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Ken Tanner

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ROOM TO MOVE

Brought up in the London suburbs and having studied art as a school subject, an enthusiastic teacher encouraged Ken Tanner to maintain his interest in art, which he has done for over 30 years. Training as an engineer and then working in construction management, Ken found there was not much room for creativity in his daytime work, so art as a hobby became a welcome respite, giving his creative mind room to move. He moved to New Zealand in 1974 but busy with his wife and children, and his work, he only really started to paint in the 1990s. Since then painting has become a large part of his life.

Ken’s inspiration, he says, is mostly to do with the creation of an image, rather than trying to convey some political message. “I really enjoy the realism but I did an abstract course some years ago and I now also enjoy developing the realistic image into a more abstract form.  I have entered some of these paintings into the Howick Art Group’s annual competition and they have taken 1st prize.  One of the judges, Evan Woodruff, said that the work was more abstractionism than pure abstract.”

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Estefania Mondaca

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Born in Chile, South America, Estefania Mondaca is just starting on her artistic journey and we are pleased to introduce her work to you.

Estefania is currently studying for a Bachelors degree in Architectural Studies at ARA Canterbury. She has learned that all ways of creating achieve the same point, which is to create, whatever name you call it. Inspired by life itself, the things she sees that make her think or suprise her; she finds that in Chile the focus was on people, the human figure and a totally different landscape to New Zealand. Here she is inspired by the remarkable beauty of New Zealand’s terrain. “I normally go out and take photos, for example, the Heaphy Track on the West Coast, which was the first awakening for me to this beautiful country. I started to draw and paint what I saw. I think walking is a big inspiration for me, giving me an understanding of my feelings and perception of what I see.”

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Dylan Keys

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CREATIVE INTUITION

Self-taught artist Dylan Keys has been creating since he was a small child. “I always wanted to be a full-time artist but it was an unexpected series of events that led to it actually becoming a reality. Unfortunately, I’ve been in poor health for a number of years and one of the ways I cope with the pain and unpleasant sensations is to distract myself by drawing and painting.”

“A few years ago, I did a realistic charcoal drawing which caught the attention of leading motivational speaker Craig Harper, who is also a writer and educator in the areas of health, high performance and personal development. He shared my work with his online audience and I soon had a few commission enquiries coming in for charcoal portraits. Although my preferred style has always been a very loose and expressive one rather than realism, I decided to make the most of that momentum. I launched my website and social media pages soon after and I’m lucky enough to have been a full-time artist since.”

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Alison Gilmour

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VISUAL STORIES

Alison Gilmour has always been a visual person and able to draw. Part of her job as a graphic designer was illustrating and visualising with art markers. In 2001 she did some night classes at Mairangi Arts as a fun thing to do with a friend. “In one of the classes I started doing some still life drawings in coloured pencil. They were pretty good so I decided to go out and buy some acrylic paints, canvas and brushes and give it go. They were good, so I carried on and the rest is history.”

Alison finds inspiration is everywhere. How the light falls on an object or vista, how colours change with the light. Marvelling at nature’s detail and beauty, especially flora and the sea, she loves to note how weather affects them. “I thoroughly enjoy being able to express myself on the canvas and use my talent to create beauty, painting detail and sculpting my subject matter through light and depth to make the beholder overjoyed.” 

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