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Daniel Carter

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Oriental Dragon, 1200 x 800mm, Blowtorched on wood.

DESIRE FOR CREATION

The closest Daniel Carter came to formal art training would have been extension art classes and graphic design throughout intermediate and college years. “These classes were taken above my selected art classes, as the art teachers noticed I had an interest and above level ability for my age group. I left college at an early age to become a car painter, which ultimately led me towards the automotive artistry of airbrushing.”

The artist life started for Daniel at a very early age, “As a young child my parents encouraged my artistic abilities. By year two of primary school, my father Roger would sit with me for hours, teaching me how to draw realistic people, muscle cars, fighter planes, architectural buildings with two-point perspective etc. We didn’t have much but wherever I went I would have a small pad and pencil, taking inspiration from my surroundings, nature, birds, people, cars, buildings, that sort of thing.

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Marie Reid-Beadle

Marie Reid-Beadle - Aotearoa Artist

BOVINE BLISS

Self-taught, art has always been a passion for Marie Reid-Beadle. She spent a lot of time doodling and sketching in her teen years. Some 10 years later, after her first child was born, she decided to purchase some quality paints and a quality canvas and entered a painting in an open exhibition at the Otago Art Society. The painting sold - not to her great aunt or an empathetic friend, but to a total stranger. She was on a high all week!

My creative soul is driven by the world around me. I am so grateful and blessed to now live in the beautiful Catlins. I often just drive around looking for a photo opportunity. Seeing maybe a heron, kingfishers, cows and wildlife that give me ideas for my next painting. My balancing act painting called ‘The Steward Island Party’ was based on being in Stewart Island for a 50th birthday and the birds that we encountered.

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Andrew Swarbrick

Andrew Swarbrik - aotearoa artist

THE HUMAN CONDITION

With very supportive parents constantly supplying him with art materials and encouragement, Andrew Swarbrick has overcome his physical disabilities to emerge as a very talented artist. Lucky enough to be using his talent every day as a tattoo artist, Andrew tells us his story.

I have been interested in art from a young age, and have been drawing for as long as I can remember. At age 12, I had a large operation to help alleviate some of the physical disabilities I was born with, which resulted in me being wheelchair bound for just over a year. As there wasn’t much to do in hospital in those days, my folks were constantly bringing me comic books to read. I promptly copied all of my favourite pictures from them and then pursued other artists books, which I also feverishly copied from, learning all the time. I didn’t fare well with art at school and am largely self taught. After school, I worked in various factories over the next six years or so, while trying to build a portfolio to go to university as an adult student. That portfolio landed me an apprenticeship as a tattoo artist.

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Margaret Scott

Margaret Scott aotearoa artist

Photo by Pip Guthrie


PRIDE AND PASSION

When Margaret Scott got married, she started painting as a way to supplement their income. Early farming years were tough and she found she could sell paintings of Mount Taranaki to tourists and gift shops. “If I had a hundred calves to feed or four children to look after, I still found time in the evenings to paint. I am constantly thinking of the next painting and what I will paint. I live by the sea and spend lots of time walking, looking at the environment, taking photos and making workbook drawings. Gathering resources is a very important part of being an artist and a teacher.”

It has been a complete need, a passion and drive that has brought Margaret to this point. Having just published her first book, ‘Self-portrait of a Paua’ she laments about the lack of support from the government for artists. “We used to have a thriving arts environment, supported by local arts councils. I was chairperson of the Egmont Community Arts Council for over ten years and we had exciting projects, exhibitions and workshops, all government funded. There were four arts councils in Taranaki and it’s much harder to get funding from the local councils. There is virtually no funding available for solo artist’s ventures, for example, my book, which I had to fund myself. “I am very proud of this book, as it is part autobiographical, historical and resource. The students I teach encouraged me to do this as they felt I should reproduce pages from my workbooks. This makes the book a valuable resource for both teachers and students alike.”

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Jamie Larnach

Jamie Larnach - aotearoa artist

MOVING FORWARD

At the age of 13, Jamie Larnach overheard his father talking about a guy he knew as a teenager, who had a gift for drawing but never did anything with his talent. He thought that was a travesty. “That’s stuck with me all my life. I try to make the most of my talents. I have been fortunate enough to be surrounded by insanely creative and passionate people and they’ve always inspired me to keep moving forward and creating.

Inspired by New Zealand’s environment and the patterns that occur in nature, by geometry, coral, Arabic mosaics, and ancient architecture, I have been making artworks for 22 years, including music, jewellery, sculpture and festival dressing. In 1991, immediately after finishing high school I was pre-enrolled at Law school at Waikato University.

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Ross Anderson

ross-anderson-aotearoa-artistPHOTOGRAPHIC SURREALISM

Ross Anderson, a 17 year old photographer born in Northern Ireland, raised in the Northern Rivers of Australia and attended ACG Senior College in Auckland for the last two years, just completed his high school studies with a cracking 92% for his photographic art. This is his story.

I opted for photography due to lack of other options as despite being a high scoring student, my almost illegible hand writing caused me to achieve less than favourable scores in classical studies.

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John Burns

John Burns - Aotearoa Artist

THE INVENTOR

John Burns, husband, father, grandfather, and artist, born in Wellington “many years ago” does not see himself as an artist but describes himself as an ‘inventor’ who makes ‘stuff’, something he has been doing very successfully for the last 30 years, selling most of the work he has produced. This is John’s story and a collection of his works over the years.

“I admire and am inspired in my art by people such as Pablo Picasso, Petrus van der Velden, Colin McCahon, Marc Chagall and many others. To me their art was different from the ‘norm’ (whatever that was). Some have taken flack for their style of art; Colin McCahon is an example of this. I think art is a long term activity where one can become bolder over time something I certainly feel applies to me.

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Geoff Noble

Geoff Noble - Aotearoa Artist

FREEDOM AND MOVEMENT

There is a lot of paint and colour, lots of colour. Bright, vibrant and even startling. And movement, always movement, large bold images leap out demanding attention, captured but seemingly not, on the cusp of rising and falling but nowhere near frozen.

There are paintings all over the place when entering a very cluttered Tahuna Studios in Nelson. Some are complete, overs still in that moment of creation. New and old it is an eclectic mix. Added to this are posters, surfboards, skateboards, and all manner of tools.

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Adam Styles - Aotearoa Artist

Adam Styles

Adam Styles - Aotearoa Artist

ETHEREAL DIMENSIONS

Inspired by dreams and images from another time and place and forged with fire and passion, the steel warriors, dragons and other mythological beings that emerge from the Nelson-based workshop of Adam Styles are real and definable but their earthly shell has been removed to reveal a core of what is normally hidden, the unseen.

Adam’s work has taken on a life of its own. It is more than simply ethereal, it is otherworldly. His fish swim in from somewhere we haven’t seen, a parallel dimension perhaps. Steel warriors stand vigilant, swords readied, steel angels look on, observing. Of course it is all fantasy such creatures simply don’t exist, not on this earth at any rate, do they?

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Karen Panton- Aotearoa Artist

Karen Panton

Karen Panton- aotearoa artist

THE ART OF HUMOUR

Karen Rosaline Panton is one of those exceptional, largely self taught artists who has developed a sense of style and presentation all of her own. Reading her comments in this article and perusing through some of her paintings it is evident that Karen lives her art; each painting has a voice and meaning, each one a soul.

Apart from the odd day class, Karen, who currently hails from Napier, says she has enjoyed several short courses with the likes of Krispin Korschen, Rua Longley, Marianne Muggeridge, Megan Schmidt, among others. “All fabulous artists,” she enthuses, “who have stretched my mind sideways, up and down and inside out, that is when they could catch up with my own train of thoughts.”

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