Naga Tsutsumi
By Carly Thomas Naga Tsutsumi works from a small studio in front of his suburban Palmerston North house. Just down the…
Sheelagh McHaffie
IN FOR THE RIDE A self taught artist, as her mother was, Sheelagh McHaffie has embraced her self discovery to art…
Rosemarie Murphy
PLAYING WITH LIGHT As a child Rosemarie Murphy always loved drawing and spent most of her pocket money on art materials,…
Kristin Kay
CLAY GIRL
CLAY GIRLIn her childhood, Kristin Kay’s eldest sister Simone, eight years older than her and very creative herself, would often make games to use their imagination. “She would also make me and my other sister Ruth monthly magazines, hand drawn women's fashion pages, puzzle pages, baking recipes, facts about animals, anything.
A magical childhood was had by us girls. Unfortunately, just after her 19th birthday, when she had become a young adult down in Christchurch, her driver crashed the car at quite a speed. No one survived. But I always remember her instilling her creativity in me, her drawings, how she could make something out of nothing. It just stuck - she is still a big part of me.”
Kristin Hyde
DREAM BIG, AIM HIGH
DREAM BIG, AIM HIGHHaving been a Flight Attendant for 32 years, and after taking a month's holiday with her eldest son in the Bahamas, the night Kristin Hyde flew out of Houston to come home was the night the world started closing its borders and unbeknown to her at the time, she had already crewed her last duty. They say ‘When life gives you Lemons, make lemonade’ ... so I did. I took the leap, and at 60 years old in a pandemic, I became a full-time artist.” Kristin tells us her story:
“I am mainly self-taught, having taken the odd class over the years, both online and in person. I have always been a bit of a closet creative. I would scrimp and save and spend my money on art or craft supplies. When my children were little, I started painting on terracotta pots for friends. They quickly became sought after and so I created ‘Pots for Tots.’ From there I have always dabbled over the years in many different artistic endeavours from mosaics and water colours, screen printing to beading then jewellery making, eco printing and felting. I was always eager to try new things, but painting has become the dominant leader.
Julia Sternkopf
THE GIFT OF TIME
THE GIFT OF TIMEJulia Sternkopf is a self-taught artist, originally from Germany. She loved to draw and paint as a child and in high school, she drew people’s portraits for $20 a shot, although her real interest at that time was music. She moved to New Zealand in 2018 and is happily ensconced in Lake Hawea where she gains much inspiration from the scenery surrounding her.
Always having been told that being an artist is not a good career choice, Julia was disappointed with her art education at school. “We never even looked at the Old Masters and were solely focussed on Modern Art – I didn’t enjoy that very much.”
Guy duToit
JOYOUS ARTISAN
JOYOUS ARTISANBorn in South Africa and now a proud New Zealand citizen, Gideon (Guy) du Toit tried woodturning as a hobby and discovered a real passion and natural talent for it. He took his passion to France, where he studied at Ecole Escoulen, a woodturning school that was created in 2012 on the will of the municipality of Aiguines to promote the unique know-how of woodturners, knowledge which is deeply embedded in the cultural heritage of the territory. Guy qualified from here as a professional production and artistic woodturner.
“Giving up everything to go to France to study full-time was very hard. Not being able to speak French and having to be immersed in the school and classes full-time was exceptionally hard.”
Daniel Carter
DESIRE FOR CREATION
The closest Daniel Carter came to formal art training would have been extension art classes and graphic design throughout intermediate and college years. “These classes were taken above my selected art classes, as the art teachers noticed I had an interest and above level ability for my age group. I left college at an early age to become a car painter, which ultimately led me towards the automotive artistry of airbrushing.”
The artist life started for Daniel at a very early age, “As a young child my parents encouraged my artistic abilities. By year two of primary school, my father Roger would sit with me for hours, teaching me how to draw realistic people, muscle cars, fighter planes, architectural buildings with two-point perspective etc. We didn’t have much but wherever I went I would have a small pad and pencil, taking inspiration from my surroundings, nature, birds, people, cars, buildings, that sort of thing.
Stacey Moore
SIMPLY MYSELF
Although the pressure of creating art for NCEA at school left Stacey Moore keeping her creativity as a hobby, at the beginning of 2022, she got back into painting. In 2023 she then left her part-time teaching job to take the leap of faith and pursue her dream of painting full time.
Stacey pursued a career in Early Childhood, studying a Bachelor of Teaching in Early Childhood Education and has spent the last thirteen years teaching. “Over this time I engaged in various arty projects in my spare time but once I became a mother I didn’t create much art. I got back into painting at the beginning of 2022 when my youngest child was three years old. As a perfectionist I felt prompted by God to let go of my fear of failure before I started painting again, which I did and I’ve been painting freely ever since.”
Sonya Prchal
PAINTING WITH THREAD
Originally from Pukekohe and now based in Whangarei, Sonya Prchal has always loved art and has drawn and painted from a young age. “I started working with textiles in 2003 and first entered works in our National Quilt Symposium in Wellington in 2009. When four of my works sold, I was encouraged to create more and started teaching fabric painting and stitching at the next Quilt Symposium in Queenstown, at subsequent symposia and tutoring classes throughout New Zealand.”
Sonya has always managed to fit in daily practice in her studio, but has only recently been creating on a full time basis. “I love making works that draw in an audience and start a discussion. I enjoy commission work, and take great pleasure seeing joy on the faces of people when they receive their favourite pet replicated with thread.”