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Tony Clarke

Tony Clarke - aotearoa artist

CORNERSTONE SKILL

With luscious, almost glowing colour pouring out from the canvas, Tony Clarke’s work emits a sense of vibrancy making his art feel alive. The intricate texture conveys the feeling that you could reach out and touch the feather or fur.

Tony’s father was a very accomplished hobby painter and encouraged him from an early age. “He gave me a book at age 13 of Raymond Ching’s book of British Birds and took me out drawing over the weekends. I copied paintings from that book and studied originals at the International Art Centre.”

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Ben Woollcombe

Ben Woollcombe - aotearoa artist

DISTILLED INSPIRATION

After almost four years of studying Industrial design at the Wellington School of Design in the early ‘70’s, Ben Woollcombe realised industry was not such an inviting option when the alternative was that he could create things of his own fancy and have people appreciate them, even buy them. The motivation to become an artist came from being able to make his own decisions and “enjoy living by my own wit rather than swapping my time for a pittance, while manifesting someone else’s dream.” He loves being able to use his time as he pleases - fishing, entertaining friends, sailing, painting or digging the garden.

Ben always enjoyed the Geography & Biology sets during his early education through correspondence school, as they usually involved illustration of some sort. A high mark in art was his main reason for gaining school certificate. 

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Mille Dunstall

My dead uncle-mille-dunstall-aotearoa-artistBorn in 2000, Mille is another youth artist who is proving that this century is producing excellent artists. With one sibling, Mille’s family isn’t particularly artistic. “I’m kind of the odd one out”, she says.

Waihi College have Mille’s attendance and she has decided to take art this year, planning to get into a graphic design course in the future. From the looks of what she is producing thus far, we believe graphic design would definitely be the way for Mille to go. It might be worth Mille’s while to investigate illustration as well, a noble, well established art form.

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Patrick Greene

Patrick Greene - aotearoa artist

TAKING A RAINBOW FOR A WALK

A master watercolour artist, draughtsman and recipient of many awards, James Patrick (Patrick) Greene sadly passed away in October 2014.

By Barbara von Seida

In the 1950’s, he trained as a cartographic draughtsman with the Lands and Survey Dept, which was interrupted for two years whilst he travelled his big “OE”. During this time he was actually shipwrecked in British Guyana. His love for art took him to the great museums of the world which left a big impression on him and a desire to become an artist.

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Ron Jackson

Ron Jackson - aotearoa artist

RAISING STEAM

With no formal training at an Art College, Yorkshire-born, New Zealand railway artist Ron Jackson honed his skills at night classes at Waiuku College and painting workshops for about ten years.

I started sketching during my holidays then progressed to painting. I had some very good tutors at the art classes workshops that I attended. Further to this I was impressed by the abilities and techniques of amateur artists on a UK Television program ‘Watercolour Challenge’.

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Patricia Emmerson-Hough

Patricia Emmerson-Hough - aotearoa artist

A TRULY NATURAL GIFT

With no formal training, all Patricia Emmerson-Hough has ever wanted to do is be an artist. “I’ve wanted to draw and paint, ever since I could hold a pencil.” Patricia tells us her story.

My family arrived in New Zealand when I was a child and we lived by the sea, so I was surrounded by all forms of nature; which fascinated me so much that it seemed a natural progression to recreate the detail and colours of the natural world. I don’t remember any point in my life when I stopped and said to myself that I want to be an artist, it was there in me all the time.

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Cherol Filbee

Cherol Filbee - aotearoa artist

A PORTABLE OCCUPATION

Cherol Filbee has been heading in the arts direction her whole life. She loves being an artist. “I am never bored and my work is portable. My husband Peter, a top croquet player, enters tournaments all over NZ and likes me to accompany him. He knows I am lost without a project, so the deal is that I take my art work with me. When he played the world champs in London, I enrolled in a five day portraiture class at the Heatherly School Of Fine Art.”

Qualifying from The Learning Connection with honours in art and creativity, Cherol studied part-time, starting in 2010.
Awarded a scholarship for every year but one, she explains that simply drawing has become the basis of all her work. “I love faces and like to portray them as portraits or caricature in 2D and 3D. Cats have also featured quite a lot in my work. I like to challenge myself and work from life rather than a photo reference.”

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Honor Hamlet

grandad-3-honor-hamlet-aotearoa-artistHONOR HAMLET

Honor Hamlet, a student at Haunui College, Whangarei, completed her high-school career by achieving the best marks in the world while her friend and fellow art student Reka Norman came in with an outstanding 95% pass.

Honor, (17) who only took up art seriously in her last two years of high school, is now a full-time student at Elam School of Fine Arts, Auckland.

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Anne Michelle Johal - Aotearoa Artist

Anne Michelle Johal

Anne Michelle Johal - Aotearoa Artist

THE ART OF ILLUSTRATION

My entire family are passionate readers, creatives, entrepreneurs, and story tellers. My father, a farmer, collected humorous books with illustrations full of wonderful little stories that tickled, and he taught us how to draw cartoons as a child. Beatrix Potter’s little handheld books, with her delicious little watercolour paintings, were read to us by our grandmother. Dad’s books included those written and illustrated by A.S. Paterson, the Andy Capp series, and many others. The coloured line illustrations and stories of Asterix and Obelix, the black and white cartoons of Murray Ball, The What a Mess collection by Frank Muir with Joseph Wright’s wonderful illustrations, Quentin Blake’s work, among others, became part of our favourite collections growing up.

A passionate reader, from a very young age, I lived inside these books as movies in my imagination. The narratives of people and places, emotion and experience captured and transported me out into the world of cultural difference and exciting possibilities, such a contrast to the farm life.

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Alan Williams

OUTLAW ARTIST

There has always been something indefinable about motorcycling and motorbikes. Perhaps it is the independent nature of man and machine that sets them apart from the general populace or because bikes and bikers have long been associated with outlaws and gangs - the ‘one percenters’. Life-long biker Whangarei-based Alan Williams is a ‘one percenter’ but he is not an outlaw, he just thinks differently to most folks.

Alan doesn’t go out of his way to break the rules he just does it as a matter of course. That’s the way he is. A fabrication engineer by profession and a full-blooded biker at heart Alan has another side to his character – he is an avid watercolourist. No one taught Alan how to paint; he just picked up a brush and did it. No doubt his technical and engineering grounding guided his hand and enabled his approach but then, with his chosen subject being motorcycles, this was, quite fortunate.

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