Bernadette Ballantyne
WINDOWS TO THE SOUL Gaining her Bachelor of Fine Art at Whanganui Quay School of the Arts (now Whanganui UCOL) between…
WINDOWS TO THE SOUL Gaining her Bachelor of Fine Art at Whanganui Quay School of the Arts (now Whanganui UCOL) between…

She taught herself the basics from an instructional book, and later attended a more advanced techniques workshop at a pewter studio in Johannesburg. Since then , she has been focused on refining her technique and thoroughly enjoying metal embossing as a hobby. “I started out with a career in the food and hotel industry, which I absolutely loved, and completed my MBA in 2006. I quickly realised the corporate world was not for me, and set out to carve out a creative career for myself. I immigrated to New Zealand with my family in 2016 and during lockdown 2020, I attended an online artist masterclass that changed my world.”
AVIAN AFFINITYShe tells us more: “I have loved being creative for as long as I can remember. As a young child I had a cupboard in the kitchen under the bench where I kept all my treasures, little bottles of crayon sharpenings, paper cut outs of anything which took my fancy, matchboxes full of strange found objects - I think a few unfortunate forgotten lady bugs and a caterpillar died as a result of my match box obsession.”

“But my method is very much the same no matter what I am painting,” he says. “I usually square up a picture, so draw a grid on a print of a photograph I am working from. I transfer that onto the surface I am working on and go from there. Quite often a complicated painting can take anything up to a month to draw out, even before I have started painting.” Tony’s painting of a leopard took a month to draw out and another five months to paint.

“When I first moved to Wales I got involved with shearing on the farm where I was living,” recalls the successful oil painter. “I was gathering and wrapping the wool - I didn’t actually do the shearing because it takes quite a lot of skill to do that. It’s a yearly event. New Zealanders and Māori’s used to come over. It was a good cultural exchange. Local shearers used to have a circuit where they would start off in Wales, then go to Canada and on to New Zealand, returning to Wales. They would just do a circuit round the world, shearing. You would see these guys stripped to the waist absolutely dripping in sweat and crikey they’d get through some sheep. They’d have a counter that they’d click when they’d done one. Half the time they were just wrestling sheep. The sheep weren’t taking too kindly to it especially when there were rams.”
THE MAGIC WEAVERI haven’t had any formal art training. My education was based in Graphic Design since I was predominantly a digital artist until two years ago. When I was pursuing education, graphic design was all that was offered for digital artists but it turns out it was not what I wanted! I wanted to illustrate, to draw, to create. So the internet and books were the things that educated me. If I wanted to know how to do something, I looked it up.

“I did focus a lot on the digital side whilst studying but my favourite class, looking back, was definitely life drawing. Since graduating I have mostly been a full time Graphic Designer putting work into the odd exhibition but in the last couple of years I have really started pursuing my love of drawing again in particular flowers and botanicals.”
She finds inspiration in all that surrounds her. “I draw things I have seen that are memorable to me and it’s usually the little things.

“Art was something I was naturally good at, and it brought in extra income. My realistic paintings seemed to sell as fast as I could make them, and word of mouth sales meant I began to have commissions come in. I also studied art history for seven years, and adore the renaissance and impressionism styles. The work of great artists, like Monet, never ages.”
BLADESMITHThe freedom to enjoy his hobbies and live a lifestyle worth living, rather than working himself into the ground doing a job he wasn’t happy with, has made everything worthwhile. He is not sure what drives his creative streak as an artist but likes just doing things and making things that are hard to achieve and hopefully haven’t been done before.

“I have always been interested in art since high school especially, my art teacher Mr Hebley was a great teacher. I did unfortunately muck around a lot and never passed art as a subject but I always kept on painting and creating art whenever I could. When my children were little I would always have art stuff set up for them to express themselves through drawing and painting or making salt dough craft. I started painting again when my children were older, as a hobby.”
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