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Guy duToit

JOYOUS ARTISAN

Born in South Africa and now a proud New Zealand citizen, Gideon (Guy) du Toit tried woodturning as a hobby and discovered a real passion and natural talent for it. He took his passion to France, where he studied at Ecole Escoulen, a woodturning school that was created in 2012 on the will of the municipality of Aiguines to promote the unique know-how of woodturners, knowledge which is deeply embedded in the cultural heritage of the territory. Guy qualified from here as a professional production and artistic woodturner.

“Giving up everything to go to France to study full-time was very hard. Not being able to speak French and having to be immersed in the school and classes full-time was exceptionally hard.”

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Stacey Moore

Stacyey Moore The NZ Artist

SIMPLY MYSELF

Although the pressure of creating art for NCEA at school left Stacey Moore keeping her creativity as a hobby, at the beginning of 2022, she got back into painting. In 2023 she then left her part-time teaching job to take the leap of faith and pursue her dream of painting full time.

Stacey pursued a career in Early Childhood, studying a Bachelor of Teaching in Early Childhood Education and has spent the last thirteen years teaching. “Over this time I engaged in various arty projects in my spare time but once I became a mother I didn’t create much art. I got back into painting at the beginning of 2022 when my youngest child was three years old. As a perfectionist I felt prompted by God to let go of my fear of failure before I started painting again, which I did and I’ve been painting freely ever since.”

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Sayed Sadat 1 Aotearoa Artist Magazine

Sayed Sadat

Sayed Sadat Aotearoa Artist Magazine

ESCAPE THROUGH ART

Sayed Sadat is an Afghan refugee who has had a remarkably difficult life. He tells us some of his story and illustrates how he came to be here and shares his work with us.

I am a self-taught artist, graphic designer and nature photographer. I never had formal study as my school was burnt down during the Russian invasion in 1979 when I was a year 10 student. My father was a high ranked Police Officer in Afghanistan during King Zahir Shah and president Dawood Khan, and he served his country for nearly 40 years. He, along with my two uncles (who were also army generals) were thrown in jail, right the same day when the Communist Regime took power. Fortunately, my father escaped and took refuge in Pakistan, and soon after that the government turned on me to arrest me or keep me as hostage to get to my father, who joined the opposition. I fled the country for my life and also to stay away from the war, which was started by the Russian invasion in my country, to join him and started living in exile as a refugee.

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Jo Rankin

jo-rankin-aotearoa-artistABSTRACT BALANCE

Formal training began for Jo Rankin when she graduated from the two year Nanette Cameron Interior Design School Auckland in 2008. Included in the training subjects were colour harmony, balance, styling and art history which also sparked her interest in painting and becoming an artist.

Moving to Kinloch in 2010, Jo joined a watercolour group in her local community. At the same time she joined Active Arts Taupō where she went every week to paint. “I had a great time there, being encouraged by other artists and making new friends.” Semi-retirement allowed her the time to explore her artistic dreams. “Loving colour and design led me to begin my journey as an artist. I have always been a voracious reader and love my collection of art books where I constantly find inspiration. Also our beautiful country and scenery fires my creative soul each day.”

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Deborah Taylor

Never having had any formal art training, Deborah Taylor attempted an online course a few years ago but found the deadlines and stress of it all too much as well as working full time. Other financial constraints had left her feeling inadequate and floundering and after being diagnosed with bipolar, she found art to be cathartic and a means with which to express herself. With a level 5 in Academic Writing, she also likes to write and compose poetry.

“I have always been interested in art since high school especially, my art teacher Mr Hebley was a great teacher. I did unfortunately muck around a lot and never passed art as a subject but I always kept on painting and creating art whenever I could. When my children were little I would always have art stuff set up for them to express themselves through drawing and painting or making salt dough craft. I started painting again when my children were older, as a hobby.”

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Laura Buchanan

Laura-Buchanan-aotearoa-artistTHE POTTERY PLACE

Switching between studio pottery and ceramic sculptures Laura Buchanan, also known as Lulu, has moved around New Zealand quite extensively, but has now settled in a small seaside community, near Whanganui. She introduces herself to us and tells us her story.

I started making clay sculptures about 15 years ago, while living at Muriwai Beach. My husband was a paramedic, so worked nights regularly. I’d get our two young daughters, Maddie and Pippa off to bed, then spend my evening creating with clay. The femine figures which were formed, related to that maternal stage of my life. Without access to a kiln I’d make silicone and plaster molds of the clay forms, to later cast the sculptures using concrete. 

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Alice Spittle

Alice Spittle-aotearoa-artistBeing an artist for Alice Spittle is all about being in nature, around harakeke, sharing time with her Nani’s and other artists, preparing fibre, weaving and most importantly, this is all so she can share and pass her knowledge to her children and future generations. “My children and husband are my motivation and constantly support and encourage me to follow my passion.”

Having studied Māori design and art at Te Wānanga O Raukawa (The University of Ōtaki) in 2001, with Pip Devonshire and Elaine Beven, Alice spent many years with influential weavers learning traditional arts practices. “In 2017 I went back to study level 5 raranga and focused on kete whakairo (finely woven patterned baskets) at Te Wānanga O Aotearoa with Morehu Flutey-Henare.” Her journey to becoming an artist began when she and her immediate family moved up to the Kapiti Coast. “My husband was working full time and I was home with our daughter. I didn’t know what I wanted to do, or even what I was passionate about. My mother-in-law brought me some paints and brushes and got me to try playing around with paint, which I really enjoyed. My stepfather and mother knew about the Te Wānanga O Raukawa and encouraged me to go check it out. I did and that was the start of me looking into raranga and painting. I had always been creative as my mother was always playing with clay or doing watercolours. so this felt comfortable for me.”

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Toni Tittleton

toni-tittleton-aotearoa-artistREFLECTIVE SCULPTING

Having always been creative and taking as many art classes as she could at school, but knowing nothing about glass casting, Toni Tittleton studied glass production and design at Whanganui Glass School, graduating with a diploma in 2012 and specialising in cast and kiln formed glass.

Pleased to have completed her diploma by the age of 20, once she had completed her studies she had to think outside the box – “I was challenged with the question all students face - what now? My goal was to create art for a living, however. I had no money for materials or to set up a studio.”

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UK ARTIST Danny Mooney

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When drawing people you would think it might help to actually remember their faces… What if you can’t remember them? British artist Danny Mooney suffers from facial blindness but finds that he can overcome this obstacle by focussing on other aspects of a person’s character, an approach that lends itself to caricatures.

“I can draw recognisable people with just a few lines without any real trouble,” he reveals. “I’ve been doing political cartoons. They’re an expression of my annoyance.  Cartoons are caricatures really. Say I’m doing a cartoon of British Prime Minister Boris Johnson… I can do the shape and the way he stands without too much effort. I look at a couple of other people’s cartoons of him and see that they all have little piggy eyes and droopy eyelids. For me the thing that makes Boris look like Boris is the hair, the round face, the fat body and the shabby suit. It doesn’t really need any additional features. That cartoon could be Donald trump or Boris Johnson. In order to produce political cartoons you have to stay abreast of the news but in order to stay sane you have to not stay abreast of the news! It’s a difficult tight rope to walk. I have always recognised people by their shape, the way they move, the way they walk, rather than by their faces. If I’m painting someone then those are the characteristics that are most important to me.”

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Ken Tanner

ken-tanner-aotearoa-artist-the-new-zealand-artist

ROOM TO MOVE

Brought up in the London suburbs and having studied art as a school subject, an enthusiastic teacher encouraged Ken Tanner to maintain his interest in art, which he has done for over 30 years. Training as an engineer and then working in construction management, Ken found there was not much room for creativity in his daytime work, so art as a hobby became a welcome respite, giving his creative mind room to move. He moved to New Zealand in 1974 but busy with his wife and children, and his work, he only really started to paint in the 1990s. Since then painting has become a large part of his life.

Ken’s inspiration, he says, is mostly to do with the creation of an image, rather than trying to convey some political message. “I really enjoy the realism but I did an abstract course some years ago and I now also enjoy developing the realistic image into a more abstract form.  I have entered some of these paintings into the Howick Art Group’s annual competition and they have taken 1st prize.  One of the judges, Evan Woodruff, said that the work was more abstractionism than pure abstract.”

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