Two Birds of a Feather – Zealandia
Explore the magic of “Two Birds of a Feather,” an exhibition celebrating art, conservation, and the power of a shared vision…
Explore the magic of “Two Birds of a Feather,” an exhibition celebrating art, conservation, and the power of a shared vision…
Lauren Hemens was making her way in the fashion industry even while still studying at Ara | Te Pūkenga. The exceptional…
Introducing Visual Artist & Kai Tā Redge Walker-Small In the vibrant world of art, one name is making waves and capturing…
By John Barry I recently listened to an expert describing how to arrange paintings for an exhibition. Producing a pleasing arrangement…
You’ve bought a masterpiece, or you are hanging one of your own works. Why is it always so intimidating to look…
PLAYING WITH LIGHT As a child Rosemarie Murphy always loved drawing and spent most of her pocket money on art materials,…
CLAY GIRLA magical childhood was had by us girls. Unfortunately, just after her 19th birthday, when she had become a young adult down in Christchurch, her driver crashed the car at quite a speed. No one survived. But I always remember her instilling her creativity in me, her drawings, how she could make something out of nothing. It just stuck - she is still a big part of me.”
DREAM BIG, AIM HIGH“I am mainly self-taught, having taken the odd class over the years, both online and in person. I have always been a bit of a closet creative. I would scrimp and save and spend my money on art or craft supplies. When my children were little, I started painting on terracotta pots for friends. They quickly became sought after and so I created ‘Pots for Tots.’ From there I have always dabbled over the years in many different artistic endeavours from mosaics and water colours, screen printing to beading then jewellery making, eco printing and felting. I was always eager to try new things, but painting has become the dominant leader.
THE GIFT OF TIMEAlways having been told that being an artist is not a good career choice, Julia was disappointed with her art education at school. “We never even looked at the Old Masters and were solely focussed on Modern Art – I didn’t enjoy that very much.”
JOYOUS ARTISAN“Giving up everything to go to France to study full-time was very hard. Not being able to speak French and having to be immersed in the school and classes full-time was exceptionally hard.”
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