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Margaret Scott

Margaret Scott aotearoa artist

Photo by Pip Guthrie


PRIDE AND PASSION

When Margaret Scott got married, she started painting as a way to supplement their income. Early farming years were tough and she found she could sell paintings of Mount Taranaki to tourists and gift shops. “If I had a hundred calves to feed or four children to look after, I still found time in the evenings to paint. I am constantly thinking of the next painting and what I will paint. I live by the sea and spend lots of time walking, looking at the environment, taking photos and making workbook drawings. Gathering resources is a very important part of being an artist and a teacher.”

It has been a complete need, a passion and drive that has brought Margaret to this point. Having just published her first book, ‘Self-portrait of a Paua’ she laments about the lack of support from the government for artists. “We used to have a thriving arts environment, supported by local arts councils. I was chairperson of the Egmont Community Arts Council for over ten years and we had exciting projects, exhibitions and workshops, all government funded. There were four arts councils in Taranaki and it’s much harder to get funding from the local councils. There is virtually no funding available for solo artist’s ventures, for example, my book, which I had to fund myself. “I am very proud of this book, as it is part autobiographical, historical and resource. The students I teach encouraged me to do this as they felt I should reproduce pages from my workbooks. This makes the book a valuable resource for both teachers and students alike.”

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Barbara von Seida

Barbara von Seida - aotearoa artist

EXPRESSION IN COLOUR

My aim as a painter is to create images that reflect my personal interpretation of my subject. Painting is not really a creative act until such time as the personal judgment and emotional reaction enters into it. In my opinion the ultimate aim of an artist is not to produce a record of something, rather to establish a personal view with a deeper narrative beyond the surface. What a painter feels is more important that what he or she sees. My work starts with a strong feeling and ends with an expression.

Raised near Dusseldorf, Germany, Barbara trained for five years in Art and Design, three years in textiles and two years in product design at University of Applied Sciences in Krefeld. She worked as an employee for, amongst others, the international company Vereinigte Seidenwebereien A.G. (United Silk Weaving Company) in Krefeld, and later, as a freelance fabric designer. In early 1984, Barbara migrated to Bantry Bay in County Cork, south-west Ireland where she opened the Country House Gallery featuring her watercolours, which in a short time were much sought after with both the local population and overseas visitors alike, culminating in her being invited to exhibit at the Royal Hibernian Society in both 1988 and 1989.

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Lynn Webb

Lynn Webb - aotearoa artist

EXPLORING THE COAST

“Waves, rocks, reflections on the sand, boat sheds reflecting on the water - these are my inspiration,” says Lynn Webb, oil and watercolour artist from Tauranga. “Having grown up in the small untouched coastal settlement of Tongaporutu, within the crumbling cliffs and the black reflecting sand amongst the waves and rocks, fills me with an exciting inspiration to capture the many moods of the coast, the sea and the never ending procession of breaking waves.”

Not having had any formal training, Lynn says she has been creative since she was little. “Even as a child I loved to draw. I guess as the years have gone on the urge to paint became stronger and so it began.” Inspired by the likes of Richard Robinson and John Crump, Lynn prefers a loose style of painting, often using a palette knife to capture light and colour in her work.

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Ian Given

Ian Given - aotearoa artist

FROM THE BOAT HOUSE

In 2010, after being in business for 30 years, manufacturing aluminium windows and supplying hardware, both retail and wholesale, Ian Given - a keen photographer - decided to begin painting. He signed up for lessons with Sue Dent, a recognised Tauranga artist, and has never looked back.

Spending many years looking at and enjoying other artists work, Ian always had a niggle in the back of his mind that he could paint like that if he tried. Some of the most influential artists in Ian’s artistic career include Tim Wilson for his attention to detail and the way he portrays mist and clouds, John Crump for his ability to paint plein-air on large canvases and the depth he manages to portray in his paintings and Richard Robinson for his loose brush work, the ability to control his colours and his talent with adjusting scenes to ease and balance up his composition. Preferring landscapes, seascapes, boats and architecture as his subject matter, Ian also takes commissions. Currently he is doing a commissioned painting of the Pungapunga estuary at the northern end of Whangapoua Beach. He is also working on a group of scenes of the coastal areas around the Coromandel. Both of these areas are firmly in Ian’s favourite list. 

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Patrick Greene

Patrick Greene - aotearoa artist

TAKING A RAINBOW FOR A WALK

A master watercolour artist, draughtsman and recipient of many awards, James Patrick (Patrick) Greene sadly passed away in October 2014.

By Barbara von Seida

In the 1950’s, he trained as a cartographic draughtsman with the Lands and Survey Dept, which was interrupted for two years whilst he travelled his big “OE”. During this time he was actually shipwrecked in British Guyana. His love for art took him to the great museums of the world which left a big impression on him and a desire to become an artist.

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Katrina McGettigan

katrina-mcgettigan-aotearoa-artist100 BIRDS IN 100 DAYS

The New Zealand Artist Magazine first met Katrina McGettigan at the Christchurch Art Show 2015, where, in awe, we watched her paintings sell like hot cakes. Katrina is an established artist in the Canterbury region. At that time she worked as a full-time pre-school and art teacher, inspiring young artists to fulfil their artistic talent. By night she spent her time painting.

Recently Katrina completed the colossal challenge of painting 100 birds in 100 days. “I had heard about the challenge and was inspired by other artists who had completed the challenge in previous years. So I thought it would be a great thing to gain a little more exposure, help with my technique and give me something to aim towards each day.”

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Caley Hall

Caley Hall - aotearoa artist

HALL OF ART

With many trials overcome, and no formal training Caley Hall is finding that being a professional artist really suits him. “Working as an artist has changed me. I’m a caring, giving type of guy - take with one hand give with the other. I’m happy with my current situation, it’s always new and exciting each day.” Caley tells us his story.

I become an artist by starting a gallery and having an interest in other artists styles and way of life. I have painted with a few known NZ artists and honed my skills that way. My biggest motivating factor is the stress relief that painting as a professional full time artist gives me. This new life, of course, comes with a list of new stresses but they are mild in comparison to the life I lead before becoming an artist.

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Jamie Larnach

Jamie Larnach - aotearoa artist

MOVING FORWARD

At the age of 13, Jamie Larnach overheard his father talking about a guy he knew as a teenager, who had a gift for drawing but never did anything with his talent. He thought that was a travesty. “That’s stuck with me all my life. I try to make the most of my talents. I have been fortunate enough to be surrounded by insanely creative and passionate people and they’ve always inspired me to keep moving forward and creating.

Inspired by New Zealand’s environment and the patterns that occur in nature, by geometry, coral, Arabic mosaics, and ancient architecture, I have been making artworks for 22 years, including music, jewellery, sculpture and festival dressing. In 1991, immediately after finishing high school I was pre-enrolled at Law school at Waikato University.

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Mike Greenwood

Mike Greenwood - aotearoa artist

CRIKEY! IT'S MIKE GREENWOOD

A larger than life, grumpy sweetheart with a brilliant sense of humour, Mike Greenwood started drawing and painting at the tender age of 12. In school, he was only ever interested in art and sport and has been actively pursuing these passions for 64 years.

Mike left school at 15 and played football until he retired aged 33, intending to be a full time artist. As all artists do, Mike found it hard to exist on the income from his art and decided to start his own domestic fencing business. In this business, he not only did fencing, but retaining walls, decking and landscaping, designing all jobs himself.

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Donna Lee

Donna Lee - aotearoa artist

INNER CREATIVE DESIRE

I’ve always dabbled with art whether it being sewing, painting, jewellery and so on but it stepped up a gear when my mother, Janice Corbishley, purchased the Red Peach Gallery in Ahuriri, Napier. I began creating jewellery from fine bone china and created a brand ‘China Horse’ which I sell in there. After meeting Brent Redding through the gallery I took up painting lessons and started to put in the long hours of practice behind the scenes while still selling the jewellery. Then in 2013 I held my first solo exhibition and since then have focused on painting.

I paint and create because of a great inner desire to do so. When I paint I feel happy, free and connected! It allows me to choose a lifestyle of freedom, expression, travel and happiness which I cherish above all. The motivation comes from many avenues but is mainly an internal drive to achieve the very best I can be and to attain this lifestyle I have created for myself.

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