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Beth McGill - Aotearoa Artist

Beth McGill

Beth McGill - Aotearoa Artist

BIRDS OF A FEATHER

"The freedom of bringing something to life, whether it be a spark in the eye of a little bird or bringing something out of my head and trying to replicate nature – this is what I love about being an artist."

While Beth’s children were small and she worked part-time, she completed a Diploma with Honours at the Learning Connexion in Wellington. “This involved a lot of discipline and time juggling and although I hadn’t really done any artwork since school, I could feel the creative passion waiting in the background. Completing that diploma with honours really unlocked the doors for me.”

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Melissa Wallace

Melissa Wallace - aotearoa artist

MY LIFE IS COMPLETE

Taupo Artist Melissa Wallace has had a journey of self discovery since having a chance discussion with a fellow mother at the net ball courts just over 10 years ago.

It was the seemingly standard question of “what do you do?” that started it all. The answer was “I’m a full time artist.” That day, and an invite home for coffee while a painting was being completed for a deadline, was the beginning of Melissa’s journey, finding her way home to that which makes her life complete.

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Sam Earp

THE CALL OF THE SEA

Despite drawing and painting landscape scenes and trees in watercolour since he was a child, a bad grade in the sixth form put Samuel Earp off pursuing a career in art and he went to university where he studied plant sciences.

Born in Guernsey, Samuel’s first job was in London. Not enjoying either London or earning much money, he took up painting again for something to do. He visited a gallery in Exeter and saw the amazing seascape by Cornish artist, Peter Cosslett.

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Colin Hoare

Colin Hoare - aotearoa artist

FAMILY PORTRAIT

Colin Hoare enjoys painting portraits. Family members, friends and better-known faces are all fair game for this self-taught artist.

Colin likes to work from photographs, saying he does not really like doing pictures of people posing or pulling a big smile. “I like it when they are relaxed and acting naturally. I think that it is a privilege to paint a portrait of someone and try to be honest,” he says. “I draw using a light pencil and then paint with a brush. I prefer painting in oil because the paint takes longer to dry than acrylic paint; this means that I don’t have to keep remixing my paint in order to make the same colour.

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Fiona Hayward

Studio Pic - Fiona Hayward - aotearoa-artist

GOING SOLO

Fiona Hayward was highly rated in two prestigious New Zealand art awards. Her works can be found as far afield as the USA and Australia. She is currently working on a new series of paintings of endangered species from around the world which, she says, will enable her to host her first solo exhibition.

Whilst a deep and profound love of nature lies at the core of her inspiration, it is a peaceful inner feeling of freedom and joy in creating a new artwork that drives and motivates Fiona to paint and draw. Although she has had no formal art training, Auckland born Fiona says her capacity to draw and paint stems from her mother, a talented artist in her own right, who encouraged Fiona from a young age to pursue her artistic bent.

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Mehrdad Tahan

Mehrdad Tahan - aotearoa artist

KNOW YOURSELF

From an early age Mehrdad Tahan had an interest in drawing and studied techniques used by the Old Masters. By the age of twenty, he had established his first studio where he taught drawing and calligraphy as well as exhibiting his own works.

In 1990 Mehrdad left Iran for New Zealand, which resulted in a pause in art while he improved his English and learnt about our culture. Family reasons dictated a move to Sweden, and a new culture and language to learn. 1999 saw Mehrdad return to New Zealand and settle in Christchurch.

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Kathryn Millard

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THE INNER ARTIST

It is an intense and intimate relationship and interaction with the world around her that feeds Kathryn Millard’s artistic soul.

“My life is about energy, rhythm and sensation, and translating that into a piece of art,” she declares. “It is about inventing the perfect technique, my own unique language for my response to nature. It is the experience of what I see happening all around me that stimulates me and gets me going, not the thing itself, that is the underlying subject of my work.”

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John Hodgson - aotearoa artist

John Hodgson

John Hodgson - aotearoa artist

THE LIVING ARTIST

After many years of working in the corporate world, John Hodgson completed a long transition to full time artist with his first solo exhibition at the Depot ArtSpace in Devonport in April this year. Representing seven years of work, a good number of the pieces on show sold over the two weeks of the exhibition which also saw some 600 visitors to the gallery.

Whangarei-born, John, whose very first painting was a self-portrait completed back in 1977, has had a long interest in art but says he ‘played around’ for years while in ‘corporate career mode’ here in New Zealand and in the USA. On returning to NZ in 2003 he says he became really serious about his own art while beginning with partner Mary, a modest collection of work by New Zealand artists.

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Rebekah Codlin- aotearoa artist

Rebekah Codlin

Rebekah Codlin- aotearoa artist

REAL EMOTION

Realistic art has been described as not only recording the subject matter truthfully but also avoiding artistic conventions and resisting idealisation.

Some of this rings true of Rebekah Codlin’s work but the more one looks at the images she creates the more ideals and raw emotions pour through, attacking your senses from all directions with poignant effect.
This she achieves through an intelligent use of light and colour. So whatever term one may use to describe her work, Rebekah’s art is certainly not tame but rather demands attention and scrutiny.

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Ron Stenberg- aotearoa artist

Ron Stenberg

Ron Stenberg- aotearoa artist

Award winning professional artist Jacky Pearson, speaks to one of New Zealand’s most enduring artists, Ron Stenberg, who marks his 95th birthday this month with a new solo exhibition at the Remuera Gallery in Auckland.

Ron is a former senior lecturer and head of department at the Duncan of Jordanstone College of Art in Dundee, was a council member of the Auckland Society of Arts, a painter for the Black Watch Battalion during their last days in Germany, and during the Cold War, and boasts a painting in the Queen’s private collection.

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