Nature Archives - Page 5 of 12

Wendy Ricketts

1 February 2021
Animals, Artists, Australia, New Zealand & Oceania, Coloured Pencils, Drawing, Nature, Pastels, Portraits, Realism

Compelled to paint and draw animals, especially their eyes, Wendy Ricketts tells us how she uses her artistic talent to focus and calm her busy mind while producing works for commission, family and friends.

I was first inspired to draw after seeing a study of a hare by German artist Albrecht Durer. I was taken by the detail and softness of the rendition. I love the faces of animals and the detail needed to produce them. I strive to produce it, sometimes to my detriment. You can get so caught up in the detail that you forget the result you were intending to achieve. Or the mood you were trying to show in the animal. Animal faces convey so much, especially the eyes. I have always loved the natural world and have a fascination with wildlife.

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Lui Peti

1 February 2021
Animals, Artists, Australia, New Zealand & Oceania, Digital, Nature, Painting, Portraits, Symbolism

Lui Peti’s art is surrealistic, emotive and a little quirky. His digital paintings are available to be enjoyed by everyone, with his original work sold online as affordable art prints. His hope is for people to enjoy his art as much as he enjoys creating it. With buyers already in Australia, the USA and Canada, Lui is well on his way to becoming a full-time artist.

I love being able to visualise my thoughts and being able to create art from a process of thinking. I like pushing myself to be braver and reach deeper into my psyche to explore its essence. Perfecting my craft and being surprised by my progress is very satisfying.

Hollie Almond

1 November 2020
Abstract, Artists, Australia, New Zealand & Oceania, Enamel, Mixed Media, Nature, Painting

LYRICAL ABSTRACTIONS

By Cindy Kent-Woest

Hollie Almond lets her art become what it wants to be – surfaces saturated with storms of smouldering and dizzying colour. Colour moving and separating, guided by a light touch when needed; becoming beautiful while finding itself. Much like her own journey.

“I became an artist to help myself and to hopefully inspire others to see that art can help them help themselves too. It was my dream job as a child. To turn that into reality, and make my inner child proud for not giving up (even though I lost my way for a while), is probably my biggest motivator.

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Teissi Aranda

1 September 2020
Animals, Artists, Australia, New Zealand & Oceania, Impressionism, Mixed Media, Nature, Oils, Painting, Portraits, South America, Watercolour

HEALING POWER

Teissi Aranda is on the hunt for her global art tribe. After a serious accident forced her to reevaluate her values, she decided to study art full time to a postgraduate level and has never looked back. “I have found people along the way who support me and believe in me, and that is the most important thing.”

With works now located in Argentina, New Zealand, Australia, UK and USA, Teissi is a force to be reckoned with. She believes that art heals, that it connects you to your people.

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Natalie Gelder

1 September 2020
Artists, Australia, New Zealand & Oceania, Drawing, Expressionism, Figures, Nature, Oils, Painting, Portraits, Realism, Watercolour

PRECIOUS MOMENTS

In 2020, Natalie Gelder was a busy, pregnant mum with a two-year-old toddler. As a result, most of her art was created at night by the light of a daylight bulb. But the journey into motherhood has also given her a wonderful new subject matter, “one that I am full of love and enthusiasm for”.

Becoming an artist, for me, has been a personal creative development process from a young age. My biggest motivator was my dad. He encouraged me in the right direction as an artist, together with building a creative and supportive family environment. I started going to fringe art association meetings in England with my Dad when I was still really young, around 12 years old. I did AS level Fine Art straight out of school, and then two years of studying at art college from 2010.

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Sue Currie

1 November 2019
Abstract, Acrylic, Artists, Australia, New Zealand & Oceania, Impressionism, Landscape, Nature, Oils, Painting, Realism, Watercolour

Sue Currie was delighted to find that a comprehensive Australian correspondence course in graphic design for three years while at high school in Christchurch was a successful background for working in art. “In those days there were few opportunities for women to be taken seriously. In Sydney, Australia, the attitude was much more positive.”

Sue also took lessons with artist and illustrator Arthur Renshaw, (a retired tutor from the NSW Polytech), twice a week for six months as well as working freelance in graphic design. After six years she returned to New Zealand to paint, attending weekend workshops with a few fellow artists.

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Yasmin Yussof

1 January 2017
Abstract, Artists, Australia, New Zealand & Oceania, Carving, Ceramics, Expressionism, Featured Artists, Nature, Sculpture, Symbolism

GLOBAL GIRL

My name is Yasmin Yussof. I was born in Germany of Swiss-Malaysian parentage. I have been an Australian citizen, lived around the world and now, I am a permanent resident of New Zealand. Someone once called me ‘Global Girl’ as I never lived anywhere for more than two years, and was born to parents from different ends of the world.

My father was an Ambassador so I have lived in Singapore, Germany, Thailand, Philippines, Malaysia, India, Iran and Rome. Travelling all over the world as a child I attended mainly international schools. From when I was young, I have always been a tactile person, never knowing I wanted to be an artist, it just happened. I always creating something, just a doodler and needing to keep my hands busy. Never thinking anything of it, just did it. If one has a calling, whatever the profession, you can’t help but go in that direction.

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Tessa Ralston

1 January 2017
Animals, Artists, Australia, New Zealand & Oceania, Birdlife, Charcoal, Drawing, Expressionism, Featured Artists, Gouache, Illustration, Ink, Nature, Painting, Portraits, Realism, Stylized, Watercolour

INSPIRED ILLUSTRATION

I’ve come to find that art seems to always niggle it’s way back into my life, even, perhaps, when I’m trying to distance myself from it. I have no true recollection of ‘getting into art’, but like most children inherently are, I was drawn to painting and visual expression.

With my mother being a graphic designer, I was fortunate enough that she fostered my artistic energy and patiently encouraged my creativity – and amusingly, she simultaneously firmly discouraged my entering the graphic design world. I believe there is a subtle divergence that happens when artists are ‘made’, and that is when they keep drawing, painting and playing after they are no longer children.

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Sally-Ann Davies

1 January 2017
Acrylic, Artists, Australia, New Zealand & Oceania, Carving, Featured Artists, Impressionism, Ink, Landscape, Nature, Painting, Printing, Seascape, Stylized

Sally-Ann Davies was born in Shropshire, England and resides in Taupo. She started her journey of becoming an artist as a toddler, drawing on the newly wallpapered walls of the farmhouse she grew up in. Her favourite subject at school without doubt was art. She vividly remembers that the primary school she attended would reward you if you finished your work early, with going and playing in the craft corner. She remembers how amazing creations developed with the simple materials such as egg cartons and toilet rolls.

Her journey to becoming the esteemed artist she is today did not come with ease. A the age of 12 she had a detached retina so ended up having quite a few months off school. This meant no active play, which she says was very frustrating when you grow up on a farm with her brothers. Sally-Ann is a triplet, so you can understand the frustration she must have had, because she and her brothers normally spent their time building dens, rafts and camping by the river.

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Kristin Ivill

1 November 2016
Abstract, Acrylic, Artists, Australia, New Zealand & Oceania, Birdlife, Drawing, Featured Artists, Ink, Nature, Oils, Realism, Symbolism

JOINING THE DOTS

Written and photographed by John Botton.

I first met Kristin Ivill when she breezed into my studio clutching a portfolio folder full of artworks she wanted to get copied and printed. While pouring over her work, it took me some time to realise that the exquisite images were made of thousands of dots, dots of all shapes, dots of all sizes, dots of all hues. My only point of reference was to imagine that the dots were like pixels in a photograph. I went along to Kristin’s studio to see if she was indeed going dotty.

JB: “Give me a little background to your beginnings in art and your training?”

“I’ve always loved art. My mother was arty and my grandmother was quite crafty. She spun wool. She dyed wool and wove fabrics. My grandmother would take me around the farm and we’d go hunting for birds and bugs and look at the trees and she would tell me all about the native fauna and flora. So that’s where my love of birds and nature stems from. I did art at school until year eleven when my art teacher told me to give it up. She said I had no talent. So I stopped doing it and focused on art history in year twelve which I loved. That’s where I was exposed to Seurat who did pointillism. But that was the end of that so I left art and got married and had children. When my daughter was born I did a bit of painting again because we needed some art to fill the walls. I got some canvases and paint and just started painting and it went from there.”

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