Paper for print
SELECTING PRINT PAPER By Randal Scott, the proprietor of Fine Art Papers, importers and suppliers of fine art and conservation papers…
More about Giclée Print
MORE ABOUT GICLÉE PRINT Established by recognised artists to provide a dedicated high-end archival reproduction service to fellow artists, NZEditions is…
John Unasa
CONSUMED BY PASSION
After many years of focusing on various career paths John Unasa recalls that it was becoming quite apparent his desire to create from a very young age was still very much alive and something had to be done about it. Now, at 35, full of life experience, qualifications and a range of skills, he says he feels the time is right for him to put his full focus into his creative passion.
“My inspirations emanate from my feelings about my physical and social environment, my mood, my imagination, my culture, pop culture and my education,” he says.
Geoff Noble
FREEDOM AND MOVEMENT
There is a lot of paint and colour, lots of colour. Bright, vibrant and even startling. And movement, always movement, large bold images leap out demanding attention, captured but seemingly not, on the cusp of rising and falling but nowhere near frozen.
There are paintings all over the place when entering a very cluttered Tahuna Studios in Nelson. Some are complete, overs still in that moment of creation. New and old it is an eclectic mix. Added to this are posters, surfboards, skateboards, and all manner of tools.
Ben Timmins
THE NATURAL
Three time winner of the ‘People’s Choice’ award at the NZ Art Show, Ben Timmins is a well-known ‘natural artist’ working out of his studio in Parapara, Golden Bay. In this article he talks about his life, work and penchant for ‘un-learning’.
Ben Timmins paints with oils on wooden panels. He says the painting process and materials used are deliberately employed to engage the viewer on many experiential levels. There is an underlying resonance throughout these paintings, nature as a subject matter is painted upon nature itself, the wood grain is integrated into the compositions with both paint and subject.
Michael Angelo Burke
HERITAGE ART A carver and painter of murals and pictures, portraying an individual style unique in New Zealand, Michael Angelo Burke’s…
Karen Vernon
UNDER A BENIGN SPIRIT
“My art doesn’t stand on words. What is on my canvas I sometimes can’t explain away with clever talk. It is not an intellectual process, my paintings are intuitive, and, I feel, painted under the tutelage of a benign spirit.” So says Karen Vernon whose journey into the art world began in 1993 while attending American Folk Art classes in Auckland.
Largely self-taught and without any formal art training Karen says she has been fortunate to have had the guidance of a number of “wonderful” art tutors to get to the level she is at today. “I was a student of Jayne Sprott, and attended her watercolour class for three years. It was at this point I developed a passion for art and began trying other mediums, but staying in the realms of more traditional realistic painting.
Alan Lakisoe
THE JOY OF CREATING
“The joy of creating something with my hands and then being able to share it so that others can experience that same joy too.” This is what up and coming artist Alan Lakisoe loves about his life and work.
Born in Napier, Alan has always been interested in art from a young age. “I attended weekend art classes at primary school. I took a deep interest in fine arts, took it through high school and had enrolled to do art at Polytech before deciding to put my passion aside for work to support a family. While I was working, I did sketching in my spare time. I also taught myself a lot through studying art books and online video tutorials of different artists’ techniques.
Vinny Thompson
THE PASSION THAT SURROUNDS
When a fine artist was introduced to ceramics the resultant mix was an evocative blend of genres and bold colours recalling another side to what makes New Zealand what it is. Vinny Thompson talks about her life, work and her passion for clay.
My introduction into ceramics came about while I was attending night classes at Archibald’s ‘The Art Place’, in Upper Hutt where I was learning portraiture painting with Mary Archibald. I booked in for a weekend class doing clay sculpture with Wellington sculptor Di Conway who was teaching us how to make ‘roly poly’ women. In the first 10 minutes of having my hands on the clay, I thought, “Oh I can do this! I like this!”
Charles Lyle
A PROLIFIC TALENT
A PROLIFIC TALENTBorn in Rotorua, Charles Lyle is a straight-up, 'look-you-the-eye-and tell-you-like-it-is' type of man. It’s all good. This multi-award winning Kerikeri-based artists reflections on a bygone era of cars, tractors and motorbikes takes one back to a time when things were somehow more simple and direct, quieter with none of the frenetic rush of the times in which are living right now.
Of course, there is a harsher reality Charles’ work, particularly in his interpretations of aeroplanes and ships from both World Wars and which have proved immensely popular to collectors of this genre.