to do something, I looked it up.

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Lacey Middleton

SYMBOLIC DETAIL

With a diploma in Creative technologies from WelTec, Lacey Middleton began painting seriously when her twins were babies
as a way to earn extra cash while looking after her three young children.

“Art was something I was naturally good at, and it brought in extra income. My realistic paintings seemed to sell as fast as I could make them, and word of mouth sales meant I began to have commissions come in. I also studied art history for seven years, and adore the renaissance and impressionism styles. The work of great artists, like Monet, never ages.”

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Deborah Taylor

Never having had any formal art training, Deborah Taylor attempted an online course a few years ago but found the deadlines and stress of it all too much as well as working full time. Other financial constraints had left her feeling inadequate and floundering and after being diagnosed with bipolar, she found art to be cathartic and a means with which to express herself. With a level 5 in Academic Writing, she also likes to write and compose poetry.

“I have always been interested in art since high school especially, my art teacher Mr Hebley was a great teacher. I did unfortunately muck around a lot and never passed art as a subject but I always kept on painting and creating art whenever I could. When my children were little I would always have art stuff set up for them to express themselves through drawing and painting or making salt dough craft. I started painting again when my children were older, as a hobby.”

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Siobhan Demeester

siobhan-demeester-aotearoa-artistMY HAPPY PLACE

From the moment Siobhan Demeester opens her eyes in the morning and sees the sun hit the top of the gum trees outside her window, she just wants to put those colours onto canvas. “Everything I see I convert it into a painting. I take my camera with me everywhere I go and am constantly taking photos to paint. Then when I go to bed at night, I dream about painting…quite obsessive really.” Obsessive or not, the positive feedback she receives from people and the fact that when she paints, she is in a very happy place, motivates her as well as winning prizes, being commissioned and selling her work.

Born in England and sharing her time between Australia and New Zealand, Siobhan completed two years at Gold Coast Art School between 2011 and 2013. When she moved to Russell Island, she saw a notice on the board at the ferry terminal, advertising a workshop with New Zealand Master Pastelist, Maxine Thompson, which she promptly signed up for and has never regretted.

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Ken Tanner

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ROOM TO MOVE

Brought up in the London suburbs and having studied art as a school subject, an enthusiastic teacher encouraged Ken Tanner to maintain his interest in art, which he has done for over 30 years. Training as an engineer and then working in construction management, Ken found there was not much room for creativity in his daytime work, so art as a hobby became a welcome respite, giving his creative mind room to move. He moved to New Zealand in 1974 but busy with his wife and children, and his work, he only really started to paint in the 1990s. Since then painting has become a large part of his life.

Ken’s inspiration, he says, is mostly to do with the creation of an image, rather than trying to convey some political message. “I really enjoy the realism but I did an abstract course some years ago and I now also enjoy developing the realistic image into a more abstract form.  I have entered some of these paintings into the Howick Art Group’s annual competition and they have taken 1st prize.  One of the judges, Evan Woodruff, said that the work was more abstractionism than pure abstract.”

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