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Kristin Ivill

Kristin Ivill

JOINING THE DOTS

Written and photographed by John Botton.

I first met Kristin Ivill when she breezed into my studio clutching a portfolio folder full of artworks she wanted to get copied and printed. While pouring over her work, it took me some time to realise that the exquisite images were made of thousands of dots, dots of all shapes, dots of all sizes, dots of all hues. My only point of reference was to imagine that the dots were like pixels in a photograph. I went along to Kristin’s studio to see if she was indeed going dotty.

JB: “Give me a little background to your beginnings in art and your training?”

“I’ve always loved art. My mother was arty and my grandmother was quite crafty. She spun wool. She dyed wool and wove fabrics. My grandmother would take me around the farm and we’d go hunting for birds and bugs and look at the trees and she would tell me all about the native fauna and flora. So that’s where my love of birds and nature stems from. I did art at school until year eleven when my art teacher told me to give it up. She said I had no talent. So I stopped doing it and focused on art history in year twelve which I loved. That’s where I was exposed to Seurat who did pointillism. But that was the end of that so I left art and got married and had children. When my daughter was born I did a bit of painting again because we needed some art to fill the walls. I got some canvases and paint and just started painting and it went from there.”

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Angela Mole

Angela Mole - Aotearoa Artist

I was destined to become an artist - having drawn, painted, sewn and crafted constantly throughout my growing years. After gaining a History and English degree I became a primary school teacher, encouraging the children in artistic expression at every opportunity and displaying their art in every available space. I was commended for the ambience but warned that too many ‘hangings’ could pose a fire risk! Later I co-ordinated the installation of large permanent outdoor murals which met with approval. On retiring from teaching, once my family had grown, I was at last free to follow my own artistic journey.

I am largely self-taught but value the grounding and increased confidence attained by completing a diploma in painting in 2011. These days I feel compelled to create positive vibrant images. My brief as an artist is to “Focus on the beauty which is abundant in this world and thereby know peace” (Philippians 4:8-10, from the Holy Bible). One part of my inspiration is what I see as beauty, most often the smallest organic forms in nature - seeds, shells, eggs, petals and leaves, small beginnings from which greater things evolve. Equally important, is how I feel. I paint from the heart and am translating thoughts, words, poems and dreams into painted expression. I have an overwhelming desire to inject colour, truth and beauty into our environment, trying to counter the negative, dark influences pervading society. It’s about spreading a little happiness. Japanese style (the combination of minimalism and fine detail present in paper and silk design) influences my painting as do the swirling curves and clean lines from the Art Nouveau era.

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Tony Clarke

Tony Clarke - aotearoa artist

CORNERSTONE SKILL

With luscious, almost glowing colour pouring out from the canvas, Tony Clarke’s work emits a sense of vibrancy making his art feel alive. The intricate texture conveys the feeling that you could reach out and touch the feather or fur.

Tony’s father was a very accomplished hobby painter and encouraged him from an early age. “He gave me a book at age 13 of Raymond Ching’s book of British Birds and took me out drawing over the weekends. I copied paintings from that book and studied originals at the International Art Centre.”

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Paige Williams

PAIGE WILLIAMS

I’m Paige, 19, and have just recently made the massive decision to withdraw from University to pursue a professional career in painting and illustration. It was the hardest decision to make. I was studying to get myself into some aspect of the gaming industry, however, the longer I studied, the more I felt like this wasn’t the place for me. 

With the support of my friends and family, I am now trying to make a name for myself in the art world. I have a website at www.paigeyleigh.com and already have a small following on my Facebook page “Paigey-Leigh” where I get a lot of amazing feedback and encouragement that I’m going in the right direction.

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Mille Dunstall

My dead uncle-mille-dunstall-aotearoa-artistBorn in 2000, Mille is another youth artist who is proving that this century is producing excellent artists. With one sibling, Mille’s family isn’t particularly artistic. “I’m kind of the odd one out”, she says.

Waihi College have Mille’s attendance and she has decided to take art this year, planning to get into a graphic design course in the future. From the looks of what she is producing thus far, we believe graphic design would definitely be the way for Mille to go. It might be worth Mille’s while to investigate illustration as well, a noble, well established art form.

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Fran Gould

Fran Gould - aotearoa artist

GRAPPLING WITH GRAPHITE

My love of being an artist started with a Folk Art course at Waimea College in Richmond. Gradually art became more important in my life. After hearing the enthusiasm from several members of the art group I had joined, regarding courses with The Correspondence School in Wellington, I decided to enrol. I met my tutor in Wellington and he was happy for me to pursue figurative work, which was and still is, my passion as an art form.

My partner had a massive heart attack and several operations later, recuperative time, along with the process of ‘just being there’ as he got his strength back had a huge effect on me physiologically. After a while I started my second year at the correspondence school. My partner by this time was well enough to model for me, so I photographed him for my work and the ideas came fast and furious. My painting fitted into my studies “the human condition”. It all turned out to be very cathartic and the finished article, at the end of the year, achieved NZCA excellence. The whole project transformed me, mainly from the stress of the previous year. 

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Natasha Bethune

natasha-bethune-aotearoa-artistTHE ART OF INNER HEALING

At the age of 18, Natasha Bethune tells us of her hardships and how she is devoted to her art and the healing she receives from creating.

Drawing is all that I’ve ever known - as a kid it’s all that I remember doing. My heart aches thinking about pursuing anything other than art. I love being alone in nature. Any place of solitude, that forces me to think and feel whilst listening to deep emotional music that conjures memories and beautiful desires of ‘what if’s and I wishes’.

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Nina Cook - aotearoa artist

Nina Cook

Nina Cook - aotearoa artist

ARTISTIC COMMUNICATON

Nina Cook’s artistic intent is to communicate but unfortunately, the very character traits that enables her artistic self, makes the act of self-promotion extremely uncomfortable. “I never intended to show my work, but have received such kindness and encouragement from my beautiful husband, children, friends and gallery owners. For me, art is more a vocation from which I would be delighted to earn a living.” Nina tells her story.

I completed a Bachelor of Design at Christchurch Polytechnic School of Art and Design in 2006. The drawing classes at CPIT were to a particularly high standard and an incredibly valuable learning experience. Apart from that I am self-taught.

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Jacob Barry

Jacob Barry - aotearoa artist

BEHIND THE FACE

Jacob Barry studied art in high school, but his talents were not appreciated, he failed. How many other great icons have failed at school, yet gone onto become well known success stories? There are many. One has to wonder what it is about these situations. Jacob shares with us here.

Jacob passed all other subjects, except art. Looking at what he is doing now, it seems crazy. He received much support from his teachers and parents, thankfully, and has gone on with his art regardless. “The response I got from each painting was the motivating factor.

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