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Claudia Slaney

Claudia Slaney - Aotearoa Artist

MAGICAL FLUIDITY

Inspired and encouraged by the likes of leading New Zealand watercolourist Brian Millard and internationally acclaimed Alvaro Castagnet, award winning watercolour artist Claudia Slaney has painted all her life. In this illuminating article she reveals that art has always been and remains her main interest in life.

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Brian Millard

IN HIS OWN WORDS

Brian Millard, who has been successfully exhibiting paintings since he was in his early twenties, won a scholarship to art school when he was eleven years old but left for a job in advertising at the age of sixteen. Since then he has successfully combined being both artist and writer.

He has been a graphic designer, an illustrator, a cartoonist, an advertising art director, a copywriter, a writer for television and radio, a TV producer, a journalist and the editor in chief of two magazines - one a sports magazine in the States. For a decade he and his partner Marilyn Palmer, also a respected watercolourist, ran their own gallery near Queenstown. They now live and paint in Auckland.

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Mehrdad Tahan

Mehrdad Tahan - aotearoa artist

KNOW YOURSELF

From an early age Mehrdad Tahan had an interest in drawing and studied techniques used by the Old Masters. By the age of twenty, he had established his first studio where he taught drawing and calligraphy as well as exhibiting his own works.

In 1990 Mehrdad left Iran for New Zealand, which resulted in a pause in art while he improved his English and learnt about our culture. Family reasons dictated a move to Sweden, and a new culture and language to learn. 1999 saw Mehrdad return to New Zealand and settle in Christchurch.

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David Foley

David Foley - aotearoa artist

A LINEAR PERSPECTIVE

For much of his life David Foley worked in commercial interior design and only took up serious watercolour painting on retiring, attending various workshops in New Zealand, Italy and Australia.

“While I took an interest in drawing from a very early age I did not have any formal art training at all,” he says. He did however attend the Brixton School of Building and Architecture in the UK from 1949 - 1952 and completed a five year apprenticeship in Display and Signwriting in Hamilton.

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Jan Thomson

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BREAKING THE RULES

Recollecting how she first picked up a brush in her mid-forties after recovering from an encounter with the big ‘C’, Jan Thomson says “My journey into the world of painting began late. It was then that I decided that life is far too short to delay doing what you love, so I gave up my house painting job of 17 years and took up slightly smaller brushes.”

With a number of artists in the family, Jan says art was always in her blood. Why she avoided it for 47 years she didn’t say but once she started she was instantly and totally hooked. “I started with watercolours and then moved onto oils,” she reveals. “I learnt to paint by going out to Wellington’s (sometimes wild) south coast, wrestling with the elements and trying to put down on paper what was in front of me.”

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Amanda Brett

Amanda Brett - aotearia artist

THE COLOURS OF WATER

“All my life I had always wanted to be an artist,” Amanda says, “but it got lost amongst a business career, and that of being a wife and mother.” Continuing she adds that High School was a big waste of time for her.

“I had many ideas for my future but I am sad to say my school would not support any of them. I wanted to become an architect, but I wasn’t allowed to study any of the foundation courses. I was even told by the school career counsellor “not to worry about art or music school as I was just going to get pregnant, so why bother?”

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Geoff Popham - aotearoa artist

Geoff Popham

Geoff Popham - aotearoa artist

EXPLORING NEW DIRECTIONS

Born in Kawakawa, Bay of Islands, New Zealand, art has always been a part of Geoff Popham’s life. From when he was a child growing up in the Far North, he was surrounded by what he describes as 'amazing artwork'.

“Spending time at our whanau marae, and being taught by my elders about the carvings, paintings and weaving was my first education in art,” he reveals. “Seeing the intricacies of the skilled work and the meaning and pride associated with them, inspired me to want to do the same.”

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