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Daniel Carter

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Oriental Dragon, 1200 x 800mm, Blowtorched on wood.

DESIRE FOR CREATION

The closest Daniel Carter came to formal art training would have been extension art classes and graphic design throughout intermediate and college years. “These classes were taken above my selected art classes, as the art teachers noticed I had an interest and above level ability for my age group. I left college at an early age to become a car painter, which ultimately led me towards the automotive artistry of airbrushing.”

The artist life started for Daniel at a very early age, “As a young child my parents encouraged my artistic abilities. By year two of primary school, my father Roger would sit with me for hours, teaching me how to draw realistic people, muscle cars, fighter planes, architectural buildings with two-point perspective etc. We didn’t have much but wherever I went I would have a small pad and pencil, taking inspiration from my surroundings, nature, birds, people, cars, buildings, that sort of thing.

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Sonya Prchal The NZArtist Magazine

Sonya Prchal

Sonya Prchal

PAINTING WITH THREAD

Originally from Pukekohe and now based in Whangarei, Sonya Prchal has always loved art and has drawn and painted from a young age. “I started working with textiles in 2003 and first entered works in our National Quilt Symposium in Wellington in 2009. When four of my works sold, I was encouraged to create more and started teaching fabric painting and stitching at the next Quilt Symposium in Queenstown, at subsequent symposia and tutoring classes throughout New Zealand.”

Sonya has always managed to fit in daily practice in her studio, but has only recently been creating on a full time basis. “I love making works that draw in an audience and start a discussion. I enjoy commission work, and take great pleasure seeing joy on the faces of people when they receive their favourite pet replicated with thread.” 

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Ashley Mcdonald

Ashley McDonald 2023

Ashley McDonald The NZ Artist

CONSCIOUS PERSPECTIVE

Self-taught artist Ashley McDonald was published in a ‘Youth Art’ article in The New Zealand Artist Magazine in July August 2016, and has continued on with her remarkable journey. Seven years later she catches up with us and in her own words, tells us her story.

My artistic journey began by accident. When I was in my early teens I would paint and draw for school homework (or just for fun). I’d draw things I was interested in - such as birds and fish. One day I painted a portrait of my pet Siamese fighting fish. I posted the end result online to a group of tropical fish enthusiasts. Almost immediately I had comments asking me whether I would take commissions and if I could ship internationally. It was quite overwhelming, as I was in my early teens at the time - I had no idea if I could even send art outside of New Zealand. My first commissioned piece was completed at age 15 and was shipped to the United Kingdom. My artistic career snowballed from there. Once my first commission arrived in the UK, the owner posted the piece online, bringing more queries and future commissions. Before this, I had never thought about selling my artwork.

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Sheree Foster

Sheree Foster Aotearoa Artist Magazine

SHEREE FOSTERS ARTISTIC JOURNEY

By Ben Lavin

Sheree Foster has always been involved in one way or another with creative things. Before becoming a full time, self-taught artist “...graduating from the school of Life’’, she was in Banking, Event Marketing and then, after having her family, a Design Build Consultant, with interests in photography, floral, and landscape design. She actually never considered becoming an artist until a visiting friend observed a piece she had created lying on a table and then asked her what gallery she had bought it from. She was quite taken aback to hear that Sheree had made it and after learning there were no plans for it she promptly decided to buy it on the spot. It now hangs proudly on their wall in their new contemporary beach house in Waihi Beach - all two metres of it, and recently been joined by piece number two another two metre monster. Thus began Sheree’s adventure as an artist which she admits was a bit of a crossroads in her life. What should she do next? 

After doing several weddings and seeing the wastage of flowers for one day she decided she wanted to create something from this and the idea came to her of repurposing floral waste into all sorts of art pieces from wreaths to busts of heads, all in pre-loved flowers and often with a vintage flair. The enjoyment of creating this art, as well as the pleasure of seeing one of her pieces in its forever place, was what really motivated her to keep going. 

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Bec Robertson

bec-robertson-aotearoa-artistAVIAN AFFINITY

Bec Robertson’s grandmother and her grandmother’s sister were painters in their retirement. Bec’s grandmother also wrote and illustrated poems and stories, “As a kid I also wrote and illustrated A LOT of ‘newspapers’. I would make up fanciful news stories and pictures then sell ‘the paper’ to my dad for lolly money. I soon learnt that I could resell the same articles to my other family members for more money for lollies! I loved showing them new pictures and ideas and getting their feedback.”

She tells us more: “I have loved being creative for as long as I can remember. As a young child I had a cupboard in the kitchen under the bench where I kept all my treasures, little bottles of crayon sharpenings, paper cut outs of anything which took my fancy, matchboxes full of strange found objects - I think a few unfortunate forgotten lady bugs and a caterpillar died as a result of my match box obsession.”

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UK Artist Tony Feld

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Painting a variety of subjects from buildings to wildlife, keeps Tony Feld busy.

“But my method is very much the same no matter what I am painting,” he says. “I usually square up a picture, so draw a grid on a print of a photograph I am working from. I transfer that onto the surface I am working on and go from there. Quite often a complicated painting can take anything up to a month to draw out, even before I have started painting.” Tony’s painting of a leopard took a month to draw out and another five months to paint.

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Lacey Middleton

SYMBOLIC DETAIL

With a diploma in Creative technologies from WelTec, Lacey Middleton began painting seriously when her twins were babies
as a way to earn extra cash while looking after her three young children.

“Art was something I was naturally good at, and it brought in extra income. My realistic paintings seemed to sell as fast as I could make them, and word of mouth sales meant I began to have commissions come in. I also studied art history for seven years, and adore the renaissance and impressionism styles. The work of great artists, like Monet, never ages.”

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Praying For Time-andrea-robinson-aotearoa-artist

Andrea Robinson 2022

Drawn to painting native birds and flowers from a young age, Andrea Robinson’s first sale was as a teenager when a friend bought one of her drawings for a few dollars. “I started to sell my drawings and designs on pillowcases, tablecloths, and tee-shirts. As an adult I continued to paint and draw around my office job and family. I started selling professionally in 2015 and I now sell my artwork through galleries and art shows.” Featured in The New Zealand Artist Magazine before, in 2017, Andrea has caught up with us and tells us where she is now.

Creating artwork is as important to me as the air that I breathe. It is the language I use to tell my story, to celebrate nature, and to raise awareness of environmental issues. This has always been my biggest motivating factor. Three exhibitions I am particularly proud of include exhibiting work in The Garzoni Challenge, curated by the Uffizi Gallery in Italy; receiving two excellence awards through Manhattan Arts International, New York, and receiving a Special Recognition Award in ‘All Women’ Art Exhibition 2022, in Santa Fe.

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Sue Laursen

sue-laursen-aotearoa-artist-the-new-zealand-artist-magazine.jpg

TURNING THE LIGHT ON

As the first thing Sue Laursen thinks about when she wakes up and the last thing she thinks about when she falls asleep, the urge to create has always been very strong for her. “I very quickly realised art was connected to my mental wellbeing and as I was brought up in a generation where I was not allowed to show my thoughts or emotions, by the age of 16, I was using my art to tell my story.” 

When she was 16 she was a member of and had her work accepted at the NZ Academy of Fine Arts. “This, I recall, some people seemed to be a little amazed about. At the time I didn’t really appreciate the significance of it, but I do now. As the years went on, my style of painting changed and I drifted away from the NZ Academy of Fine Arts, and did my own thing, as the academy no longer liked what I did. Such is life.” 

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