Lighting has been Jon Lambert’s main hobby-based interest for 15 years now, with the main driver being how light can instantly change mood. It started in his university days, realising that moving and colour changing light adds a new dimension to music and the ambience of a space.
At the age of 18, Natasha Bethune tells us of her hardships and how she is devoted to her art and the healing she receives from creating.
Drawing is all that I’ve ever known - as a kid it’s all that I remember doing. My heart aches thinking about pursuing anything other than art. I love being alone in nature. Any place of solitude, that forces me to think and feel whilst listening to deep emotional music that conjures memories and beautiful desires of ‘what if’s and I wishes’.
One-time member of the infamous Hole-in-the-Wall gang, prison escapee and activist, Simon Kerr has turned his remarkable talents to painting, creating a body of work which is both narrative and allegorical, the story of his life and redemption and a commentary on the place of human beings in the world. These works are often autobiographical in nature, exploring Kerr’s controversial history and his Devonport upbringing.
Simon Kerr gained notoriety in the 1980s when he set up the Hole in the Wall Gang (complete with t-shirts!). He also made headlines throughout the 1980s for numerous escapes from custody, including from Mt Eden and Paremoremo prisons. He stowed away on a cargo ship to Australia after escaping from Mt Eden in 1987. In 1994 he mounted a 13-day rooftop turret protest against remand conditions in Mt Eden that ended with the Armed Offenders’ Squad forcibly bringing him down.
Sue Lund, an elected artist of the Academy of Art in Wellington, is well-known for her striking work on the walls of the buildings at the Learning Connexion where she studied for an Advanced Diploma in Formless Art between 2003 and 2004, she already had a degree in Fine Arts from NAS in Sydney.
Sue is inspired by life: “Living and the crazy things that send you to places you either never want to go again or where the intrigue is too enormous to resist,” she says adding: “I did quite a bit of travel in my twenties and those times showed me a fairly full spectrum of what life is all about.”
Hamish Oakley-Browne is a passionate artist with printmaking as his chosen medium. Having just completed a degree in fine arts at NorthTec in Whangarei, he is currently doing a six-month residency programme at Te Kowhai Print Trust situated at The Quarry Arts Centre.
Hamish says printmaking reflects a “hands-on tactile backlash to the digital world in which people have lost themselves, their intrinsic senses and richness in their lives.
“There is a revival of printmaking taking place in New Zealand with printmakers being increasingly recognised by the wider art community and the medium is poised to start interacting with other mediums.” These are the thoughts of Faith McManus, locally and internationally recognised as one of New Zealand’s foremost printmakers with exhibitions at dealer and public galleries in New Zealand, Australia and the USA.
Faith, an art tutor at Northtech in Whangarei, says printmaking in New Zealand does not always enjoy the recognition and appreciation it deserves. “There are not many print galleries in New Zealand and there are probably more people collecting New Zealand prints in Australia than they do here.”
After learning the basics of art at high school Reina Cottier spent much of her life running a series of businesses and raising a family. About seven years ago she took a course dubbed ‘Awaken the Artist Within’, which, she says, “was not so much about learning how to paint, but more about expressing yourself from within and finding inspiration”.
Needless to say the artist within Reina was re-ignited. Not that it was ever that far away. With a theatre wardrobe mistress for a mother Reina had an unconventional upbringing, surrounded by art and craft and everything that went with it.
Painter and ceramicist, Aaron Scythe trained at the Carrington Polytech in Auckland in 1988 and East Sydney Polytech in 1989 where he developed an interest in Momoyama pots.
While working at the Sturt Craft Centre in NSW, Australia he built an Anagama Kiln and began investigating Shino glazes. In 1995 he travelled to Japan to study Minoyaki style pottery under master ceramicist Koie Ryoji. Aaron lived and worked in Japan until 2011 when he returned to New Zealand. During his time in Japan he held over 60 solo exhibitions and participated in many group shows and workshops. He is currently based in Whanganui East.
Claudia Recorean has been exhibiting her contemporary artwork in far-flung locations such as Germany and Mongolia and more recently right here in New Zealand. Here she tracks her career from the start.
The start of my artist career was marked, when I was ten years old and my grandfather sent me out to burn the rubbish. Watching the flames melt plastic into fluids and turning objects into new shapes initiated along lasting fascination with material transformation and the wish to spin straw into gold.
With nothing more than a deep-seated belief that art would be a major part of her life, internationally-recognised New Zealand ceramicist Maxine Waters decided after attending some night classes at Riccarton High School in Christchurch, that clay was to be her ‘thing’.
“I have had no formal art training, only a passion to learn everything yesterday,” Maxine says emphatically. Formal or not, Maxine says being an active membership of pottery clubs allowed her opportunity to participate in the many workshops from visiting international and local potters, which enhanced her skills and fuelled an inherent passion to create. “I was part of the successful potters co-operative ‘Classy Clay’ in Christchurch for around seven years then continued on my own, making and selling my domestic ware. At one stage employing three sales staff,” Maxine reveals.