Camera Obscura
CAMERA OBSCURA Artists using photographic references have long been accused of laziness, or even worse, excelling in technical capability while lacking…
CAMERA OBSCURA Artists using photographic references have long been accused of laziness, or even worse, excelling in technical capability while lacking…
SELECTING PRINT PAPER By Randal Scott, the proprietor of Fine Art Papers, importers and suppliers of fine art and conservation papers…
GESSO Noun - def: gypsum or plaster of Paris spread on a surface to make it suitable for painting or gilding…
REKA NORMANReka takes her hobbies seriously and to end her high school year with a 95% pass rate for her final International Cambridge Art Exam is a notable demonstration of this.
HONOR HAMLETHonor, (17) who only took up art seriously in her last two years of high school, is now a full-time student at Elam School of Fine Arts, Auckland.

While working at the Sturt Craft Centre in NSW, Australia he built an Anagama Kiln and began investigating Shino glazes. In 1995 he travelled to Japan to study Minoyaki style pottery under master ceramicist Koie Ryoji. Aaron lived and worked in Japan until 2011 when he returned to New Zealand. During his time in Japan he held over 60 solo exhibitions and participated in many group shows and workshops. He is currently based in Whanganui East.

When I first tried my hand at drawing I discovered that drawing ability is not necessarily an innate skill or ability, but rather something that can be learned. I found that there are techniques that can be used to create an image and, for me, the most important skill was developing an eye for what looks good.

I started drawing and painting when I was 12 years old and trained under an artist in Malaysia where many materials such as oil paints and acrylics are in short supply. I was only taught how to use pencil, watercolour and oil pastels.

A passionate reader, from a very young age, I lived inside these books as movies in my imagination. The narratives of people and places, emotion and experience captured and transported me out into the world of cultural difference and exciting possibilities, such a contrast to the farm life.
CONTEMPORARY EXHIBITIONISTThe start of my artist career was marked, when I was ten years old and my grandfather sent me out to burn the rubbish. Watching the flames melt plastic into fluids and turning objects into new shapes initiated along lasting fascination with material transformation and the wish to spin straw into gold.
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