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Caitlin Johnston

caitlin-johnston-aotearoa-artistSELF-TAUGHT BY THE SEA

By Matt Mortimer

It is said that if you make a job out of what you love, you’ll never work a day in your life. For self-taught artist Caitlin Johnston, this saying is her reality.

Being self-taught brings forward a love of creating things, having to channel your inspiration into your work. Whether it is our surroundings or environment, our current state of mind, or our emotional state. Having to be her own teacher is clearly not something that has held Caitlin back, and she offers this advice for those thinking they have to attend a school to get better, instead instilling a solid work effort in the creative space being more advantageous.

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Debbie Cleland

debbie-cleland-aotearoa-artistA PROMISE MADE

Brought up around the Otago Harbour area of Dunedin, Debbie Cleland distinctly remembers being out on a walk one day as an 11-12 year old and coming across a gentleman who had set up his easel on the water’s edge at Carey’s Bay. She was very curious to see what he was painting, and crept up quietly to peer over his shoulder. Immediately fascinated at how the watercolour paint flowed from his brush on to the page, creating the most beautiful watery reflections, she promised herself, “One day I will paint with watercolours like this man.” Many years later she attended a weekend art class lead by Barrie White. This experience motivated her to finally start painting, fulfilling her promise, the results of which can be seen below. Debbie explains . . .

I feel like my career has just begun. Over the years there has been little time for me to pursue my passion for art, due to raising a large family of four, (and all that entails), so I have not been as productive as I would have liked. There has been no specific space for creating art, except for the kitchen table. However, I now have a designated room in our home where I can work in solitude. I will soon have a lot more time to pursue my creative side as I intend to retire in September this year. This is a huge motivating factor for me to really get stuck into producing more works.

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Coral Noel Yang - Aotearoa Artist - The New Zealand Artists Magazine

Coral Noel Yang

Professionally trained in film production, giving her a solid foundation in visual language, storytelling, colour theory, cinematography, and lighting amongst other skills, Coral Noel Yang’s predominant painting training comes from her mother who is a premier painter in Taiwan and also from various classes she took throughout the years including a Master of Fine Arts (Cinema-Television Production) at the University of Southern California, USA and Art History at the Whitman College, USA, amongst others. She tells us about herself: 

I was very fortunate to grow up in an artsy family – my Chinese dad was a professor and my Japanese mom is a painter so I grew up immersed in a strong love for arts and literature, which continues to develop. With a passion for storytelling and visual arts I chose my professional pathway as a filmmaker. After earning an MFA in Cinema-TV production from the University of Southern California I embarked on a rich creative journey involving living and traveling in different countries, directing and producing films, TV commercials and children’s television.

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Tammy Gabriel

tammy-gabriel-aotearoa-artistFINDING IDENTITY

By Matt Mortimer

The great Roman philosopher Cicero was credited as saying; “The face is a picture of the mind, as the eyes are its interpreter.” These words seem to resound beyond a quotation and take on a literal meaning for Albany-based portrait artist, Tammy Gabriel.

“I get inspired by photos of interesting compositions, but mostly ones that show expression on faces. My goal is to capture that expression in my painting. I love photos of interesting body compositions creating unique shapes too,” she says. “Individualism has been an area of interest to me my whole life and I am drawn towards uniqueness. I try to capture a person’s individual personality through my paintings.

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Rachel Barber

rachel-barber-aotearoa-artistLOCKDOWN LIMBO REVERSED

Rachel Barber is an inspiration to us all. With her enthusiasm, self-discipline and drive she took the economic and psychological impact of a COVID19 lockdown job and home loss, and turned the situation around into an opportunity for artistic growth and self-employment. And what an opportunity she created! Rachel tells us about it . . .

After I left school, I studied Digital Photography at Raffles College of Design. I have always been an artist, but I always worked as well. I was in such limbo when lockdown happened, I had lost all my work overnight due to COVID and moved out of my flat the day of lockdown. So, I was really faced with the reality of a ‘blank canvas’ in my life. I just knew I wanted to paint every day, that it was my dream job and my passion. So, the biggest flex was just saying to myself – I’m going to do this thing! I came to the realisation “I literally have nothing to lose right now.

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Jenny Konz

jenny-konz-aotearoa-artistTHERAPEUTIC TALENT

The first time Jenny Konz picked up a pencil to draw with, was in 2009. She maintains there was never a 'plan’ to become an artist. She resorted to drawing to ease the ache in her heart from her daughter and granddaughter living so far away in America.

"I went over to America for the birth of my first grandchild as my son-in-law (GI Joe) was doing a tour in Iraq. It tore my heart in two when I had to leave this beautiful little bundle and come back home. His second tour was when she was two years old, and my daughter and granddaughter came to New Zealand for a holiday. I fell in love with this bundle of joy all over again and my heart seriously broke when they had to leave. I struggled to cope with the loss and decided to pick up a pencil and try to draw her from my favourite photo, thinking that it would be good therapy for me. I had my Aunt Margaret who lived in Christchurch who was an artist (Margaret Hudson-Ware) so I sent her my drawing for some feedback and this is what she said… "What a lovely drawing! You have caught the most important part of any drawing, which is the spirit of the work. Alex looks unsure, uncertain what is happening. Well done Jenny!!! The hair is very soft and babyish and wispy . . . good work here. Hands are a nightmare. These hands are very sweet and very young . . . good work again. (I think of them as a bunch of sausages). Lop-sided is real, too symmetrical often looks artificial - a bit of good work. Just keep going."

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Sally Spicer

 

sally-spicer-aotearoa-artistSally Spicer’s portrait art is imbued with a vintage sense of drama, intrigue, and intimacy. Her pathos evoking images provoke simultaneously hopeful and wistful emotions. She recently described to us her approach to art.

The most important thing I have learned is to follow your instinct with your art. Critique from external sources is valuable, but you need to stick to your decisions if they feel right. I loved to draw from a very young age, favouring depicting people right from the start. I was really lucky to have incredibly supportive parents, who recognised my passion and helped to steer me in the right direction. My grandmother was a talented artist, as are my Dad and my aunt. 

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Tracey Coakley - Aotearoa Artist

Tracey Coakley

mug-shot-tracey-coakley-aotearoa-artistTracey Coakley’s narrative work explores the human emotions of mental health issues, growing up, pre-teen and understanding the transition from child to teenager and still retaining your own uniqueness. Using herself and her family as models.

“I love making art and exhibiting it. I’ve always been making art, creating and drawing, since I was a child growing up in Melbourne. I used to open-up paper shopping bags and draw murals. I had an amazing art teacher in the last two years of high school who introduced us to the world of art, not only in the classroom but also the occasional field trips from the country to city galleries and the National Gallery of Victoria and art lectures. It was always the subject I enjoyed the most and excelled in. 

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Lynn Isherwood - Aotearoa Artist

Lynn Isherwood

Lynn Isherwood - Aotearoa Artist

THE CREATIVE FLOW

Lynn Isherwood uses the old as time ceramic technique of hand building to create flowers, animals, birds and creatures for people to enjoy. Her calling is to create, to make, and to then close the loop by recording, and reflecting on, the outcome. This is her passion.

“I have been keen on art all my life. I love making; it is my passion. I believe that there is a spiritual creative force which encourages, inspires and uplifts me. I am happy when people buy my works and take them home to enjoy them in their daily lives. I am happy in my studio when I am in a creative flow… or just thinking and playing with my art. My aim is to develop more skills and confidence in painting and pottery – to be able to express myself more fully. 

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Natalie Gelder Aotearoa Artist

Natalie Gelder

Natalie Gelder aotearoa artist

PRECIOUS MOMENTS

In 2020, Natalie Gelder was a busy, pregnant mum with a two-year-old toddler. As a result, most of her art was created at night by the light of a daylight bulb. But the journey into motherhood has also given her a wonderful new subject matter, “one that I am full of love and enthusiasm for”.

Becoming an artist, for me, has been a personal creative development process from a young age. My biggest motivator was my dad. He encouraged me in the right direction as an artist, together with building a creative and supportive family environment. I started going to fringe art association meetings in England with my Dad when I was still really young, around 12 years old. I did AS level Fine Art straight out of school, and then two years of studying at art college from 2010. 

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