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Graham Christensen

graham-christensen-aotearoa-artistsGraham Christensen is a rural artist living in the Manawatu. At 72 Graham has spent the majority of his life involved in farming and agriculture – not painting. 

By Natasha Christensen

Graham was in his early 60s when he and his wife Sue were discussing what their up-coming retirement might look like. They had already been living for the last seven years on the Gold Coast in Australia managing a holiday resort in Surfers Paradise. It had been hard work with very little down time and the plan was to move back home to New Zealand to be closer to the grandkids. Their intention was to buy a small farm in the Manawatu, but Sue was concerned that Graham would not have enough to keep him busy on a daily basis. He was such an active person she didn’t think it was a good idea for him to hang around the house all day in between small farm jobs. In 2012, with a birthday approaching and recalling the conversation, Sue, on a bit of a whim, purchased Graham a gift voucher for three painting lessons ‘Learn to Paint’.  In just three lessons Graham was hooked – and painting has since become his great passion.

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Keith Snow

keith-snow-aotearoa-artistBy Matt Mortimer

Keith Snow’s journey as an artist is a literal voyage of creativity, navigating the ups and downs of artistic exploration of largely maritime painting. This is an apt parallel of his definition of his career to date. It comes as no surprise that Keith’s maritime focus is one birthed from a love of the sea and sailing. 

“It’s gone from an interest...to a hobby...to a full-time job, “he says. “To attempt to fill a need to create something of beauty and of longevity.” His background is one of no formal training, of exploring the depths of maritime journals and books. My ideas and inspiration are mainly from reading. Books about early explorers, emigrant ships, local fishing craft and more.”

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Mary Sneyd

mary-sneyd-aotearoa-artistFABRIC AND THREAD

By Matt Mortimer

Artists of all types are often asked about their favourite instruments to make their creations. Music artists will have an instrument of choice that gets that certain sound, a painter may have a brush or easel they love and others, like textile artist Mary Sneyd – well, they reach for something different entirely. And her choice is…? “My sewing machine, because my work has many layers and it is impossible to sew by hand!”

This sets Mary apart from many who call themselves an artist, much like the clear difference between her occupation when she is not sitting behind her sewing machine. “I still work as a doctor/scientist three days a week and do textile art for three days a week or sometimes four - if I can get away with it! - so although I’d like to be one, I’m not a career artist.” 

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Raewyn Harris

raewyn-harris-aotearoa-artistKORU CREATIONS

By Matt Mortimer

We are spoilt across our wonderful country with such natural wonders and beauty right on our doorsteps – or a short drive away. Napier-based artist Raewyn Harris utilises this, camera in hand, to be reproduced later as beautiful watercolour paintings. 

“My creative soul is driven by daily walks on the beach, around our local estuary, walks in our native bush and in forests, enjoying our lakes and rivers, mountains and spectacular landscape features in New Zealand. All the while I’m challenging myself to learn new techniques and skills. My camera is always with me when out and about and the photos I take provide a rich source of ideas for my paintings. Trips overseas also provide photographic opportunities.” A natural ability and experimentation with materials shine through with accolades coming as early as her pre-teens. 

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Romuald Rudzki

romuald-rudzki-aotearoa-artistTHE FIRST PREALIST

Inspiration to create art is drawn from various areas for each artist. For Manawatu-based artist Romuald Rudzki, his motivation stems from a rebirth of colour, following a tragedy.

“I have painted since childhood but did not take up my place at art college when I was 18 as I was advised that I would “end up as an unemployed artist.” In 1988 I was in a head-on collision with a drunk driver which left me blind for several months with retinal detachments, as well as a spine fractured in two places. When I eventually regained my sight, I was struck by how each colour is so different from any other, for example, blue cannot be described in terms of red. I therefore started painting again.”

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Barbara Uini

barbara-uini-aotearoa-artist.co.nzMostly a self-taught artist, Barbara Uini also studied illustration for a year at the Chisholm Institute in Melbourne, Australia. Serendipitously she happened to find an old tin of watercolour paints at the back of a dusty cupboard where she lived and at about the same time, was gifted a subscription to a monthly art instruction magazine. Barbara began to fill up any snatched moments by teaching herself to paint. The magazine had lessons for a range of media, but she focused on the watercolour tutorials at that point, because that was the art material that she had access to. And that is how she became primarily a watercolour artist. Barbara expands . . .

Becoming an artist has really been a lifelong process for me, and I love the fact that you are never finished learning and challenging yourself in art. I have always loved to draw, but I really began to take my art seriously about 25 years ago when I was a stay-at-home mother with pre-schoolers. I was enchanted by some of the illustrations in the books that I read to my children, and the realisation that I really wanted to be an illustrator is what set me off on my artistic journey. I was attracted to illustration because I love books and storytelling and the idea of telling a story visually really appealed. I also love the idea of working to a brief whilst still having licence to add nuances to a children’s story that are not contained in the writing.

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Carla Sclanders

carla-sclanders-aotearoa-artistBLESSED INSPIRATION

Born in South Africa and immigrating to New Zealand in 2020, Carla Sclanders is inspired by God. “He has blessed me with a gift and I am driven to portray a glimse of His Glory in all that I am able to create.”

She began with a pencil portrait of her daughter and was so pleased with the result that she began to do more family portraits. “My passion for art grew with every artwork I created especially once I started experimenting with colour pencils. Posting pictures of my artwork on Facebook lead to people contacting me for commissions and so my hobby turned into a part time job.”

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Audrey Anderson

audrey-anderson-aotearoa-artistALWAYS AN ARTIST

Audrey Anderson grew up in a home where both her parents would draw and practice art. “When visiting my grandfather, he would show me how to harmoniously work with water and colour. It was a normal part of life I suppose, like eating or sleeping.”

“I have always been an artist; I don't think there was a time in my life where I ended up doing it. I have just always done it. It's my career, it's my livelihood. The funny thing is there have been times in my life I have thought about changing my career path, but then something from the arts industry would call me back again, and I would cancel my plans and just continue being an artist again.”

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Fiona Ehm

fiona-ehn-aotearoa-artist copyINTERVIEW WITH FIONA EHM

How did you end up being an artist?

I’ve always had a deep motivation to create. Early on I pursued classical piano as my creative outlet – but found so many creative pursuits gave me joy and eventually visual arts won out as my primary form of expression.

What was your biggest motivating factor for you to pursue a career as an artist?

Creating art is deeply fulfilling. Currently, my primary career is in the Financial Services sector, however exploring my creative side remains so important to me. It keeps me balanced and grounded, and brings so much joy. There is nothing more rewarding seeing someone’s face light up when they find a piece that they connect with.

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