Judy Woods
ARTISTIC ADVENTURES
ARTISTIC ADVENTURESJudy Woods graduated with a Diploma in Fine Arts from Otago Polytechnic in 1985. Having always wanted to be a professional artist, she taught for 16 years and then decided to devote her time to her own career in art and see what happened. Finally motivated by the passing of her father and feeling some urgency to pursue her passion, she began to paint.
In the beginning, Judy battled with self-belief and struggled to produce artwork that she was satisfied with. However, having developed a process of embarking on a painting adventure with every work and not worrying about the outcome, she is producing work that excites and surprises her. “It’s a much more enjoyable experience to create work that I’m happy with and this has helped me grow in confidence.”
Iris Wood
SATISFYING THE SOUL-ITCH
Iris Wood found she was drawn to each, and every art medium introduced to her at school, and she never stopped exploring. Her mixed-media body of work is both chaotic and calming, with a distinctly playful tone.
Never having been afraid of trying a new tool or method, and with a curious, explorative mindset, the biggest motivating factor to pursue a career as an artist for Iris was the profound satisfaction she gets out of pulling a real, tangible piece of art out of ephemeral experiences. "Sometimes I will experience something, and it’ll instantly get transformed into a painting in my head, and I’m compelled to execute that vision. It’s like a soul-itch that needs to be scratched; what will it feel like? what will you find under there? could it make someone else feel the same way?"
Jana Branca
AN EXCITING VOCATION
Jana Branca hails from South Africa, where she obtained a BA in Fine Arts from the University of Pretoria. “I remember a very pivotal moment at high school where my art teacher made a comment that she thought I could go on to be an artist. It was just a little thing she said in conversation, but it had a massively encouraging and life altering effect on me.”
Making, creating and re-creating has always been a very big part of her life and she says she couldn’t imagine a more exciting vocation. Having always been a ‘deep’ child, Jana loves having a vehicle for investigating and engaging with meaningful and weighty concepts. “Most of the things I like thinking about seem just out of my reach, and further wrestling with them through my art practice seems to make them just a little bit more graspable.”
Jocelyn Friis
SELF-TAUGHT SUSTAINABILITY
Jocelyn Friis went to a Steiner school in South Africa, where creativity is a part of everyday school life. This set the foundation for her creative life. “I have always loved to create. I believe strongly in pursuing what you love but it was only during my ‘mid-life’ years that I truly found my way in art. I realised I was not living true to myself. I am now free to express what I cannot with words. I love the freedom of intuitively laying down paint on the canvas. I see so much intertwining between painting and life – so many lessons to learn.”
Her biggest obstacle has been her mindset. “I have really had to work on believing that my work is worthwhile and contributing to the good in this world. Professionally, it is always a challenge to stay on top of things, stay visible and market myself. Perseverance is key and being able to take the losses with the gains.”
Stephen Martyn Welch (Marty)
A PROFICIENT PAINTER
Stephen Martyn Welch, known as Marty, has had no formal training in painting and as such, the beginning of his career was very difficult. Not many galleries were interested in what he had to offer. “I am 100% self-taught, which I am proud of because I worked really hard to get where I am today.”
He failed his school certificate in art, so he joined the army and started doing sketches for his fellow comrades, “so they could go to the local tattooist, where they proceeded to ruin my drawings on someone’s skin.” After the army, Marty worked in an Irish pub in Auckland. “I started off sketching images on a big white beer fridge door that was like a white board. From there people used to come in and ask me to draw different things from actors to comic characters.”
Carol Moffatt
I gather ideas and inspiration from the natural environment of New Zealand: the trees, mountains, water, plants and flowers. My paintings strive to capture the wonders and mystery that surround us.
I love using oils because of their strong colours. In addition, I use transparent colours as much as possible because they vibrate in the light. Combining brushstrokes with music in my head, I create my world on canvas.
