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David Traub

Born in New York, USA, David Traub acquired a B.A. in Ceramics and Photography from the East Texas State University (now known as Texas A&M Commerce), and an MPhil. in glass from Stourbridge College of Art and Technology in Stourbridge, England. David lives in Whanganui in New Zealand and has blessed New Zealand with his masterful work.

After graduation, David became fixated on glass making and joined a Texas craft community where he set up his first studio. That was in August 1973 which was when he taught himself how to blow glass and there he remained for the following 12 years.

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Madison Rogers

madison-rogers-aotearoa-artistSACRED GEOMETRY

Having always enjoyed working with her hands and anything to do with crafts, by the time Madison Rogers entered high school, she knew she wanted to pursue a career that would allow her to develop and explore her creative skills. With her favourite subject at school being metalwork, she investigated career options that would embrace both her artistic side and her love of working with metal.

“It was around this time that I learned a friend of mine’s father was a jeweller and gem setter. This sounded like the perfect option for me and I pursued this with vigour.” She went straight from high school to study at Hungry Creek Art and Craft School, graduating after four years with a Level 7 Advanced Diploma in Jewellery. “The biggest motivating factor for me to become a jeweller was the overwhelming need to create. To have the skills and knowledge to turn raw materials and a concept into a functional, wearable, beautiful piece of jewellery that is not only meaningful to me, but also becomes something special and cherished by others. I love contributing to the meaningful moments in people’s lives - engagements, weddings, birthdays, graduations or anniversaries etc.”

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Angela Mole

Angela Mole - Aotearoa Artist

I was destined to become an artist - having drawn, painted, sewn and crafted constantly throughout my growing years. After gaining a History and English degree I became a primary school teacher, encouraging the children in artistic expression at every opportunity and displaying their art in every available space. I was commended for the ambience but warned that too many ‘hangings’ could pose a fire risk! Later I co-ordinated the installation of large permanent outdoor murals which met with approval. On retiring from teaching, once my family had grown, I was at last free to follow my own artistic journey.

I am largely self-taught but value the grounding and increased confidence attained by completing a diploma in painting in 2011. These days I feel compelled to create positive vibrant images. My brief as an artist is to “Focus on the beauty which is abundant in this world and thereby know peace” (Philippians 4:8-10, from the Holy Bible). One part of my inspiration is what I see as beauty, most often the smallest organic forms in nature - seeds, shells, eggs, petals and leaves, small beginnings from which greater things evolve. Equally important, is how I feel. I paint from the heart and am translating thoughts, words, poems and dreams into painted expression. I have an overwhelming desire to inject colour, truth and beauty into our environment, trying to counter the negative, dark influences pervading society. It’s about spreading a little happiness. Japanese style (the combination of minimalism and fine detail present in paper and silk design) influences my painting as do the swirling curves and clean lines from the Art Nouveau era.

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Karen Taylor

karyntaylor-aotearoa-artistBorn an artist, Karen Patricia Taylor has always had a fascination with the human form which is often an integral element to her work. Driven by an intrinsic force where her creativity finds a happy balance within the flow of her artistic making, her work speaks of the feminine amongst a myriad of other creative explorations. Her early life was spent drawing and making, often copying faces from comics, “pages and pages of them” until this grew to include the human form.

By the time she was in her late 20’s she began to work with clay, primarily cut and altered slip cast objects. Slip cast objects are created when liquid clay (slip) is poured into plaster moulds and allowed to form a layer, the cast is left on the inside cavity of the mould and taken out and altered or added to as required.

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Andrew Swarbrick

Andrew Swarbrik - aotearoa artist

THE HUMAN CONDITION

With very supportive parents constantly supplying him with art materials and encouragement, Andrew Swarbrick has overcome his physical disabilities to emerge as a very talented artist. Lucky enough to be using his talent every day as a tattoo artist, Andrew tells us his story.

I have been interested in art from a young age, and have been drawing for as long as I can remember. At age 12, I had a large operation to help alleviate some of the physical disabilities I was born with, which resulted in me being wheelchair bound for just over a year. As there wasn’t much to do in hospital in those days, my folks were constantly bringing me comic books to read. I promptly copied all of my favourite pictures from them and then pursued other artists books, which I also feverishly copied from, learning all the time. I didn’t fare well with art at school and am largely self taught. After school, I worked in various factories over the next six years or so, while trying to build a portfolio to go to university as an adult student. That portfolio landed me an apprenticeship as a tattoo artist.

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Natasha Bethune

natasha-bethune-aotearoa-artistTHE ART OF INNER HEALING

At the age of 18, Natasha Bethune tells us of her hardships and how she is devoted to her art and the healing she receives from creating.

Drawing is all that I’ve ever known - as a kid it’s all that I remember doing. My heart aches thinking about pursuing anything other than art. I love being alone in nature. Any place of solitude, that forces me to think and feel whilst listening to deep emotional music that conjures memories and beautiful desires of ‘what if’s and I wishes’.

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Simon Kerr

Simon-Kerr-aotearoa-artistSIMON KERR

One-time member of the infamous Hole-in-the-Wall gang, prison escapee and activist, Simon Kerr has turned his remarkable talents to painting, creating a body of work which is both narrative and allegorical, the story of his life and redemption and a commentary on the place of human beings in the world. These works are often autobiographical in nature, exploring Kerr’s controversial history and his Devonport upbringing.

Simon Kerr gained notoriety in the 1980s when he set up the Hole in the Wall Gang (complete with t-shirts!). He also made headlines throughout the 1980s for numerous escapes from custody, including from Mt Eden and Paremoremo prisons. He stowed away on a cargo ship to Australia after escaping from Mt Eden in 1987. In 1994 he mounted a 13-day rooftop turret protest against remand conditions in Mt Eden that ended with the Armed Offenders’ Squad forcibly bringing him down.

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Sue Lund - Aotearoa Artist

Sue Lund

Sue Lund - Aotearoa Artist

FINDING THE RYTHM

Sue Lund, an elected artist of the Academy of Art in Wellington, is well-known for her striking work on the walls of the buildings at the Learning Connexion where she studied for an Advanced Diploma in Formless Art between 2003 and 2004, she already had a degree in Fine Arts from NAS in Sydney.

Sue is inspired by life: “Living and the crazy things that send you to places you either never want to go again or where the intrigue is too enormous to resist,” she says adding: “I did quite a bit of travel in my twenties and those times showed me a fairly full spectrum of what life is all about.”

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Print Feature-aotearoa-artist

Hamish Oakley-Browne

HAMISH OAKLEY-BROWNE

Hamish Oakley-Browne is a passionate artist with printmaking as his chosen medium. Having just completed a degree in fine arts at NorthTec in Whangarei, he is currently doing a six-month residency programme at Te Kowhai Print Trust situated at The Quarry Arts Centre.

Hamish says printmaking reflects a “hands-on tactile backlash to the digital world in which people have lost themselves, their intrinsic senses and richness in their lives.

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