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John Dumergue

John Dumergue - aotearoa artist

BELIEVING IN BALANCE

An active family man, at age 71, John Dumergue has the balance right in his life. As a member of the oldest team in the Half Ironman in Wanaka, the swimmer being 72 and the cyclist, 82, his most important advice is believe in yourself. “This is what my running coach would say to me as I lined up for, say, an 800m race. I believe this applies to anything you do in life.”

When John was in his fifties, he spent five years training in the martial art of Kung Fu, with elements of Tai Chi. He became an instructor, enjoying the tutoring of beginners classes. He still runs regularly and counts the benefits as endless. He says art was never a career choice, it was just something he did during his spare time. Although, clearly John’s artistic abilities were part of his career choice after all, as he is also a carpenter by trade, having built his own house at the tender age of 21. Art comes in many forms and what will out, will out. Incidentally, he also has a diploma in writing. A multi-talented man. Now that he’s retired from his job as a Certified Kitchen and Bathroom Designer, he paints about four times a week.

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Wendy Naepflin

wendy-naepflin-aotearoa-artistALL FLAX

When I saw some woven blades on a flax bush it ignited my curiosity. I devoured the ‘Fun with Flax’ book by Mick Pendergrast and then Ali Brown’s book on weaving flax flowers, and was completely hooked! Attending my first weaving weekend in 2010 at Pa Te Aroha Marae in Whirinaki, Hokianga, was where I first started learning traditional weaving. 

It is important to me to follow Maori tikanga (protocol) in the harvesting and preparation of flax. In doing this I acknowledge the many people who have shared the gift of raranga (weaving) with me. I have been lucky to weave with some of the best who have kindly and gently mentored me along the way. Mandy Sunlight is the kaiako (teacher) and organiser of those wonderful weekends, where knowledge, great kai (food) and many a laugh are shared freely. Two highly accomplished artists, Toi te Rito Mahi and Maureen Lander, often join these weekends, proving that weaving has evolved into a serious contemporary art form.

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Ken Clark - Aotearoa Artist

Ken Clark

Ken Clark - aotearoa artist

THE INDIVIDUAL ART OF MOVING IMAGES

Ken Clarke, an intelligently creative cinemetographer has always considered film and television an art form. Here he brings his vision to us, and considering his tremendously varied artistic background, we are privileged to include Ken in our pages, bringing all aspects of art into your home.  Ken tells us his fascinating story.

I have a BFA(Hons) in Film from Canterbury University. I started it in 1980 and didn’t finish until last year. I have spent most of my life up till now working in the film and television industry; first as a make-up artist, then a stop-motion animator where I sculpted puppets and props and then in post-production and digital effects.

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Fran Gould

Fran Gould - aotearoa artist

GRAPPLING WITH GRAPHITE

My love of being an artist started with a Folk Art course at Waimea College in Richmond. Gradually art became more important in my life. After hearing the enthusiasm from several members of the art group I had joined, regarding courses with The Correspondence School in Wellington, I decided to enrol. I met my tutor in Wellington and he was happy for me to pursue figurative work, which was and still is, my passion as an art form.

My partner had a massive heart attack and several operations later, recuperative time, along with the process of ‘just being there’ as he got his strength back had a huge effect on me physiologically. After a while I started my second year at the correspondence school. My partner by this time was well enough to model for me, so I photographed him for my work and the ideas came fast and furious. My painting fitted into my studies “the human condition”. It all turned out to be very cathartic and the finished article, at the end of the year, achieved NZCA excellence. The whole project transformed me, mainly from the stress of the previous year. 

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Simon Kerr

Simon-Kerr-aotearoa-artistSIMON KERR

One-time member of the infamous Hole-in-the-Wall gang, prison escapee and activist, Simon Kerr has turned his remarkable talents to painting, creating a body of work which is both narrative and allegorical, the story of his life and redemption and a commentary on the place of human beings in the world. These works are often autobiographical in nature, exploring Kerr’s controversial history and his Devonport upbringing.

Simon Kerr gained notoriety in the 1980s when he set up the Hole in the Wall Gang (complete with t-shirts!). He also made headlines throughout the 1980s for numerous escapes from custody, including from Mt Eden and Paremoremo prisons. He stowed away on a cargo ship to Australia after escaping from Mt Eden in 1987. In 1994 he mounted a 13-day rooftop turret protest against remand conditions in Mt Eden that ended with the Armed Offenders’ Squad forcibly bringing him down.

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Andrew Carter

CHALLENGING COLOUR

Oil pastel artist Andrew Carter learned he was colour blind at the age of nine when he argued with his teacher over his choice of selecting yellow instead of green for the grass and red for the bark on the trees in a school painting.

It certainly didn’t put him off painting and drawing and why should it have? Some famous artists such as Constable, Picasso and van Gogh are thought to have been colour blind and they did well. It is, after all, a simple matter of perception, not skill or technique.

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Katie Mines - Aotearoa Artist

Katie Mines

Katie Mines - Aotearoa Artist

MEDITATIVE ART

An intense academic by nature, and artist in heart and soul, Katie Mines spent much of her life studying for a series of degrees and teaching at university before engaging her childhood dream of being full-time professional artist in her own right, and on her own terms.

Prior to 2012, Katie spent 10 years travelling through Asia, Africa and America and seven years teaching at a Confucian University in Seoul, South Korea. She returned to Hawkes Bay at the end of 2012, to raise her daughter and try her hand at painting, which remained a life long dream, “I always knew that art would become a big part of my life, I just wasn’t sure in what capacity until I started painting full time,” she reflects. After years of travelling, Katie was ready for what Hawkes Bay has to offer, “the space to slow life down, have a garden, bring up my daughter, and paint.”

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Ira Mitchell

Ira Mitchell-Kirk - Aotearoa Artist

IN THE ZONE

The 2010 Christchurch earthquake irrevocably changed Ira Mitchell’s life. In this article she tells of how she faced the formidable challenges of depression and post traumatic stress and found a new direction and purpose through her art.

I was in a high-rise building in Christchurch when the earthquake struck. That, and the ensuing aftershocks, traumatized me to the extent I still suffer from PTS. I was teaching part time at that point and it made me rethink my life and what I wanted to do with it.

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Aaron Scythe - Aotearoa Artist

Aaron Scythe

Aaron Scythe - Aotearoa Artist

DRIVEN TO CREATE

Painter and ceramicist, Aaron Scythe trained at the Carrington Polytech in Auckland in 1988 and East Sydney Polytech in 1989 where he developed an interest in Momoyama pots.

While working at the Sturt Craft Centre in NSW, Australia he built an Anagama Kiln and began investigating Shino glazes. In 1995 he travelled to Japan to study Minoyaki style pottery under master ceramicist Koie Ryoji. Aaron lived and worked in Japan until 2011 when he returned to New Zealand. During his time in Japan he held over 60 solo exhibitions and participated in many group shows and workshops. He is currently based in Whanganui East.

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Jason King

Jason King - Aotearoa Artist

MAGICAL INGREDIENT

Award winning landscape artist Jason King, a part-time fire engineer with penchant for making and flying model gliders, had always envied people who could draw or paint realistic pictures and never imagined he would be able to do it himself until one day he decided to give it a try. In this article he charts his course from the sketchpad to the winners podium.

When I first tried my hand at drawing I discovered that drawing ability is not necessarily an innate skill or ability, but rather something that can be learned. I found that there are techniques that can be used to create an image and, for me, the most important skill was developing an eye for what looks good.

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