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Damian Jacobs

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Damian working on "The artists little ballerina"

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Born in Hamilton, Damian Karl Jacobs developed a passion for creating art at a young age. Over the years, he intermittently indulged in this passion, finally becoming serious about in the mid-2010s, and hasn’t stopped since.

He hasn’t had any formal art training as there was no-one at the time that could cater to his specific artistic skills. However, he did gain some influence from an artist in the 1990’s by a lovely lady called Laurel Flemming, she ran a studio from her home in Dinsdale, Hamilton. It was there that he got some basic tips on how to paint, but once that episode ended, he figured the rest out himself.

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Jana Branca

jana-branca-aotearoa-artist-mug-shotAN EXCITING VOCATION

Jana Branca hails from South Africa, where she obtained a BA in Fine Arts from the University of Pretoria. “I remember a very pivotal moment at high school where my art teacher made a comment that she thought I could go on to be an artist. It was just a little thing she said in conversation, but it had a massively encouraging and life altering effect on me.”

Making, creating and re-creating has always been a very big part of her life and she says she couldn’t imagine a more exciting vocation. Having always been a ‘deep’ child, Jana loves having a vehicle for investigating and engaging with meaningful and weighty concepts. “Most of the things I like thinking about seem just out of my reach, and further wrestling with them through my art practice seems to make them just a little bit more graspable.”

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Stephen Martyn Welch (Marty)

marty-welsh-aotearoa-artist-mug-shotA PROFICIENT PAINTER

Stephen Martyn Welch, known as Marty, has had no formal training in painting and as such, the beginning of his career was very difficult. Not many galleries were interested in what he had to offer. “I am 100% self-taught, which I am proud of because I worked really hard to get where I am today.”

He failed his school certificate in art, so he joined the army and started doing sketches for his fellow comrades, “so they could go to the local tattooist, where they proceeded to ruin my drawings on someone’s skin.” After the army, Marty worked in an Irish pub in Auckland. “I started off sketching images on a big white beer fridge door that was like a white board. From there people used to come in and ask me to draw different things from actors to comic characters.”

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Jennifer Stebbings

Jennifer Stebbings - Aotearoa Artist

PROLIFIC DETAIL

Born in Motueka, New Zealand, Jennifer Stebbings didn’t have any formal fine-art training, however she did go to Christchurch Polytech for a year, doing visual Communications. “I have always loved painting and drawing from my first memory. I went into commercial art thinking fine arts wasn’t really an option for a ‘real job’ I always knew that art in some form would be my only path.”

She moved back to New Zealand, from England in 2014, and for the first time, circumstances allowed her to pursue painting full time. Her biggest obstacle was confidence: “I battled to have confidence in my product with no apologies. I had my first exhibition when I was about 18, and an art critic said my path is in design as I have no knowledge of colour. I probably didn’t, but I was gutted. Now I would think, well, that’s just your opinion which you are entitled to. Thats not to say I wouldn’t take criticism on board, but it wouldn’t bother me now.”

 

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Kerri-Lee Gunter

kerri-lee-gunter-aotearoa-artistBorn in East London, South Africa, Kerri-Lee Günter has been in New Zealand since 2009, living in and enjoying the majesty of Invercargill. She gets her passion and talent from her mother’s side of the family – mum, grandfather and great grandmother. “As a child I was given books with blank pages and encouraged to express my creativity in them.  At the age of nine my mum realised I had a passion for art and decided to send me to art lessons after school and at 18
I decided to pursue my passion further.”

Starting with an Art & Design Certificate – 2007-2008 – at Buffalo City College in East London, Kerri-Lee went on to qualify with a Level 5 Diploma in Painting – 2010-2011 – at Aoraki Polytechnic in Ashburton, and also gained a Bachelor in Applied Media Arts – 2012-2014 at the Southern Institute of Technology in Invercargill.

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Nancy Frazer

nancy-frazer-aotearoa-artistNancy Frazer is a full-time self-taught artist who specialises in contemporary art, using acrylics on canvas with a strong emphasis on textures and vibrant colours. She has never had any formal training. “Growing up in Singapore, I always wanted to be an artist from a young age but circumstances did not allow me to pursue that dream. I married and moved to New Zealand in the early eighties, but it was not until the late nineties, after raising a family that I was able to fulfil my dream.

“In 2008, I was one of eight artists selected by the NZ Art Guild to display a painting in London in aid of the NZ Shore Plover. ‘Suze’ in Mayfair, London agreed to exhibit the works in its gallery. An auction of the paintings was then held at the residence of the NZ High Commissioner to the UK. I was also invited by ‘Avinki Ltd’ to exhibit my artworks at the New Zealand Avant-Garde Showcase held in Hong Kong in February/March 2009.  In 2012 I was selected as a finalist in the second art contest organised by ‘Artavista.com’ and sponsored by ‘World Wide Art Books’, where I received an ‘Honourable Mention’. I have also been selected as a finalist on two occasions, for the ‘Molly Morpeth Canaday’ art awards held in Whakatane.”

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Rosanne Croucher

rosanne-croucher-aotearoa-artistGENEROUS GIFT

From a young age, Rosanne Croucher loved to make things. She won a few colouring in competitions as a child, which was very encouraging. “During high school I took art subjects, but I wasn’t sure how that would translate into a career, so I ended up moving to Auckland and beginning a Health Science degree.”

Two years on, she experienced some health issues and felt a deep need to re-establish creativity in her life. “The following year I did Bible college through my Church Equippers and it was there that I began to develop a vision for a career as an artist. I started up an art group at church and enrolled at Unitec to study a Bachelor of Design and Visual Arts. Looking back, I cringe at some of the work I made during my degree and Masters, but I made some great work as well and learnt so much.

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Graham Christensen

graham-christensen-aotearoa-artistsGraham Christensen is a rural artist living in the Manawatu. At 72 Graham has spent the majority of his life involved in farming and agriculture – not painting. 

By Natasha Christensen

Graham was in his early 60s when he and his wife Sue were discussing what their up-coming retirement might look like. They had already been living for the last seven years on the Gold Coast in Australia managing a holiday resort in Surfers Paradise. It had been hard work with very little down time and the plan was to move back home to New Zealand to be closer to the grandkids. Their intention was to buy a small farm in the Manawatu, but Sue was concerned that Graham would not have enough to keep him busy on a daily basis. He was such an active person she didn’t think it was a good idea for him to hang around the house all day in between small farm jobs. In 2012, with a birthday approaching and recalling the conversation, Sue, on a bit of a whim, purchased Graham a gift voucher for three painting lessons ‘Learn to Paint’.  In just three lessons Graham was hooked – and painting has since become his great passion.

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Mary Sneyd

mary-sneyd-aotearoa-artistFABRIC AND THREAD

By Matt Mortimer

Artists of all types are often asked about their favourite instruments to make their creations. Music artists will have an instrument of choice that gets that certain sound, a painter may have a brush or easel they love and others, like textile artist Mary Sneyd – well, they reach for something different entirely. And her choice is…? “My sewing machine, because my work has many layers and it is impossible to sew by hand!”

This sets Mary apart from many who call themselves an artist, much like the clear difference between her occupation when she is not sitting behind her sewing machine. “I still work as a doctor/scientist three days a week and do textile art for three days a week or sometimes four - if I can get away with it! - so although I’d like to be one, I’m not a career artist.” 

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