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Fiona Hayward

Studio Pic - Fiona Hayward - aotearoa-artist

GOING SOLO

Fiona Hayward was highly rated in two prestigious New Zealand art awards. Her works can be found as far afield as the USA and Australia. She is currently working on a new series of paintings of endangered species from around the world which, she says, will enable her to host her first solo exhibition.

Whilst a deep and profound love of nature lies at the core of her inspiration, it is a peaceful inner feeling of freedom and joy in creating a new artwork that drives and motivates Fiona to paint and draw. Although she has had no formal art training, Auckland born Fiona says her capacity to draw and paint stems from her mother, a talented artist in her own right, who encouraged Fiona from a young age to pursue her artistic bent.

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Geoffrey Cox

Geoffrey Cox - aotearoa artist

FROM PLASTICINE TO POLYMER

Geoffrey Cox has been drawing and modelling all his life. In addition to illustrating books on wildlife and natural history Geoffrey has produced a myriad of work for museums, galleries and individual collectors.

While Geoffrey recalls making plasticine models when he was 11 years old. Things became a little more serious, while he was studying for a degree in zoology, when he was asked to make models for a prehistoric reptile display at the Auckland Museum. After this he was asked to illustrate ‘Collins Guide to the Sea Fishes of New Zealand,’ which was how Geoffrey’s career as a professional artist really started.

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Mehrdad Tahan

Mehrdad Tahan - aotearoa artist

KNOW YOURSELF

From an early age Mehrdad Tahan had an interest in drawing and studied techniques used by the Old Masters. By the age of twenty, he had established his first studio where he taught drawing and calligraphy as well as exhibiting his own works.

In 1990 Mehrdad left Iran for New Zealand, which resulted in a pause in art while he improved his English and learnt about our culture. Family reasons dictated a move to Sweden, and a new culture and language to learn. 1999 saw Mehrdad return to New Zealand and settle in Christchurch.

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Kathryn Millard

Kathryn-millard-aotearoa-artist

THE INNER ARTIST

It is an intense and intimate relationship and interaction with the world around her that feeds Kathryn Millard’s artistic soul.

“My life is about energy, rhythm and sensation, and translating that into a piece of art,” she declares. “It is about inventing the perfect technique, my own unique language for my response to nature. It is the experience of what I see happening all around me that stimulates me and gets me going, not the thing itself, that is the underlying subject of my work.”

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David Foley

David Foley - aotearoa artist

A LINEAR PERSPECTIVE

For much of his life David Foley worked in commercial interior design and only took up serious watercolour painting on retiring, attending various workshops in New Zealand, Italy and Australia.

“While I took an interest in drawing from a very early age I did not have any formal art training at all,” he says. He did however attend the Brixton School of Building and Architecture in the UK from 1949 - 1952 and completed a five year apprenticeship in Display and Signwriting in Hamilton.

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Pauline Allomes - aotearoa artist

Pauline Allomes

Pauline Allomes - aotearoa artist

THE FINER DETAIL

A strong interest in art as a child did not hold much sway in the early 1960s when women did not go to art school and were expected to become nurses or secretaries, get married young and stay at home to look after the children.

Pauline Allomes was 50 before she was free to follow a desire that had been with her all her life and enrol at art school. “Through the years of raising children I had a strong interest in fibre and on entering art school thought I would become a fibre artist,” Pauline says, “this changed the minute I discovered paint, pastel, pen and ink.”

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John Hodgson - aotearoa artist

John Hodgson

John Hodgson - aotearoa artist

THE LIVING ARTIST

After many years of working in the corporate world, John Hodgson completed a long transition to full time artist with his first solo exhibition at the Depot ArtSpace in Devonport in April this year. Representing seven years of work, a good number of the pieces on show sold over the two weeks of the exhibition which also saw some 600 visitors to the gallery.

Whangarei-born, John, whose very first painting was a self-portrait completed back in 1977, has had a long interest in art but says he ‘played around’ for years while in ‘corporate career mode’ here in New Zealand and in the USA. On returning to NZ in 2003 he says he became really serious about his own art while beginning with partner Mary, a modest collection of work by New Zealand artists.

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Carol Laubscher - aotearoa artist

Carol Laubscher

aotearoa-artist-carol-laubscher

SHADES OF CLAY

Clay is a very sensual medium with which to work. Once you get involved, it takes on a life of its own. It is you, your hands and the clay working together, creating, moulding, curving. The end result is a marriage of both of you.

So says Naenae-based sculptor Carol Ann Laubscher who admits to being more than a little enamoured by the human form: “I love to try and emulate the beauty of the female form,” she says.

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Rebekah Codlin- aotearoa artist

Rebekah Codlin

Rebekah Codlin- aotearoa artist

REAL EMOTION

Realistic art has been described as not only recording the subject matter truthfully but also avoiding artistic conventions and resisting idealisation.

Some of this rings true of Rebekah Codlin’s work but the more one looks at the images she creates the more ideals and raw emotions pour through, attacking your senses from all directions with poignant effect.
This she achieves through an intelligent use of light and colour. So whatever term one may use to describe her work, Rebekah’s art is certainly not tame but rather demands attention and scrutiny.

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Karen Panton- aotearoa artist

Karen Panton

Karen Panton- aotearoa artist

THE ART OF HUMOUR

Karen Rosaline Panton is one of those exceptional, largely self taught artists who has developed a sense of style and presentation all of her own. Reading her comments in this article and perusing through some of her paintings it is evident that Karen lives her art; each painting has a voice and meaning, each one a soul.

Apart from the odd day class, Karen, who currently hails from Napier, says she has enjoyed several short courses with the likes of Krispin Korschen, Rua Longley, Marianne Muggeridge, Megan Schmidt, among others. “All fabulous artists,” she enthuses, “who have stretched my mind sideways, up and down and inside out, that is when they could catch up with my own train of thoughts.”

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