skip to Main Content
Menu
Featured-raewyn-harris-aotearoa-artist

Raewyn Harris

raewyn-harris-aotearoa-artistKORU CREATIONS

By Matt Mortimer

We are spoilt across our wonderful country with such natural wonders and beauty right on our doorsteps – or a short drive away. Napier-based artist Raewyn Harris utilises this, camera in hand, to be reproduced later as beautiful watercolour paintings. 

“My creative soul is driven by daily walks on the beach, around our local estuary, walks in our native bush and in forests, enjoying our lakes and rivers, mountains and spectacular landscape features in New Zealand. All the while I’m challenging myself to learn new techniques and skills. My camera is always with me when out and about and the photos I take provide a rich source of ideas for my paintings. Trips overseas also provide photographic opportunities.” A natural ability and experimentation with materials shine through with accolades coming as early as her pre-teens. 

register and subscribe

Subscribe Today

Read More
Featured-romuald-rudzki-aotearoa-artist.jpg

Romuald Rudzki

romuald-rudzki-aotearoa-artistTHE FIRST PREALIST

Inspiration to create art is drawn from various areas for each artist. For Manawatu-based artist Romuald Rudzki, his motivation stems from a rebirth of colour, following a tragedy.

“I have painted since childhood but did not take up my place at art college when I was 18 as I was advised that I would “end up as an unemployed artist.” In 1988 I was in a head-on collision with a drunk driver which left me blind for several months with retinal detachments, as well as a spine fractured in two places. When I eventually regained my sight, I was struck by how each colour is so different from any other, for example, blue cannot be described in terms of red. I therefore started painting again.”

register and subscribe

Subscribe Today

Read More
Lazy Sunday-barbara-uini-aotearoa-artist.co.nz

Barbara Uini

barbara-uini-aotearoa-artist.co.nzMostly a self-taught artist, Barbara Uini also studied illustration for a year at the Chisholm Institute in Melbourne, Australia. Serendipitously she happened to find an old tin of watercolour paints at the back of a dusty cupboard where she lived and at about the same time, was gifted a subscription to a monthly art instruction magazine. Barbara began to fill up any snatched moments by teaching herself to paint. The magazine had lessons for a range of media, but she focused on the watercolour tutorials at that point, because that was the art material that she had access to. And that is how she became primarily a watercolour artist. Barbara expands . . .

Becoming an artist has really been a lifelong process for me, and I love the fact that you are never finished learning and challenging yourself in art. I have always loved to draw, but I really began to take my art seriously about 25 years ago when I was a stay-at-home mother with pre-schoolers. I was enchanted by some of the illustrations in the books that I read to my children, and the realisation that I really wanted to be an illustrator is what set me off on my artistic journey. I was attracted to illustration because I love books and storytelling and the idea of telling a story visually really appealed. I also love the idea of working to a brief whilst still having licence to add nuances to a children’s story that are not contained in the writing.

register and subscribe

Subscribe Today

Read More
Wise Owl-carla-sclanders-aotearoa-artist

Carla Sclanders

carla-sclanders-aotearoa-artistBLESSED INSPIRATION

Born in South Africa and immigrating to New Zealand in 2020, Carla Sclanders is inspired by God. “He has blessed me with a gift and I am driven to portray a glimse of His Glory in all that I am able to create.”

She began with a pencil portrait of her daughter and was so pleased with the result that she began to do more family portraits. “My passion for art grew with every artwork I created especially once I started experimenting with colour pencils. Posting pictures of my artwork on Facebook lead to people contacting me for commissions and so my hobby turned into a part time job.”

register and subscribe

Subscribe Today

Read More
Featured-audrey-anderson-aotearoa-artist

Audrey Anderson

audrey-anderson-aotearoa-artistALWAYS AN ARTIST

Audrey Anderson grew up in a home where both her parents would draw and practice art. “When visiting my grandfather, he would show me how to harmoniously work with water and colour. It was a normal part of life I suppose, like eating or sleeping.”

“I have always been an artist; I don't think there was a time in my life where I ended up doing it. I have just always done it. It's my career, it's my livelihood. The funny thing is there have been times in my life I have thought about changing my career path, but then something from the arts industry would call me back again, and I would cancel my plans and just continue being an artist again.”

register and subscribe

Subscribe Today

Read More
Featured-fiona-ehn-aotearoa-artist Copy

Fiona Ehm

fiona-ehn-aotearoa-artist copyINTERVIEW WITH FIONA EHM

How did you end up being an artist?

I’ve always had a deep motivation to create. Early on I pursued classical piano as my creative outlet – but found so many creative pursuits gave me joy and eventually visual arts won out as my primary form of expression.

What was your biggest motivating factor for you to pursue a career as an artist?

Creating art is deeply fulfilling. Currently, my primary career is in the Financial Services sector, however exploring my creative side remains so important to me. It keeps me balanced and grounded, and brings so much joy. There is nothing more rewarding seeing someone’s face light up when they find a piece that they connect with.

register and subscribe

Subscribe Today

Read More
Featured-fiona-garlick-aotearoa-artist

Fiona Garlick – Sculptor

Sometimes it takes a global pandemic to shift your thinking.

Covid-19 and the visceral fear of the unknown that ensued in the early days of New Zealand’s lockdown took sculptor Fiona Garlick right back to her previous career as a documentary film maker, and a film about the Black Death that swept through medieval Europe. With no orthodox medicine or doctors to speak of, people were superstitious, full of fear, and relied on talismans, incantations and lucky charms to ward off illness.

register and subscribe

Subscribe Today

Read More
Violin-in-the-trees-naga-tsutsmi-aotearoa-artist

Naga Tsutsumi

naga-tsutsmi-aotearoa-artistBy Carly Thomas

Naga Tsutsumi works from a small studio in front of his suburban Palmerston North house. Just down the road the Manawatū river flows and beyond that is a stand of totara trees that he walks through regularly.

Naga has lived here for 14 years but still he says, within his work his Japan-ness murmurs. This intrigues him - this otherness and a new series of work is an exploration of identity and what it means to be ‘NZ made’.

register and subscribe

Subscribe Today

Read More
Three-generations-sheelagh-mchaffie-aotearoa-artist Copy

Sheelagh McHaffie

IN FOR THE RIDE

A self taught artist, as her mother was, Sheelagh McHaffie has embraced her self discovery to art as a blessing, considering it a unique way to approach her passion.

Sheelagh was always drawn to the arts. As an only child in a pre-digital world, she would often just sit, observe her surroundings and draw. Having had a hiatus from her artwork for 20 years, after losing her mother and raising a daughter with ASD she found there were too many pressures to continue. “At the beginning of 2019 I was officially homeless. I had separated from my husband who was living in Australia, and had not enough means to support myself. I returned to NZ with my two children, aged 4 and 18, and the bags on our back. My mother passed away in 2005, so I was very much on my own. I had to overcome my own fear, guilt and judgement from others, and truly trust that I knew what was best for me. Starting over forced me to evaluate my life, I had finally been brave enough to put myself first but there was a huge hill to climb.”

register and subscribe

Subscribe Today

Read More
Sibling Rivalry-aotearoa-artist-rosemarie-murphy

Rosemarie Murphy

aotearoa-artist-rosemarie-murphyPLAYING WITH LIGHT

As a child Rosemarie Murphy always loved drawing and spent most of her pocket money on art materials, but it wasn’t until she was in her thirties that she started to try other media and materials. “I have dabbled in acrylics, watercolour, pottery (hand-work mostly) and silk dyeing, but pastel is the one that I have worked at the longest. I was introduced to pastel by Maxine Thompson, Master Pastelist in New Zealand. My sister, Raewyn, invited me to one of Maxine’s workshops and like so many of Maxine’s pupils I was hooked.

Having had no formal training, Rosemarie learned by attending many workshops - some in watercolour and acrylics, but mostly in pastel. For a long time family and milking cows stopped her from making art full time and she would attend a workshop and then put her work away until the next one. “This is NOT the way to improve,” she states adamantly.

register and subscribe

Subscribe Today

Read More

You cannot copy content of this page

Back To Top
×Close search
Search