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Gillian Receveur

gillian-receveur-aotearoa-artistTHE FASCINATION LIES IN THE DETAIL

Gillian Receveur has always loved art. She studied it in school and at teachers college but it wasn’t until she retired from teaching that she could truly commit to her passion of art. A keen interest and love of plants and gardens led her to botanical painting. Gillian explains:

Plants fascinate me, they inspire me by their form, habits, colour and composition. I enjoy looking at plants, the fine details. I love observation and getting completely absorbed in the piece I am working on. Something I have always wanted to do is to paint one plant through all the four seasons as well as do a series of plants of one particular species. 

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Yasmin Yussof

Yasmin Yussof - Aotearoa Artist

GLOBAL GIRL

My name is Yasmin Yussof. I was born in Germany of Swiss-Malaysian parentage. I have been an Australian citizen, lived around the world and now, I am a permanent resident of New Zealand. Someone once called me ‘Global Girl’ as I never lived anywhere for more than two years, and was born to parents from different ends of the world.

My father was an Ambassador so I have lived in Singapore, Germany, Thailand, Philippines, Malaysia, India, Iran and Rome. Travelling all over the world as a child I attended mainly international schools. From when I was young, I have always been a tactile person, never knowing I wanted to be an artist, it just happened. I always creating something, just a doodler and needing to keep my hands busy. Never thinking anything of it, just did it. If one has a calling, whatever the profession, you can’t help but go in that direction.

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Tessa Ralston

tessa-ralston-aotearoa-artistINSPIRED ILLUSTRATION

I’ve come to find that art seems to always niggle it’s way back into my life, even, perhaps, when I’m trying to distance myself from it. I have no true recollection of ‘getting into art’, but like most children inherently are, I was drawn to painting and visual expression.

With my mother being a graphic designer, I was fortunate enough that she fostered my artistic energy and patiently encouraged my creativity – and amusingly, she simultaneously firmly discouraged my entering the graphic design world. I believe there is a subtle divergence that happens when artists are ‘made’, and that is when they keep drawing, painting and playing after they are no longer children.

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Sally-Ann Davies

Sally-Ann Davies was born in Shropshire, England and resides in Taupo. She started her journey of becoming an artist as a toddler, drawing on the newly wallpapered walls of the farmhouse she grew up in. Her favourite subject at school without doubt was art. She vividly remembers that the primary school she attended would reward you if you finished your work early, with going and playing in the craft corner. She remembers how amazing creations developed with the simple materials such as egg cartons and toilet rolls. 

Her journey to becoming the esteemed artist she is today did not come with ease. A the age of 12 she had a detached retina so ended up having quite a few months off school. This meant no active play, which she says was very frustrating when you grow up on a farm with her brothers. Sally-Ann is a triplet, so you can understand the frustration she must have had, because she and her brothers normally spent their time building dens, rafts and camping by the river. 

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Rochelle Boult - Aotearoa Artist

Rochelle Boult

FREE SPIRIT

Watching unlimited possibilities unfold onto paper, Rochelle Boult’s free spirit finds itself at the tip of a sharpened pencil. Finding peace and relaxation within her mark making, she builds her line and tone gently, observing her drawing as it gradually grows in depth and detail using shading and clever use of the different softnesses of her medium.

Rochelle creates works with Faber-Castell thick Graphite on Bockingford Drawing paper. Starting with an HB which she uses to sketch the outline, she then moves through from a 2B for shading to a 6B and an 8B for final depth. Rochelle also does some printmaking including etching and woodcuts, which she has successfully sold in a Marlborough exhibition.

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John White

John White - Aotearoa Artist

WILD PASSION

“Don’t be afraid, all the great painters had to start somewhere. You will make many mistakes so go ahead and start making them”. Adeptly using the time honoured mediums of oil and watercolour, John White portrays his love of wildlife through richly built paintings, softly painted, revealing the passion he has for his subject. Having built his skills over a lifetime he continues to create, advise and exhibit in New Zealand and overseas.

You know the first thing people ask me when they see my art is “how long have you been painting”? My answer is that I have always painted. I was brought up in a small place called Macandrew Bay on the Otago Peninsula with my three brothers and one sister. One of my brothers is my identical twin who is also an artist. We are the only ones in our family who do art, so my parents really did not understand what it was all about but they did encourage us. In my late teens I used to come home after playing rugby on a Saturday and paint watercolours on our kitchen table. If we had any visitors my mother would bring out my paintings and show them.

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Carla McKnight

carla-mcknight-aotearoa-artistCarla McKnight ‘s favourite subjects are equestrian and aviation (warbirds). She works mainly in acrylic but has been known to play around with other mediums. “I’ve learned what works and doesn’t work by giving it a go and taking risks.” She finds the use of a ‘white-light’ lamp essential and uses a variety of brushes, sponges, scrapers, an airbrush and a spraygun. Carla tells us about herself . . .

I was born in Holland and my family immigrated to New Zealand when I was nine years old. I’ve always loved seeing artwork of horses from a very early age. Around 14 years old I started trying to draw horses but found it frustrating as I didn’t like the results. I was always on my horse, Misty, with my best friend Leeanne on her horse, Kelly. We used to ride all over the place and on wet days we watched cowboy movies and tried our hand at art, and that’s where it all started. My parents were very creative, so I guess that gave me a boost, but they didn’t ride horses or make art.

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Terry Fergusson

Terry Fergusson - Aotearoa Artist

THE BUSHMANS SON ©

From a young age Terry Fergusson would sketch portraits and received an Art award at school. Then with everyday life and becoming a solo Dad he just never had time to pursue it further. Now, as an empty nester, he has felt the urge to pick up the brush and concentrate on painting people, their faces, their emotions. Terry tells us about his passion.

The results of picking up the brush again have been inspiring and well accepted. My passion has evolved beyond what I ever could have imagined. Creating a legacy of work that I can leave behind that speaks my name and my brand, along with the subject and the emotion shown was all inspiring to me. I want people to see what I see, remember what I remember and enjoy it long after I’m not here to paint anymore. Looks, emotions, stories and faces inspire me, and the ability to capture them through a mix of photography and acrylic excites me every time I start or have the idea to start a new piece. 

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Kristin Ivill

Kristin Ivill

JOINING THE DOTS

Written and photographed by John Botton.

I first met Kristin Ivill when she breezed into my studio clutching a portfolio folder full of artworks she wanted to get copied and printed. While pouring over her work, it took me some time to realise that the exquisite images were made of thousands of dots, dots of all shapes, dots of all sizes, dots of all hues. My only point of reference was to imagine that the dots were like pixels in a photograph. I went along to Kristin’s studio to see if she was indeed going dotty.

JB: “Give me a little background to your beginnings in art and your training?”

“I’ve always loved art. My mother was arty and my grandmother was quite crafty. She spun wool. She dyed wool and wove fabrics. My grandmother would take me around the farm and we’d go hunting for birds and bugs and look at the trees and she would tell me all about the native fauna and flora. So that’s where my love of birds and nature stems from. I did art at school until year eleven when my art teacher told me to give it up. She said I had no talent. So I stopped doing it and focused on art history in year twelve which I loved. That’s where I was exposed to Seurat who did pointillism. But that was the end of that so I left art and got married and had children. When my daughter was born I did a bit of painting again because we needed some art to fill the walls. I got some canvases and paint and just started painting and it went from there.”

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Jamie Mackman - Aotearoa Artist

Jamie Mackman

 

mug-shot-catherine-dunn-aotearoa-artistFIGURATIVELY SPEAKING

“I guess the galaxy just aligned for me that night in 1989 when I was born,” is why Jamie Mackman thinks she became an artist. She is a young Wellington artist who just loves the human form. We think it’s her undeniable talent as well.

I have always been the kid who made ridiculous clothes for their dolls, or vehicles with too many flashing lights for their action figures. When I wasn’t running about outside like a crazed animal with my sister I was hiding away inside a blanket tent talking to myself about some amazing idea for building something. Being an artist I guess is just a certain way of thinking and using your brain. I am a problem solver, I get a kick out of thinking far outside the square and trying to find solutions to the questions that need a creative mind to solve them. Finding what visually or verbally stimulates you to stay sane in a world that bears so much beauty and consequently constant destruction of that beauty. 

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