Jocelyn Friis
SELF-TAUGHT SUSTAINABILITY
Jocelyn Friis went to a Steiner school in South Africa, where creativity is a part of everyday school life. This set the foundation for her creative life. “I have always loved to create. I believe strongly in pursuing what you love but it was only during my ‘mid-life’ years that I truly found my way in art. I realised I was not living true to myself. I am now free to express what I cannot with words. I love the freedom of intuitively laying down paint on the canvas. I see so much intertwining between painting and life – so many lessons to learn.”
Her biggest obstacle has been her mindset. “I have really had to work on believing that my work is worthwhile and contributing to the good in this world. Professionally, it is always a challenge to stay on top of things, stay visible and market myself. Perseverance is key and being able to take the losses with the gains.”
Carol Moffatt
I gather ideas and inspiration from the natural environment of New Zealand: the trees, mountains, water, plants and flowers. My paintings strive to capture the wonders and mystery that surround us.
I love using oils because of their strong colours. In addition, I use transparent colours as much as possible because they vibrate in the light. Combining brushstrokes with music in my head, I create my world on canvas.
Jennifer Stebbings
PROLIFIC DETAIL
Born in Motueka, New Zealand, Jennifer Stebbings didn’t have any formal fine-art training, however she did go to Christchurch Polytech for a year, doing visual Communications. “I have always loved painting and drawing from my first memory. I went into commercial art thinking fine arts wasn’t really an option for a ‘real job’ I always knew that art in some form would be my only path.”
She moved back to New Zealand, from England in 2014, and for the first time, circumstances allowed her to pursue painting full time. Her biggest obstacle was confidence: “I battled to have confidence in my product with no apologies. I had my first exhibition when I was about 18, and an art critic said my path is in design as I have no knowledge of colour. I probably didn’t, but I was gutted. Now I would think, well, that’s just your opinion which you are entitled to. Thats not to say I wouldn’t take criticism on board, but it wouldn’t bother me now.”
Tut Blumental
Born in Israel, Tut Blumental has been passionate about art from a very early age, exploring and working with different methods and mediums. After graduating from Avni Institute of Art and Design, Tel Aviv, Israel, in 1994 she started work as a graphic designer in advertising agencies but continued painting in her spare time. In 2006, after immigrating to New Zealand with her family, she decided to follow her dreams and be a full-time artist.
Born in Israel, Tut Blumental has been passionate about art from a very early age, exploring and working with different methods and mediums. After graduating from Avni Institute of Art and Design, Tel Aviv, Israel, in 1994 she started work as a graphic designer in advertising agencies but continued painting in her spare time. In 2006, after immigrating to New Zealand with her family, she decided to follow her dreams and be a full-time artist.Tut’s overwhelming pleasure comes from the joy of expressing her feelings through painting and the ability to share it with different audiences and lighting up their day. Over the years, she has learned to listen to her inner voice as well as different ideas and opinions. “I open my mind and keep believing in myself even when the road doesn’t always go as planned.
Gaylene Lonergan
SILK
SILKGaylene Lonergan was taught the art of painting on silk by a master silk painter in Bali, Indonesia around 30 years ago. Since that time, she has further refined her learning and experimented extensively, adding many techniques in an effort to enhance her art. Gaylene tells us how she came to be where she is today.
I had always harboured a desire to be an artist, but did not know where to start. Serendipitously, my husband and I were travelling in Bali and I saw an opportunity to try my hand at silk painting under the guidance of a master silk painter. I developed an immediate connection with the medium and following a few lessons, I returned to New Zealand determined to continue with my newly found skills – I was hooked. Once I saw how people reacted to the work I had completed, I felt empowered and wanted to repeat the experience. Putting a smile on people’s faces when they attend an exhibition or purchase one of my works provides me with the ultimate satisfaction and the motivation to continue to produce works in my own style.
Pam Crowther
PAMELA'S SOUTHERN SYMPHONY
PAMELA'S SOUTHERN SYMPHONYArtists continually strive to bring a piece to life, to fill a canvas with something that personifies a thought or represents a feeling. For artist Pamela Crowther, this is the earliest part of the process. Just as a songwriter starts with no sound and starts with one part of an arrangement – as an artist, Pamela has to start somewhere too.
by Matt Mortimer
“I begin with the largest shapes filling in dark and light areas, usually in one colour, mainly using a brush for this. I’ll then place another three or four colours to start with, using retarding medium on palette – then it’s mix and begin. My technique varies considerably. I basically follow my instinct.” This instinctive approach works well, as she then branches out into the work, on the way to a sometimes-lengthy process to create each work. “Colour, colour, colour – the desire to change the blank white space into some exciting, thought-provoking or sometimes just decorative. Starting the painting takes courage and the need to prepare yourself for mental stimulation and then, near the end of the painting, dealing with exhaustion.”
Gwyn Hughes
NATURAL PROGRESSION
NATURAL PROGRESSIONGwyn Hughes’ father and grandfather used to paint and it was a natural progression for him to become an artist. Gaining a National Diploma at Wrexham College of Art, Wales between 1980-1982, he was excited to explore his creativity and find his own path and as most artists do, he took inspiration from all of the great artists he came across. Gwyn tells us his story.
I first came to New Zealand in the 70s through a joinery internship. I joined a band, secured a couple of residencies in Christchurch and stayed for five years. After moving back to Wales from New Zealand, I would pop into a gallery run by a local artist, David Williams. I started to draw birds and local landscapes, and paint watercolours, and I was encouraged to pursue the arts as a career. I completed my four-year Illustration and Design Diploma in two years. I have never been a great one for entering exhibitions or awards but know as an artist it’s how you put yourself out there. I have been very lucky throughout my art career and I have received loads of support from family and friends who have always offered encouragement and critique.
Lorna Allan
A PASSIONATE PROCESS
A PASSIONATE PROCESSOtautau Gallery in Southland and The Artists Room Fine Art Gallery in Dunedin are a far cry from Alaska, such is the range of locations and distance the artwork of Lorna Allan has travelled. “I have paintings in Alaska, other parts of the US, Australia and the UK.”
From simple beginnings of chalk on a blackboard, to what you see today highlights years of experience and expression. “I have had no formal training as in art school. In those days education for girls was considered a waste of time and money as we would only get married and have children. I recall clearly the first day I started school at High Street School, Dunedin. The teacher gave me a piece of chalk and I was allowed to draw on a board with my name on it while she got the other children onto their work. When I had finished, I took the chalk to the teacher to give it back to her. She said, “Oh no dear. That’s yours for always as long as it lasts”. I was overwhelmed with her kindness as I had been told I was to learn reading, writing and numbers and not to play around with “that rubbish” at school.”
Pam Mundell
BETTER BY THE DOZEN
BETTER BY THE DOZENAn evening with friends, a little wine and some chat. Sounds like a typical night, anywhere across New Zealand. What started as one such evening for artist Pam Mundell, triggered a journey into the world of art, starting her down a road that hasn’t reached a destination yet. In her case, this was an evening with friends that changed everything.
“I began painting 12 years ago, purely by chance, so having formal training never occurred to me. Maggie Cross, a Whangarei artist, invited a few friends round to try out painting. She put a wineglass in my left hand (and kept it topped up), and a paintbrush in my right. It was so much fun I haven’t stopped yet, although the wine had to go!” After being caught by the irresistible pull of creating works herself, her inspiration is all around and conveniently for Pam, mostly close to home. From the wonderful scenic spots she’s resided in, or places she’s visited, there is no shortage of things to paint or creations to come to life on her canvas. Like a lot of travellers, Pam has a camera in tow to capture locations and scenes for later works.
