Stretching Watercolour Paper
STEP BY STEP - STRETCHING WATERCOLOUR PAPER If you have ever painted on a sheet of well-stretched watercolour paper, you will…
STEP BY STEP - STRETCHING WATERCOLOUR PAPER If you have ever painted on a sheet of well-stretched watercolour paper, you will…

“I had many ideas for my future but I am sad to say my school would not support any of them. I wanted to become an architect, but I wasn’t allowed to study any of the foundation courses. I was even told by the school career counsellor “not to worry about art or music school as I was just going to get pregnant, so why bother?”

“Spending time at our whanau marae, and being taught by my elders about the carvings, paintings and weaving was my first education in art,” he reveals. “Seeing the intricacies of the skilled work and the meaning and pride associated with them, inspired me to want to do the same.”

“Painting provides the space and relaxation in which I lose myself in creating,” he reveals, “one of my biggest joys is when the painting is completed and seeing what has been achieved from a blank canvas.”

Recalling her early years when the call of the artist flowed strongly in her heart, Pauline says she has always loved anything to do with art: “I wanted to do art at school, however my school in Wellsford, didn’t offer this as an option in those days. My mother looked into some individual lessons and the principal of Rodney College said he would try to arrange an art teacher; however this never amounted to anything. “Art as a career was what I desired, teaching is where I ended up,” she says wryly.

Those who are familiar with this work marvel at the photographic realism. TNZAM first came across her pohutukawa paintings for an exhibition at the Dunedin International Airport 2010. Kerry was one of the instigators behind the ‘Artist in the Terminal idea.’

Robyn Mitchell’s favourite sculptural medium is wood: “It is not until you start to shape and polish the wood, that the beauty of the grain and colour are revealed,” she says. “Because of the variants of grain, the type of wood and what part of the tree they come from, no two pieces will ever come out the same.”

She is driven to capture the brilliance of light and paints in the style of the Photorealist movement. Her work depicts the actuality of what the eye can see, yet allows for subject ambiguity to enable individual interpretation. Her work is held in numerous local and international private and public collections.
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