Presentation Wins the Day
Had a rejection slip recently? According to the popular US-based online gallery, Light Space & Time Online Art Gallery, if artists…
Sorting white from white
WHICH WHITE IS WHICH Some would say that the most important colour choice artists make is the white they choose to…
Kathryn Millard
THE INNER ARTIST
It is an intense and intimate relationship and interaction with the world around her that feeds Kathryn Millard’s artistic soul.
“My life is about energy, rhythm and sensation, and translating that into a piece of art,” she declares. “It is about inventing the perfect technique, my own unique language for my response to nature. It is the experience of what I see happening all around me that stimulates me and gets me going, not the thing itself, that is the underlying subject of my work.”
David Foley
A LINEAR PERSPECTIVE
For much of his life David Foley worked in commercial interior design and only took up serious watercolour painting on retiring, attending various workshops in New Zealand, Italy and Australia.
“While I took an interest in drawing from a very early age I did not have any formal art training at all,” he says. He did however attend the Brixton School of Building and Architecture in the UK from 1949 - 1952 and completed a five year apprenticeship in Display and Signwriting in Hamilton.
Pauline Allomes
THE FINER DETAIL
A strong interest in art as a child did not hold much sway in the early 1960s when women did not go to art school and were expected to become nurses or secretaries, get married young and stay at home to look after the children.
Pauline Allomes was 50 before she was free to follow a desire that had been with her all her life and enrol at art school. “Through the years of raising children I had a strong interest in fibre and on entering art school thought I would become a fibre artist,” Pauline says, “this changed the minute I discovered paint, pastel, pen and ink.”
John Hodgson
THE LIVING ARTIST
After many years of working in the corporate world, John Hodgson completed a long transition to full time artist with his first solo exhibition at the Depot ArtSpace in Devonport in April this year. Representing seven years of work, a good number of the pieces on show sold over the two weeks of the exhibition which also saw some 600 visitors to the gallery.
Whangarei-born, John, whose very first painting was a self-portrait completed back in 1977, has had a long interest in art but says he ‘played around’ for years while in ‘corporate career mode’ here in New Zealand and in the USA. On returning to NZ in 2003 he says he became really serious about his own art while beginning with partner Mary, a modest collection of work by New Zealand artists.
Rebekah Codlin
REAL EMOTION
Realistic art has been described as not only recording the subject matter truthfully but also avoiding artistic conventions and resisting idealisation.
Some of this rings true of Rebekah Codlin’s work but the more one looks at the images she creates the more ideals and raw emotions pour through, attacking your senses from all directions with poignant effect.
This she achieves through an intelligent use of light and colour. So whatever term one may use to describe her work, Rebekah’s art is certainly not tame but rather demands attention and scrutiny.
Karen Panton
THE ART OF HUMOUR
Karen Rosaline Panton is one of those exceptional, largely self taught artists who has developed a sense of style and presentation all of her own. Reading her comments in this article and perusing through some of her paintings it is evident that Karen lives her art; each painting has a voice and meaning, each one a soul.
Apart from the odd day class, Karen, who currently hails from Napier, says she has enjoyed several short courses with the likes of Krispin Korschen, Rua Longley, Marianne Muggeridge, Megan Schmidt, among others. “All fabulous artists,” she enthuses, “who have stretched my mind sideways, up and down and inside out, that is when they could catch up with my own train of thoughts.”
Ron Stenberg
Award winning professional artist Jacky Pearson, speaks to one of New Zealand’s most enduring artists, Ron Stenberg, who marks his 95th birthday this month with a new solo exhibition at the Remuera Gallery in Auckland.
Ron is a former senior lecturer and head of department at the Duncan of Jordanstone College of Art in Dundee, was a council member of the Auckland Society of Arts, a painter for the Black Watch Battalion during their last days in Germany, and during the Cold War, and boasts a painting in the Queen’s private collection.
Creative Burnout
It’s two-o-clock in the morning, you are standing in front of your easel, you can’t remember when you last had a…